Vergehn wie Rauch : für gem Chor Benjamin Schweitzer

Titel (DE): vergehn wie Rauch - Gemischten Chor (SSAATTBB) und optionales Blechbläserquartett auf Texte deutscher Barockdichter
Titel (EN): vergehn wie Rauch - Mixed choir (SSAATTBB) and optional brass quartet based on texts by German Baroque poets
Titel (FR): vergehn wie Rauch - Mixed choir (SSAATTBB) and optional brass quartet based on texts by German Baroque poets
Komponist / Composer: Schweitzer, Benjamin
Herausgeber / Editor:
Bearbeiter / Arranger:
Illustrator:
Opus:
Werkverzeichnis:
Besetzung / Instrumentation: gemischter Chor (SSAATTBB), Trompete in B, Horn in F, Posaune und Tuba / mixed choir (SSAATTBB), trumpet in Bb, horn in F, trombone and tuba
Besetzungsdetails: 0 · 0 · 0 · 0 - 1 · 1 · 1 · 1
Kompositionsjahr / Date of Composition: 2010 - 2011
Aufführungsdauer / Duration: 16'
Verlag / Publisher: Schott Music
Erscheindungsdatum / Date of Publishing: 12.02.2013
Ausgabe / Publication: Partitur - Score - Partitur = Chorpartitur
score = choral score - - -
Seiten / Pages: 72
Verarbeitung: Rückendrahtheftung - Saddle-wire stitching
Schwierigkeitsgrad / Difficulty: schwer - difficult - difficile
Sprache / Language: Deutsch
Reihe / Series:
ISMN: M-001-18095-5
ISMN-13: 979-0-001-18095-5
ISMN-EAN: 9790001180955
UPC:

The acerbic and bizarre opulence of Baroque lyrical poetry sets the tone for vergehn wie Rauch (vanish like smoke). The interlinked themes running through the poems, expressed with similar linguistic devices, enables the interlacing of the various texts. The choral timbre remains 'intact' in the traditional sense of the term. An absence of spectacular effects focuses the attention on the fine-tuned differentiation in harmony, dynamics, vocal coupling and the textual structure in the individual vocal parts. The optional brass ensemble blends almost throughout with the choral texture: this enables vergehn wie Rauch to be performed a capella according to both the modern and original meanings of the term. Benjamin Schweitzer

I Hofmannswaldau I (ruhig fließend) - II Gryphius (zügig) · Interludium (senza tempo) - III Opitz (äußerst langsam) - IV Harsdörffer (mäßig bewegt) - V Brockes (leicht) - VI Hofmannswaldau II (fließend) - VII Logau (geschwind)

[FR]
The acerbic and bizarre opulence of Baroque lyrical poetry sets the tone for vergehn wie Rauch (vanish like smoke). The interlinked themes running through the poems, expressed with similar linguistic devices, enables the interlacing of the various texts. The choral timbre remains 'intact' in the traditional sense of the term. An absence of spectacular effects focuses the attention on the fine-tuned differentiation in harmony, dynamics, vocal coupling and the textual structure in the individual vocal parts. The optional brass ensemble blends almost throughout with the choral texture: this enables vergehn wie Rauch to be performed a capella according to both the modern and original meanings of the term. Benjamin Schweitzer

I Hofmannswaldau I (ruhig fließend) - II Gryphius (zügig) · Interludium (senza tempo) - III Opitz (äußerst langsam) - IV Harsdörffer (mäßig bewegt) - V Brockes (leicht) - VI Hofmannswaldau II (fließend) - VII Logau (geschwind)