Entschlackt : für Oboe, Trompete (in B und C), Benjamin Schweitzer

Titel (DE): entschlackt (Piece in Two Parts) -
Titel (EN): entschlackt (Piece in Two Parts) -
Titel (FR): entschlackt (Piece in Two Parts) -
Komponist / Composer: Schweitzer, Benjamin
Herausgeber / Editor:
Bearbeiter / Arranger:
Illustrator:
Opus:
Werkverzeichnis:
Besetzung / Instrumentation: Oboe, Trompete (in B und C), Violoncello und Klavier / oboe, trumpet (in Bb and C), cello and piano
Besetzungsdetails:
Kompositionsjahr / Date of Composition: 2006 - 2007
Aufführungsdauer / Duration: 10'
Verlag / Publisher: Schott Music
Erscheindungsdatum / Date of Publishing: 28.04.2008
Ausgabe / Publication: Partitur (zugleich Spielpartitur) - Score (also performing score) - 4 Exemplare
4x - - -
Seiten / Pages: 144
Verarbeitung: Rückendrahtheftung - Saddle-wire stitching
Schwierigkeitsgrad / Difficulty: schwer - difficult - difficile
Sprache / Language:
Reihe / Series: Edition Schott
ISMN: M-001-15219-8
ISMN-13: 979-0-001-15219-8
ISMN-EAN: 9790001152198
UPC:

entschlackt [Piece in Two Parts] resulted from an attempt to write music that is clear, precise and concentrated without being superficially 'simple. The purged' or cleansed character of the piece is noticeable in its sound using a combination of instruments that produces rather distinct colours as well as in its form. Each possible combination of the four instruments from solo to quartet is arrayed in short sections (except for a few overlapping passages). The two movements are quite asymmetrical: the first one's character is almost thoroughly expectant and preparative; however, the second, flashing by quite rapidly, does not provide an adequate continuation. The addition Piece in Two Parts in the title, the line-up, the bipartite form and also certain musical details imply a reference to the later works of Stefan Wolpe. Benjamin Schweitzer

[FR]
entschlackt [Piece in Two Parts] resulted from an attempt to write music that is clear, precise and concentrated without being superficially 'simple. The purged' or cleansed character of the piece is noticeable in its sound using a combination of instruments that produces rather distinct colours as well as in its form. Each possible combination of the four instruments from solo to quartet is arrayed in short sections (except for a few overlapping passages). The two movements are quite asymmetrical: the first one's character is almost thoroughly expectant and preparative; however, the second, flashing by quite rapidly, does not provide an adequate continuation. The addition Piece in Two Parts in the title, the line-up, the bipartite form and also certain musical details imply a reference to the later works of Stefan Wolpe. Benjamin Schweitzer