In memoriam Anton Bruckner op.91a : Bertold Hummel

Titel (DE): In memoriam Anton Bruckner op. 91a -
Titel (EN): In memoriam Anton Bruckner op. 91a -
Titel (FR): In memoriam Anton Bruckner op. 91a -
Komponist / Composer: Hummel, Bertold
Herausgeber / Editor:
Bearbeiter / Arranger:
Illustrator:
Opus: op. 91a
Werkverzeichnis:
Besetzung / Instrumentation: Orgel / organ
Besetzungsdetails:
Kompositionsjahr / Date of Composition: 1989
Aufführungsdauer / Duration: 26'
Verlag / Publisher: Schott Music
Erscheindungsdatum / Date of Publishing: 08.04.2014
Ausgabe / Publication: - -
- - -
Seiten / Pages: 46
Verarbeitung: Rückendrahtheftung - Saddle-wire stitching
Schwierigkeitsgrad / Difficulty: - -
Sprache / Language:
Reihe / Series: Edition Schott
ISMN: M-001-19123-4
ISMN-13: 979-0-001-19123-4
ISMN-EAN: 9790001191234
UPC:

The three-movement piece refers to Bruckner's music in different ways: in the first movement, Hummel used the initials A-B and the beginning of the main theme from Symphony No. 8; in the second movement, the first four tones of the 'Adagio' from Symphony No. 9 play a major role, and the third movement, a toccata-like finale, gets its life from further tone sequences and motifs of Bruckner. The work ends in a majestic climax. This piece is a rather demanding, yet rewarding piece for any interpreter, and its performance in the church is extremely effective.

I (ohne Satzbezeichnung) - II Adagio - III (ohne Satzbezeichnung)

[FR]
The three-movement piece refers to Bruckner's music in different ways: in the first movement, Hummel used the initials A-B and the beginning of the main theme from Symphony No. 8; in the second movement, the first four tones of the 'Adagio' from Symphony No. 9 play a major role, and the third movement, a toccata-like finale, gets its life from further tone sequences and motifs of Bruckner. The work ends in a majestic climax. This piece is a rather demanding, yet rewarding piece for any interpreter, and its performance in the church is extremely effective.

I (ohne Satzbezeichnung) - II Adagio - III (ohne Satzbezeichnung)