Rosetti (Rösler), Antonio : Concerto G-Dur Murray C23 Francesco Antonio Rosetti (Rößler)

Titel (DE): Concerto G-Dur Murray C23 -
Titel (EN): Concerto G major Murray C23 -
Titel (FR): Concerto G major Murray C23 -
Komponist / Composer: Rosetti, Antonio
Herausgeber / Editor: Szebenyi, János
Bearbeiter / Arranger:
Illustrator:
Opus:
Werkverzeichnis: Murray C23
Besetzung / Instrumentation: Flöte und Orchester / flute and orchestra
Besetzungsdetails:
Kompositionsjahr / Date of Composition:
Aufführungsdauer / Duration: 19'
Verlag / Publisher: Schott Music
Erscheindungsdatum / Date of Publishing: 30.06.1989
Ausgabe / Publication: Streicher-Ergänzungssatz - Set of string parts (supplementary) - 2 Violinen I, 2 Violinen II, Viola, 2 Bassi
2 Violins I, 2 Violins II, Viola, 2 Bassi - - -
Seiten / Pages: 62
Verarbeitung: -
Schwierigkeitsgrad / Difficulty: mittelschwer - fortgeschritten - intermediate - advanced - moyen - avancé
Sprache / Language:
Reihe / Series:
ISMN: M-001-11726-5
ISMN-13: 979-0-001-11726-5
ISMN-EAN: 9790001117265
UPC:

F.A. Rössler (Antonio Rosetti), a Bohemian by birth, worked as court music director in Ludwigslust/Mecklenburg. He wrote 14 flute concertos altogether the most important of which is the concerto G major, Op. 14. The expanded head movement combines the sonata form with the ritornello technique of the concerto grosso. Right at the beginning, the basses of the Mannheimer-Walzermotiv make it clear that Rössler knows how to use effectively the orchestral technique of his time. Despite all motivic and thematic as well as harmonic abundance, -Rössler achieves in this concerto an almost natural musical unity.

[FR]
F.A. Rössler (Antonio Rosetti), a Bohemian by birth, worked as court music director in Ludwigslust/Mecklenburg. He wrote 14 flute concertos altogether the most important of which is the concerto G major, Op. 14. The expanded head movement combines the sonata form with the ritornello technique of the concerto grosso. Right at the beginning, the basses of the Mannheimer-Walzermotiv make it clear that Rössler knows how to use effectively the orchestral technique of his time. Despite all motivic and thematic as well as harmonic abundance, -Rössler achieves in this concerto an almost natural musical unity.