3 lateinische Motetten op.38 : für gem Chor Charles Villiers Stanford

Titel (DE): Drei lateinische Motetten op. 38 - Justorum animae - Coelos ascendit hodie - Beati quorum via (Psalm 119,1)
Titel (EN): Three Latin Motets op. 38 - Justorum animae - Coelos ascendit hodie - Beati quorum via
Titel (FR): Trois motets latins op. 38 - Justorum animae - Coelos ascendit hodie - Beati quorum via
Komponist / Composer: Stanford, Charles Villiers
Herausgeber / Editor: Heizmann, Klaus
Bearbeiter / Arranger:
Illustrator:
Opus: op. 38
Werkverzeichnis:
Besetzung / Instrumentation: 4-8 stimmiger gemischter Chor, Klavier ad libitum / mixed choir, piano ad libitum
Besetzungsdetails:
Kompositionsjahr / Date of Composition:
Aufführungsdauer / Duration:
Verlag / Publisher: Schott Music
Erscheindungsdatum / Date of Publishing: 28.11.2012
Ausgabe / Publication: Chorpartitur - Choral score -
- - -
Seiten / Pages: 28
Verarbeitung: Rückendrahtheftung - Saddle-wire stitching
Schwierigkeitsgrad / Difficulty: mittelschwer - schwer - intermediate - difficult - moyen - difficile
Sprache / Language: Lateinisch
Reihe / Series:
ISMN: M-001-19026-8
ISMN-13: 979-0-001-19026-8
ISMN-EAN: 9790001190268
UPC:

Influenced by Felix Mendelssohn Bartholdy, the Irish composer Sir Charles Villiers Stanford (1852-1924) developed an English Romantic musical language of his own. This is noticeable especially in his three Latin motets in which a typically 'English' tone prevails which is characterized by extremely flowing melodies, smooth harmonies and great singability and rather avoids any stark contrasts. Together with Edward Elgar and Hubert Parry, Stanford greatly contributed to the renovation of English music. These three compositions are perfect for church services and concerts.
C'est sous l'influence de Mendelssohn que le compositeur irlandais Sir Charles Villiers Stanford (1852-1924) a développé le langage musical romantique anglais qui lui est propre. Il règne en effet dans ces trois motets un ton typiquement anglais, caractérisé par ses mélodies, son harmonie et son côté chantant. Avec Elgar et Parry, il a largement contribué au renouveau de la musique anglaise.

[FR]
Influenced by Felix Mendelssohn Bartholdy, the Irish composer Sir Charles Villiers Stanford (1852-1924) developed an English Romantic musical language of his own. This is noticeable especially in his three Latin motets in which a typically 'English' tone prevails which is characterized by extremely flowing melodies, smooth harmonies and great singability and rather avoids any stark contrasts. Together with Edward Elgar and Hubert Parry, Stanford greatly contributed to the renovation of English music. These three compositions are perfect for church services and concerts.
C'est sous l'influence de Mendelssohn que le compositeur irlandais Sir Charles Villiers Stanford (1852-1924) a développé le langage musical romantique anglais qui lui est propre. Il règne en effet dans ces trois motets un ton typiquement anglais, caractérisé par ses mélodies, son harmonie et son côté chantant. Avec Elgar et Parry, il a largement contribué au renouveau de la musique anglaise.