Metamorphosen über ein Menuett von Franz Schubert : Aribert Reimann

Titel (DE): Metamorphosen - über ein Menuett von Franz Schubert (D 600)
Titel (EN): Metamorphoses - on a Theme from Fr.Schubert (D 600)
Titel (FR): Metamorphoses - on a Theme from Fr.Schubert (D 600)
Komponist / Composer: Reimann, Aribert
Herausgeber / Editor:
Bearbeiter / Arranger:
Illustrator:
Opus:
Werkverzeichnis:
Besetzung / Instrumentation: Flöte (auch Piccolo), Oboe, Klarinette (B), Fagott, Horn (F), 2 Violinen, Viola, Violoncello und Kontrabass / Flute (also Piccolo), Oboe, Clarinet (B flat), Bassoon, French Horn (F), 2 Violins, Viola, Violoncello and Double-bass
Besetzungsdetails:
Kompositionsjahr / Date of Composition: 1997
Aufführungsdauer / Duration: 8'
Verlag / Publisher: Schott Music
Erscheindungsdatum / Date of Publishing: 23.03.2000
Ausgabe / Publication: Studienpartitur - Study score -
- - -
Seiten / Pages: 32
Verarbeitung: Rückendrahtheftung - Saddle-wire stitching
Schwierigkeitsgrad / Difficulty: - -
Sprache / Language:
Reihe / Series: Musik unserer Zeit
ISMN: M-001-12714-1
ISMN-13: 979-0-001-12714-1
ISMN-EAN: 9790001127141
UPC:

The model for this piece is a largely unknown minuet for piano, a study by Schubert in strict Baroque harmony and counterpoint, in some sense an example of Schubert's appreciation and reception of Bach. Reimann, making maximum use of the scope for tonal colouration provided by his chosen instrumentation (wind quintet plus string quintet), intersperses the main sections of the minuet with free variations - the metamorphoses of the title. In the reprise the original 3-part setting, extended with intricate canonical treatment, achieves new harmonic meaning.

[FR]
The model for this piece is a largely unknown minuet for piano, a study by Schubert in strict Baroque harmony and counterpoint, in some sense an example of Schubert's appreciation and reception of Bach. Reimann, making maximum use of the scope for tonal colouration provided by his chosen instrumentation (wind quintet plus string quintet), intersperses the main sections of the minuet with free variations - the metamorphoses of the title. In the reprise the original 3-part setting, extended with intricate canonical treatment, achieves new harmonic meaning.