Am Ufer der Vernunft : für Trompete, Enjott (Norbert Jürgen) Schneider

Titel (DE): Am Ufer der Vernunft - Valentiniade für Trompete, Posaune und Klavier
Titel (EN): Am Ufer der Vernunft - Valentiniade for Trumpet, Trombone and Piano
Titel (FR): Am Ufer der Vernunft - Valentiniade for Trumpet, Trombone and Piano
Komponist / Composer: Schneider, Enjott
Herausgeber / Editor:
Bearbeiter / Arranger:
Illustrator:
Opus:
Werkverzeichnis:
Besetzung / Instrumentation: Trompete, Posaune und Klavier / trumpet, trombone and piano
Besetzungsdetails:
Kompositionsjahr / Date of Composition: 2008
Aufführungsdauer / Duration: 19'
Verlag / Publisher: Schott Music
Erscheindungsdatum / Date of Publishing: 18.01.2010
Ausgabe / Publication: Partitur und Stimmen - Score and parts -
- - -
Seiten / Pages: 76
Verarbeitung: Rückendrahtheftung - Saddle-wire stitching
Schwierigkeitsgrad / Difficulty: fortgeschritten - advanced - avancé
Sprache / Language:
Reihe / Series: Edition Schott
ISMN: M-001-16863-2
ISMN-13: 979-0-001-16863-2
ISMN-EAN: 9790001168632
UPC:

In this trio, the composer Enjott Schneider again displays his inventiveness which is of course pushed to its limits due to the reference to the famous character Karl Valentin from Munich. By using musical means which even include theatrical effects, Schneider succeeds in creating a loving homage to Karl Valentin (1882-1948) and his leftist thinking, to his bizarre logic and word acrobatics, to the escalating prevention and destructive performance. Schneider has been professor of music theory, meanwhile of film composition, in Munich since 1979. His extensive activities as a composer, performer, music writer and lecturer make him a versatile musician whose compositional oeuvre ranges from 'classic' avant-garde to pop.

I Galopp 1: Der Vorstadt-Hypochonder - II Der Wuhwuh kommt... - III Galopp 2: Revolutionszwetschgen - IV Kurzer Rede langer Sinn - V Galopp 3: Tingel-Tangel

[FR]
In this trio, the composer Enjott Schneider again displays his inventiveness which is of course pushed to its limits due to the reference to the famous character Karl Valentin from Munich. By using musical means which even include theatrical effects, Schneider succeeds in creating a loving homage to Karl Valentin (1882-1948) and his leftist thinking, to his bizarre logic and word acrobatics, to the escalating prevention and destructive performance. Schneider has been professor of music theory, meanwhile of film composition, in Munich since 1979. His extensive activities as a composer, performer, music writer and lecturer make him a versatile musician whose compositional oeuvre ranges from 'classic' avant-garde to pop.

I Galopp 1: Der Vorstadt-Hypochonder - II Der Wuhwuh kommt... - III Galopp 2: Revolutionszwetschgen - IV Kurzer Rede langer Sinn - V Galopp 3: Tingel-Tangel