The Stranger Bill Dobbins

Titel (DE): The Stranger -
Titel (EN): The Stranger -
Titel (FR): The Stranger -
Komponist / Composer: Dobbins, Bill / Dobbins, William
Herausgeber / Editor:
Bearbeiter / Arranger:
Illustrator:
Opus:
Werkverzeichnis:
Besetzung / Instrumentation: Sopran- oder Tenor-Saxophon, Streichorchester, Harfe und Schlagzeug / soprano or tenor saxophone, string orchestra, harp and percussion
Besetzungsdetails: Solo Part in B flat, 8x Violin 1, 8x Violin 2, 4x Viola, 4x Violoncello, 4x Double Bass, Harp, 2 - Percussion (2 Players: Snare Drum, Sus. Cymbal, Ride Cymbal, Triangel, Maracas)
Kompositionsjahr / Date of Composition:
Aufführungsdauer / Duration:
Verlag / Publisher: advance music
Erscheindungsdatum / Date of Publishing: 01.01.2001
Ausgabe / Publication: Partitur - Score -
- - -
Seiten / Pages: 16
Verarbeitung: Rückendrahtheftung - Saddle-wire stitching
Schwierigkeitsgrad / Difficulty: schwer - difficult - difficile
Sprache / Language:
Reihe / Series:
ISMN: M-2063-0614-3
ISMN-13: 979-0-2063-0614-3
ISMN-EAN: 9790206306143
UPC: 805095400113

The Stranger is titled after the novel of the same name by the French existentialist philosopher and writer Albert Camus. The piece seems to capture some of the general mood of the story, with its underlying feeling of melancholy and sense of inevitability. Since the music is written in an even eighth-note style, with either a contemporary classical or a Latin rhythmic feeling, the string section is not required to phrase in a jazz or swing style. The use of light percussion rather than a drum set makes the arrangement ideal for acoustic performance, without amplification.

[FR]
The Stranger is titled after the novel of the same name by the French existentialist philosopher and writer Albert Camus. The piece seems to capture some of the general mood of the story, with its underlying feeling of melancholy and sense of inevitability. Since the music is written in an even eighth-note style, with either a contemporary classical or a Latin rhythmic feeling, the string section is not required to phrase in a jazz or swing style. The use of light percussion rather than a drum set makes the arrangement ideal for acoustic performance, without amplification.

string orchestra, harp and percussion score