Sonata Brevis op. 95a Bertold Hummel
Titel (DE): Sonata Brevis op. 95a -
Titel (EN): Sonata Brevis op. 95a -
Titel (FR): Sonata Brevis op. 95a -
Komponist / Composer: Hummel, Bertold
Herausgeber / Editor:
Bearbeiter / Arranger:
Illustrator:
Opus: op. 95a
Werkverzeichnis:
Besetzung / Instrumentation: Alt-Saxophon und Klavier / alto saxophone and piano
Besetzungsdetails:
Kompositionsjahr / Date of Composition: 1991
Aufführungsdauer / Duration: 18'
Verlag / Publisher: advance music
Erscheindungsdatum / Date of Publishing: 01.01.1994
Ausgabe / Publication: Partitur und Stimme - Score and part -
- - -
Seiten / Pages: 44
Verarbeitung: Rückendrahtheftung - Saddle-wire stitching
Schwierigkeitsgrad / Difficulty: schwer - difficult - difficile
Sprache / Language:
Reihe / Series:
ISMN: M-2063-0687-7
ISMN-13: 979-0-2063-0687-7
ISMN-EAN: 9790206306877
UPC: 805095070361
Titel (EN): Sonata Brevis op. 95a -
Titel (FR): Sonata Brevis op. 95a -
Komponist / Composer: Hummel, Bertold
Herausgeber / Editor:
Bearbeiter / Arranger:
Illustrator:
Opus: op. 95a
Werkverzeichnis:
Besetzung / Instrumentation: Alt-Saxophon und Klavier / alto saxophone and piano
Besetzungsdetails:
Kompositionsjahr / Date of Composition: 1991
Aufführungsdauer / Duration: 18'
Verlag / Publisher: advance music
Erscheindungsdatum / Date of Publishing: 01.01.1994
Ausgabe / Publication: Partitur und Stimme - Score and part -
- - -
Seiten / Pages: 44
Verarbeitung: Rückendrahtheftung - Saddle-wire stitching
Schwierigkeitsgrad / Difficulty: schwer - difficult - difficile
Sprache / Language:
Reihe / Series:
ISMN: M-2063-0687-7
ISMN-13: 979-0-2063-0687-7
ISMN-EAN: 9790206306877
UPC: 805095070361
This work in three movements was written in 1991 at the suggestion of the Canadian saxophonist Normand DesChênes. The character of the opening movement is determined by the sonata form with two themes. The first theme takes on, in the course of its development, a jazz-like diction. In contrast, the second theme has the character of a ländler. As the movement continues, interactions and contrasts between the two themes create charming moments. The second movement, Sostenuto, has the form of an arch. Above a pedal-point, the melodic material of the movement is presented. Arioso, chorale-like episodes alternate with recitative-like insertions. At the medial section of the movement, the Gregorian hymn "Veni creator spiritus" is heard - played by the saxophone. A substantially reduced reprise closes the movement in extreme pianissimo. The final movement, Presto, with its variable metrical structure, has a rondo-like character. Three different musical ideas emerge and are tossed together into a colourful mixture. A terse Stretta concludes this playfully virtuoso movement.
Allegro - Sostenuto - Presto
This work in three movements was written in 1991 at the suggestion of the Canadian saxophonist Normand DesChênes.The character of the opening movement is determined by the sonata form with two themes. The first theme takes on, in the course of its development, a jazz-like diction. In contrast, the second theme has the character of a ländler. As the movement continues, interactions and contrasts between the two themes create charming moments.The second movement, Sostenuto, has the form of an arch. Above a pedal-point, the melodic material of the movement is presented. Arioso, chorale-like episodes alternate with recitative-like insertions. At the medial section of the movement, the Gregorian hymn Veni creator spiritus is heard - played by the saxophone. A substantially reduced reprise closes the movement in extreme pianissimo.The final movement, Presto, with its variable metrical structure, has a rondo-like character. Three different musical ideas emerge and are tossed together into a colourful mixture. A terse Stretta concludes this playfully virtuoso movement.
