Polka
The polka is originally a Czech dance and genre of dance music familiar throughout Europe and the Americas. It originated in the middle of the 19th century in Bohemia, now part of the Czech Republic. The polka remains a popular folk music genre in many European countries, and is performed by folk artists in the Czech Republic, Germany, Austria, Slovenia, Switzerland, and Finland, and to a lesser extent in Poland, Latvia, Lithuania, the Netherlands, Hungary, Italy, Ukraine, Romania, Belarus, Russia, and Slovakia. Local varieties of this dance are also found in the Nordic countries, Spain's Basque Country, the United Kingdom, Ireland, Latin America and the United States.
The term polka possibly comes from the Czech word "pulka" ("half"), referring to the short half-steps featured in the dance. Czech cultural historian and ethnographer Cenek Zíbrt, who wrote in detail about the origin of the dance, in his book, Jak se kdy v Cechách tancovalo cites an opinion of Frantiek Doucha (1840, Kvety, p. 400) that "polka" was supposed to mean "dance in half" ("tanec na polo"), both referring to the half-tempo 2
4 and the half-jump step of the dance. Zíbrt also ironically dismisses the etymology suggested by A. Fähnrich (in Ein etymologisches Taschenbuch, Jiein, 1846) that "polka" comes from the Czech word "pole" ("field").On the other hand, Zdenek Nejedlý suggests that the etymology given by Fr. Doucha is nothing but an effort to prove the "true Czech folk" origin of Polka. Instead, he claims that according to Jaroslav Langr ("Ceské krakovácky" in: Cas. Ces. musea, 1835, Sebr. spisy I, 256) in the area of Hradec Králové, the tune Krakoviáky from the collection Slovanské národní písne of Frantiek Ladislav Celakovský became very popular so that it was used to dance (Czech dances) trasák, britva, and kvapík, and this way was called "Polka". Nejedlý also writes that Václav Vladivoj Tomek also claims the Hradec Králové roots of a Polka.[3] OED also suggests that the name may have been derived from the Czech Polka meaning "Polish woman" (feminine form corresponding to Polák, a Pole).
The beginning of the propagation of dance and accompanying music called polka is generally attributed to a young woman, Anna Slezáková (born Anna Chadimová). The music teacher Josef Neruda noticed her dancing in an unusual way to accompany a local folk song called "Strýcek Nimra koupil imla", or "Uncle Nimra Bought a White Horse", in 1830. She is said to have called the dance Madera ("Madeira wine") because of its liveliness. The dance was further propagated by Neruda, who put the tune to paper and taught other young men to dance it.[2] Cenek Zíbrt notices that a common claim that the events happened in Týnec nad Labem, Bohemia in 1834 is incorrect. Zibrt writes that when he published this traditional story in 1894 in Narodni Listy newspaper, he received a good deal of feedback from eyewitnesses. In particular, he wrote that according to further witness, the originating event actually happened in 1830, in Kostelec nad Labem, where she worked as a housemaid. Zíbrt writes that he published the first version of the story (with incorrect place name) in Bohemia (June 5, 1844), from where it was reprinted all over Europe and in the United States. Zíbrt also wrote that simple Czech folk claimed that they knew and danced Polka long before the nobles got hold of it, i.e., it is a truly folk Czech dance.
By 1835, this dance had spread to the ballrooms of Prague. From there, it spread to Vienna by 1839, and in 1840 was introduced in Paris by Raab, a Prague dance instructor.
It was so well received by both dancers and dance masters in Paris that its popularity was referred to as "polkamania."[6] The dance soon spread to London and was introduced to America in 1844. It remained a popular ballroom dance until the late 19th century, when it would give way to the two-step and new ragtime dances.
Polka dancing enjoyed a resurgence in popularity after World War II, when many Polish refugees moved to the US, adopting this Bohemian style as a cultural dance. Polka dances are still held on a weekly basis across many parts of the US with significant populations of central European origin. It was also found in parts of South America.
The word was widely introduced into the major European languages in the early 1840s.[1] It should not be confused with the polska, a Swedish About this sound
4-beat (help·info) dance with Polish roots (cf. polka-mazurka). A related dance is the redowa. Polkas almost always have a About this sound2
4 (help·info) time signature. Folk music of Polka style appeared in written music about 1800.
