Orgelsinfonie Nr.7 (Von Ewigkeit zu Ewigkeit) : Enjott (Norbert Jürgen) Schneider

Titel (DE): Orgelsinfonie No. 7 - "Von Ewigkeit zu Ewigkeit"
Titel (EN): Orgelsinfonie No. 7 - "Von Ewigkeit zu Ewigkeit"
Titel (FR): Symphonie pour orgue n° 7 - "Von Ewigkeit zu Ewigkeit"
Komponist / Composer: Schneider, Enjott
Herausgeber / Editor:
Bearbeiter / Arranger:
Illustrator:
Opus:
Werkverzeichnis:
Besetzung / Instrumentation: Orgel / organ
Besetzungsdetails:
Kompositionsjahr / Date of Composition: 2009
Aufführungsdauer / Duration: 24'
Verlag / Publisher: Schott Music
Erscheindungsdatum / Date of Publishing: 28.07.2010
Ausgabe / Publication: - -
- - -
Seiten / Pages: 52
Verarbeitung: Rückendrahtheftung - Saddle-wire stitching
Schwierigkeitsgrad / Difficulty: fortgeschritten - advanced - avancé
Sprache / Language:
Reihe / Series: Edition Schott
ISMN: M-001-16880-9
ISMN-13: 979-0-001-16880-9
ISMN-EAN: 9790001168809
UPC:

Each organ symphony by Enjott Schneider has its own colour and its own theme. Organ Symphony No. 7 'Von Ewigkeit zu Ewigkeit' is dominated by the theme of 'time': from the flowing rumbling of time in ancient beginnings ('In principio' - 1st movement) and periodic to the intellectually incomprehensible revolving ('Zeit der Sterne' - 2nd movement). After the third movement ('Zeit des Menschen'), a valse triste, infused by an almost humorous hectic atmosphere, the symphony ends with a kind of 'Amen!' in the fourth movement. Schneider sums it up: 'It is good as it is, we do not understand the course of time anyway.' With regard to style, his composition is based on elements of minimal music which he combines with the tradition of the European organ composition; it is at the same time a testimony to the composer's flexibility and versatility.
Die Orgelsinfonie Nr. 7 ´"Von Ewigkeit zu Ewigkeit" ist vom kompositorischen Rohstoff "Zeit" bestimmt. Stilistisch basiert die Komposition auf Elementen der Minimal Music, die Schneider mit der Tradition der europäischen Orgelkomposition verbindet.
I In Principio - II Zeit der Sterne - III Zeit des Menschen - IV Finale: Amen

[FR]
Each organ symphony by Enjott Schneider has its own colour and its own theme. Organ Symphony No. 7 'Von Ewigkeit zu Ewigkeit' is dominated by the theme of 'time': from the flowing rumbling of time in ancient beginnings ('In principio' - 1st movement) and periodic to the intellectually incomprehensible revolving ('Zeit der Sterne' - 2nd movement). After the third movement ('Zeit des Menschen'), a valse triste, infused by an almost humorous hectic atmosphere, the symphony ends with a kind of 'Amen!' in the fourth movement. Schneider sums it up: 'It is good as it is, we do not understand the course of time anyway.' With regard to style, his composition is based on elements of minimal music which he combines with the tradition of the European organ composition; it is at the same time a testimony to the composer's flexibility and versatility.
La symphonie pour orgue n° 7 " von Ewigkeit zu Ewigkeit" ("d'éternité à éternité") est dominée par le thème du "temps". Au regard du style, l'oeuvre se base sur des éléments de la musique minimaliste que le compositeur relie à la tradition de la composition européenne pour orgue.
I In Principio - II Zeit der Sterne - III Zeit des Menschen - IV Finale: Amen