PRELUDES VOL.3 - FOR PIANO Bill Dobbins
Titel (DE): Preludes Vol. 3 -
Titel (EN): Preludes Vol. 3 -
Titel (FR): Preludes -
Komponist / Composer: Dobbins, Bill / Dobbins, William
Herausgeber / Editor:
Bearbeiter / Arranger:
Illustrator:
Opus:
Werkverzeichnis:
Besetzung / Instrumentation: Klavier / piano
Besetzungsdetails:
Kompositionsjahr / Date of Composition:
Aufführungsdauer / Duration:
Verlag / Publisher: advance music
Erscheindungsdatum / Date of Publishing: 01.01.1999
Ausgabe / Publication: Spielbuch - Tune book -
- - -
Seiten / Pages: 40
Verarbeitung: Rückendrahtheftung - Saddle-wire stitching
Schwierigkeitsgrad / Difficulty: - -
Sprache / Language: Deutsch Englisch Französisch
Reihe / Series:
ISMN: M-2063-0931-1
ISMN-13: 979-0-2063-0931-1
ISMN-EAN: 9790206309311
UPC:
Titel (EN): Preludes Vol. 3 -
Titel (FR): Preludes -
Komponist / Composer: Dobbins, Bill / Dobbins, William
Herausgeber / Editor:
Bearbeiter / Arranger:
Illustrator:
Opus:
Werkverzeichnis:
Besetzung / Instrumentation: Klavier / piano
Besetzungsdetails:
Kompositionsjahr / Date of Composition:
Aufführungsdauer / Duration:
Verlag / Publisher: advance music
Erscheindungsdatum / Date of Publishing: 01.01.1999
Ausgabe / Publication: Spielbuch - Tune book -
- - -
Seiten / Pages: 40
Verarbeitung: Rückendrahtheftung - Saddle-wire stitching
Schwierigkeitsgrad / Difficulty: - -
Sprache / Language: Deutsch Englisch Französisch
Reihe / Series:
ISMN: M-2063-0931-1
ISMN-13: 979-0-2063-0931-1
ISMN-EAN: 9790206309311
UPC:
Six preludes for solo piano using vocabulary from both the classical and the jazz traditions. Prelude XIII (G flat) focuses on a lovely right hand melody that sits on top a constantly shifting set of rich and increasingly chromatic harmonies. The first improvised section suggests Debussy colors, while the second improvisation calls for a more traditional harmonic relationship, giving the pianist ample opportunities to discover intriguing roads to travel. Prelude XV (B) is a hauntingly beautiful waltz that cries out for tenderness and sensitivity in both the written and improvised sections. As with so much of Dobbins writing, the prominence of singing melodies over complex yet appealing sonorities allows the pianist to access a wide tonal range at the keyboard. Prelude XVII (E) is a brilliantly conceived study for the left hand alone. Again dipping into his rich harmonic "bag of tricks", Dobbins provides the pianist broad stokes with which to paint. Prelude XVIII (C sharp minor) is a rhythmic tour de force, a modern jazz etude that demands a strong drive, steel fingers, and a quick touch. As in the previous two sets of Preludes, Dobbins has given the modern pianist a veritable new world to explore and to bring to modern audiences. He is challenging each kind of pianist (the non-improvising classical and the jazz pianist who may not perform written scores as a rule) to introduce themselves to the others way of communication. And in doing so, he is providing a fascinating, pianistic, and unique set of pieces, and possibilities for personal expression that become ever more personal each performance.