The term polka possibly comes from the Czech word "pulka" ("half"), referring to the short half-steps featured in the dance. Czech cultural historian and ethnographer Cenek Zíbrt, who wrote in detail about the origin of the dance, in his book, Jak se kdy v Cechách tancovalo cites an opinion of Frantiek Doucha (1840, Kvety, p. 400) that "polka" was supposed to mean "dance in half" ("tanec na polo"), both referring to the half-tempo 2
4 and the half-jump step of the dance. Zíbrt also ironically dismisses the etymology suggested by A. Fähnrich (in Ein etymologisches Taschenbuch, Jiein, 1846) that "polka" comes from the Czech word "pole" ("field").On the other hand, Zdenek Nejedlý suggests that the etymology given by Fr. Doucha is nothing but an effort to prove the "true Czech folk" origin of Polka. Instead, he claims that according to Jaroslav Langr ("Ceské krakovácky" in: Cas. Ces. musea, 1835, Sebr. spisy I, 256) in the area of Hradec Králové, the tune Krakoviáky from the collection Slovanské národní písne of Frantiek Ladislav Celakovský became very popular so that it was used to dance (Czech dances) trasák, britva, and kvapík, and this way was called "Polka". Nejedlý also writes that Václav Vladivoj Tomek also claims the Hradec Králové roots of a Polka.[3] OED also suggests that the name may have been derived from the Czech Polka meaning "Polish woman" (feminine form corresponding to Polák, a Pole).
The beginning of the propagation of dance and accompanying music called polka is generally attributed to a young woman, Anna Slezáková (born Anna Chadimová). The music teacher Josef Neruda noticed her dancing in an unusual way to accompany a local folk song called "Strýcek Nimra koupil imla", or "Uncle Nimra Bought a White Horse", in 1830. She is said to have called the dance Madera ("Madeira wine") because of its liveliness. The dance was further propagated by Neruda, who put the tune to paper and taught other young men to dance it.[2] Cenek Zíbrt notices that a common claim that the events happened in Týnec nad Labem, Bohemia in 1834 is incorrect. Zibrt writes that when he published this traditional story in 1894 in Narodni Listy newspaper, he received a good deal of feedback from eyewitnesses. In particular, he wrote that according to further witness, the originating event actually happened in 1830, in Kostelec nad Labem, where she worked as a housemaid. Zíbrt writes that he published the first version of the story (with incorrect place name) in Bohemia (June 5, 1844), from where it was reprinted all over Europe and in the United States. Zíbrt also wrote that simple Czech folk claimed that they knew and danced Polka long before the nobles got hold of it, i.e., it is a truly folk Czech dance.
By 1835, this dance had spread to the ballrooms of Prague. From there, it spread to Vienna by 1839, and in 1840 was introduced in Paris by Raab, a Prague dance instructor.
It was so well received by both dancers and dance masters in Paris that its popularity was referred to as "polkamania."[6] The dance soon spread to London and was introduced to America in 1844. It remained a popular ballroom dance until the late 19th century, when it would give way to the two-step and new ragtime dances.
Polka dancing enjoyed a resurgence in popularity after World War II, when many Polish refugees moved to the US, adopting this Bohemian style as a cultural dance. Polka dances are still held on a weekly basis across many parts of the US with significant populations of central European origin. It was also found in parts of South America.
The word was widely introduced into the major European languages in the early 1840s.[1] It should not be confused with the polska, a Swedish About this sound
4-beat (help·info) dance with Polish roots (cf. polka-mazurka). A related dance is the redowa. Polkas almost always have a About this sound2
4 (help·info) time signature. Folk music of Polka style appeared in written music about 1800.
Für Kristina (Vaginacka) Markus Peter / Arr. Michael Schiegg
gemütliche Polka aus dem Repertoire von 5er Blech, die sich im Trio zu einer rasanten Nummer mit Freestylecharakter entwickelt.
Aufnahme beim Notensatz dabei.
