Von heute auf morgen op.32 : Arnold Schönberg

Titel (DE): Von heute auf morgen op. 32 - Oper in einem Akt
Titel (EN): Von heute auf morgen op. 32 - Oper in einem Akt
Titel (FR): Von heute auf morgen op. 32 - Oper in einem Akt
Komponist / Composer: Schönberg, Arnold
Herausgeber / Editor: Neuwirth, Gösta
Bearbeiter / Arranger:
Illustrator:
Opus: op. 32
Werkverzeichnis:
Besetzung / Instrumentation: 5 Soli, Chor und Kammerorchester / 5 Soli, Chorus and Chamber orchestra
Besetzungsdetails:
Kompositionsjahr / Date of Composition:
Aufführungsdauer / Duration:
Verlag / Publisher: Schott Music
Erscheindungsdatum / Date of Publishing: 01.03.1975
Ausgabe / Publication: Textbuch/Libretto - Libretto - Gesamtausgabe
complete edition - - -
Seiten / Pages: 68
Verarbeitung: Leinen - Cloth
Schwierigkeitsgrad / Difficulty: - -
Sprache / Language: Deutsch
Reihe / Series:
ISMN: M-001-12231-3
ISMN-13: 979-0-001-12231-3
ISMN-EAN: 9790001122313
UPC:

Arnold Schönberg is the central figure in the musical world of this century. His musical significance was already apparent during his life-time, but his posthumous influence has increased immensely. His work paved the way for ground-breaking changes in musical perception. This complete edition aspires to be equally indispensable for research as well as for performance. The edition is published in two series: series A in folio format contains all completed works, all piano scores prepared by the composer himself and all unfinished works suitable for performance; also fragments (large scores) which are better suited to be printed in such a format. Series B, in quarto format, contains early versions, sketches, ideas and fragments as well as genesis and a Critical Commentary.

[FR]
Arnold Schönberg is the central figure in the musical world of this century. His musical significance was already apparent during his life-time, but his posthumous influence has increased immensely. His work paved the way for ground-breaking changes in musical perception. This complete edition aspires to be equally indispensable for research as well as for performance. The edition is published in two series: series A in folio format contains all completed works, all piano scores prepared by the composer himself and all unfinished works suitable for performance; also fragments (large scores) which are better suited to be printed in such a format. Series B, in quarto format, contains early versions, sketches, ideas and fragments as well as genesis and a Critical Commentary.