Prelude XIII Prelude IV Prelude XV Prelude XVI Prelude XVII Prelude XVIII
Prelude XIII Prelude IV Prelude XV Prelude XVI Prelude XVII Prelude XVIII
[FR]
Six preludes for solo piano using vocabulary from both the classical and the jazz traditions. Prelude XIII (G flat) focuses on a lovely right hand melody that sits on top a constantly shifting set of rich and increasingly chromatic harmonies. The first improvised section suggests Debussy colors, while the second improvisation calls for a more traditional harmonic relationship, giving the pianist ample opportunities to discover intriguing roads to travel. Prelude XV (B) is a hauntingly beautiful waltz that cries out for tenderness and sensitivity in both the written and improvised sections. As with so much of Dobbins writing, the prominence of singing melodies over complex yet appealing sonorities allows the pianist to access a wide tonal range at the keyboard. Prelude XVII (E) is a brilliantly conceived study for the left hand alone. Again dipping into his rich harmonic "bag of tricks", Dobbins provides the pianist broad stokes with which to paint. Prelude XVIII (C sharp minor) is a rhythmic tour de force, a modern jazz etude that demands a strong drive, steel fingers, and a quick touch. As in the previous two sets of Preludes, Dobbins has given the modern pianist a veritable new world to explore and to bring to modern audiences. He is challenging each kind of pianist (the non-improvising classical and the jazz pianist who may not perform written scores as a rule) to introduce themselves to the others way of communication. And in doing so, he is providing a fascinating, pianistic, and unique set of pieces, and possibilities for personal expression that become ever more personal each performance.
Prelude XIII Prelude IV Prelude XV Prelude XVI Prelude XVII Prelude XVIII
Titel / Title: Preludes Vol. 3 - for piano
Herausgeber / Publisher: Advance Music
Instrumentation: Klavier
Produkttyp / Product: Buch
Produkttyp / Product: Buch
Erscheinungsdatum / Date of Production: 1999
ISMN: 9790206309311
ISBN: 9783892212430
00
Six preludes for solo piano using vocabulary from both the classical and the jazz traditions. Prelude XIII (G flat) focuses on a lovely right hand melody that sits on top a constantly shifting set of rich and increasingly chromatic harmonies. The first improvised section suggests Debussy colors, while the second improvisation calls for a more traditional harmonic relationship, giving the pianist ample opportunities to discover intriguing roads to travel. Prelude XV (B) is a hauntingly beautiful waltz that cries out for tenderness and sensitivity in both the written and improvised sections. As with so much of Dobbins writing, the prominence of singing melodies over complex yet appealing sonorities allows the pianist to access a wide tonal range at the keyboard. Prelude XVII (E) is a brilliantly conceived study for the left hand alone. Again dipping into his rich harmonic "bag of tricks", Dobbins provides the pianist broad stokes with which to paint. Prelude XVIII (C sharp minor) is a rhythmic tour de force, a modern jazz etude that demands a strong drive, steel fingers, and a quick touch. As in the previous two sets of Preludes, Dobbins has given the modern pianist a veritable new world to explore and to bring to modern audiences. He is challenging each kind of pianist (the non-improvising classical and the jazz pianist who may not perform written scores as a rule) to introduce themselves to the others way of communication. And in doing so, he is providing a fascinating, pianistic, and unique set of pieces, and possibilities for personal expression that become ever more personal each performance.
Prelude XIII Prelude IV Prelude XV Prelude XVI Prelude XVII Prelude XVIII
Titel / Title: Preludes Vol. 3 - for piano
Herausgeber / Publisher: Advance Music
Instrumentation: Klavier
Produkttyp / Product: Buch
Produkttyp / Product: Buch
Erscheinungsdatum / Date of Production: 1999
ISMN: 9790206309311
ISBN: 9783892212430
00
Product information
Order id: 695111
Difficulty: -
Duration: --:-- min
Pages: 40
publisher id: ADV 9028
EAN: 9783892212430
Difficulty: -
Duration: --:-- min
Pages: 40
publisher id: ADV 9028
EAN: 9783892212430
Composer: Bill Dobbins
Arranger: -
Publisher: Advance Music - Veronika Gruber GmbH
Instrumentation: Kammermusik / Ensemble
Arranger: -
Publisher: Advance Music - Veronika Gruber GmbH
Instrumentation: Kammermusik / Ensemble
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