Musica arcaica Nr.1 : für Violine, Enjott (Norbert Jürgen) Schneider

Titel (DE): Musica arcaica No. 1 - Studien zum zyprischen Volkslied "Der Hirt"
Titel (EN): Musica arcaica No. 1 - Studies on the Cypriot Folk Song 'The Shepherd'
Titel (FR): Musica arcaica No. 1 - Studies on the Cypriot Folk Song 'The Shepherd'
Komponist / Composer: Schneider, Enjott
Herausgeber / Editor:
Bearbeiter / Arranger:
Illustrator:
Opus:
Werkverzeichnis:
Besetzung / Instrumentation: Violine, Violoncello und Klavier / violin, cello and piano
Besetzungsdetails:
Kompositionsjahr / Date of Composition: 2008
Aufführungsdauer / Duration: 11'
Verlag / Publisher: Schott Music
Erscheindungsdatum / Date of Publishing: 18.01.2010
Ausgabe / Publication: Partitur und Stimmen - Score and parts -
- - -
Seiten / Pages: 52
Verarbeitung: Rückendrahtheftung - Saddle-wire stitching
Schwierigkeitsgrad / Difficulty: schwer - difficult - difficile
Sprache / Language:
Reihe / Series: Edition Schott
ISMN: M-001-16862-5
ISMN-13: 979-0-001-16862-5
ISMN-EAN: 9790001168625
UPC:

'Musica arcaica No.1' is the first piece in a series of chamber music works in which Schneider as a composer examines music of other cultures (songs, dances among others). The old Cypriot shepherd's song Voskos inspired the composer to apply the archaic composition techniques of drone, heterophony and ostinato. The song expresses different moods: The first half of the song is dominated by the yearning lament 'Im Pferch eingesperrt bin ich geboren, im Pferch werde ich sterben'. The second half sets the ecstatically and defiantly, but also proudly sustained thought of death 'Niemand von euch kennt den Tod, noch das Altern!' to music. Schneider presents these emotions in a convincing and exciting manner by means of instruments.

I Bordun - II Quasi unisono - III Ostinato

[FR]
'Musica arcaica No.1' is the first piece in a series of chamber music works in which Schneider as a composer examines music of other cultures (songs, dances among others). The old Cypriot shepherd's song Voskos inspired the composer to apply the archaic composition techniques of drone, heterophony and ostinato. The song expresses different moods: The first half of the song is dominated by the yearning lament 'Im Pferch eingesperrt bin ich geboren, im Pferch werde ich sterben'. The second half sets the ecstatically and defiantly, but also proudly sustained thought of death 'Niemand von euch kennt den Tod, noch das Altern!' to music. Schneider presents these emotions in a convincing and exciting manner by means of instruments.

I Bordun - II Quasi unisono - III Ostinato