Allegro - Sostenuto - Presto
This work in three movements was written in 1991 at the suggestion of the Canadian saxophonist Normand DesChênes.The character of the opening movement is determined by the sonata form with two themes. The first theme takes on, in the course of its development, a jazz-like diction. In contrast, the second theme has the character of a ländler. As the movement continues, interactions and contrasts between the two themes create charming moments.The second movement, Sostenuto, has the form of an arch. Above a pedal-point, the melodic material of the movement is presented. Arioso, chorale-like episodes alternate with recitative-like insertions. At the medial section of the movement, the Gregorian hymn Veni creator spiritus is heard - played by the saxophone. A substantially reduced reprise closes the movement in extreme pianissimo.The final movement, Presto, with its variable metrical structure, has a rondo-like character. Three different musical ideas emerge and are tossed together into a colourful mixture. A terse Stretta concludes this playfully virtuoso movement.
[FR]
This work in three movements was written in 1991 at the suggestion of the Canadian saxophonist Normand DesChênes. The character of the opening movement is determined by the sonata form with two themes. The first theme takes on, in the course of its development, a jazz-like diction. In contrast, the second theme has the character of a ländler. As the movement continues, interactions and contrasts between the two themes create charming moments. The second movement, Sostenuto, has the form of an arch. Above a pedal-point, the melodic material of the movement is presented. Arioso, chorale-like episodes alternate with recitative-like insertions. At the medial section of the movement, the Gregorian hymn "Veni creator spiritus" is heard - played by the saxophone. A substantially reduced reprise closes the movement in extreme pianissimo. The final movement, Presto, with its variable metrical structure, has a rondo-like character. Three different musical ideas emerge and are tossed together into a colourful mixture. A terse Stretta concludes this playfully virtuoso movement.
Allegro - Sostenuto - Presto
Rückendrahtheftung
Opus: op. 95a
Kompositionsjahr: 1991
Ausgabe: Partitur und Stimme / score and part
ISBN: 978-3-89221-395-6
ISMN: 979-0-2063-0687-7
This work in three movements was written in 1991 at the suggestion of the Canadian saxophonist Normand DesChênes. The character of the opening movement is determined by the sonata form with two themes. The first theme takes on, in the course of its development, a jazz-like diction. In contrast, the second theme has the character of a ländler. As the movement continues, interactions and contrasts between the two themes create charming moments. The second movement, Sostenuto, has the form of an arch. Above a pedal-point, the melodic material of the movement is presented. Arioso, chorale-like episodes alternate with recitative-like insertions. At the medial section of the movement, the Gregorian hymn "Veni creator spiritus" is heard - played by the saxophone. A substantially reduced reprise closes the movement in extreme pianissimo. The final movement, Presto, with its variable metrical structure, has a rondo-like character. Three different musical ideas emerge and are tossed together into a colourful mixture. A terse Stretta concludes this playfully virtuoso movement.
Allegro - Sostenuto - Presto
Rückendrahtheftung
Opus: op. 95a
Kompositionsjahr: 1991
Ausgabe: Partitur und Stimme / score and part
ISBN: 978-3-89221-395-6
ISMN: 979-0-2063-0687-7
Inhalt / Content:
I Allegro - II Sostenuto - III Presto
I Allegro - II Sostenuto - III Presto
Product information
Order id: 891013
Difficulty: 5 (5)
Duration: 18 min
Pages: 44
publisher id: ADV 7036
EAN: 9783892213956
Difficulty: 5 (5)
Duration: 18 min
Pages: 44
publisher id: ADV 7036
EAN: 9783892213956
Composer: Bertold Hummel
Arranger: -
Publisher: Advance Music - Veronika Gruber GmbH
Instrumentation: Kammermusik / Ensemble
Arranger: -
Publisher: Advance Music - Veronika Gruber GmbH
Instrumentation: Kammermusik / Ensemble
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