Im Set enthaltene Stimmen: 1., 2. Trompete in B, 3. Stimme in B,C,F, 4. Stimme in B,C,F und Tuba in B, C, Es.
Aufnahme auf CD 5.1 ANGEWANDT der Gruppe 5er Blech.
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Duration: 3 min
Difficulty: 3
Difficulty: 3
Article Nr: 57037
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Die Lederhos`n - Polka Martin Scharnagl
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Duration: 3:06 min
Difficulty: 2+
Difficulty: 2+
Article Nr: 55869
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10 Polkas für 4 Musikanten - Posaune in Bb Josef Hönig
Kleine Blasmusik-Formationen liegen voll im Trend. Trotzdem gibt es relativ wenig Literatur für Kleinstbesetzungen. Erstmals präsentiert Deine Blasmusik hier eine Sammlung von 10 Polkas aus dem Lebenswerk des Banater Komponisten Josef Hönig, der selbst für die Neubearbeitungen verantwortlich zeichnet.
Gefühlvoll und gekonnt setzt er seine Melodien mit Ohrwurmcharakter für ei ...
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Article Nr: 864586
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3 Polkas Diverse
Volkstümliche Musik aus dem Niederösterreichischen Weinviertel für 2 Flügelhörner, Tenorhorn, Bariton (B+C), Basstuba (C+B+Es).
Die einzelnen Titel der "3 Polkas" beziehen sich auf Feldabschnitte der bäuerlichen Landwirtschaft in der Katastralgemeinde Waidendorf der Marktgemeinde (A-2263) Dürnkrut wie sie auch heute noch Verwendung finden.
1) Am Goldberga (Polka schnell)
2) ...
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Allerhand Polka - Ausgabe Quattro Poly Florian Wolf / Arr. Alexander Pfluger
Florian Wolf alias Mr. Mucke und Tubist von QUATTRO POLY und Blechverrückt widmete diese schwungvolle Polka der Allerhand Stage beim Woodstock der Blasmusik 2015. Dieses Stück ist in der Besetzung Blechverrückt, als Blasorchster-Ausgabe und in der Ausgabe Kleine Blasbesetzung erhältlich. Das Arrangement erstellte Alexander Pfluger.
Format: DIN A4
Texter:
Instrumentation: ensem ...
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Duration: 00:02:30 min
Difficulty: 4
Difficulty: 4
Article Nr: 861415
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Auf der Vogelwiese (Polka) - Kleine Blasmusik Josef Poncar / Arr. Jaroslav Ondra
RUNDELs Kleine Blasmusik
Das Musizieren in kleiner Besetzung ist die ursprünglichste Form der Blasmusik und gewinnt derzeit immer mehr an Bedeutung. Im Ensemble können Musiker an wichtigen Fähigkeiten wie Intonation und Zusammenspiel arbeiten und ihre Spielfreude im direkten Kontakt mit dem Publikum zum Ausdruck bringen.
Die neue Serie RUNDELs Kleine Blasmusik bietet dahe ...
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Duration: 3:32 min
Difficulty: 3
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Article Nr: 762877
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Beny Rehmann : Polka Hits Beny Rehmann
Album für Klavier / Akkordeon
und Bläser
UNTERHALTUNGSMUSIK
KLAVIER
SCHLAGER
Seifert, Rudi, ed|Oh Katharina|Jeden Tag geht die Sonne auf|Morgenmuffel|Freunde durch Musik|Unsere Oma|Uns're Oma|Schiffsfeger-Polka|Salz und Pfeffer|Drescher Polka
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Article Nr: 390689
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Boarisch-Hiasl Polka Traditional / Arr. Gerhard Hafner
Boarischpolka
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Duration: 2:50 min
Difficulty: 2
Difficulty: 2
Article Nr: 53159
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Böhmisch Bravour - 7er-Besetzung Sepp Leitinger
Genre: Polka
Instrumentation: Wind Orchestra
With Böhmisch Bravour Salzburg composer Sepp Leitinger has created a polka that fully embraces the Bohemian tradition. This spirited composition pulls out all the stops of polka music and enchants listeners from the very first bar a perfect way to leave everyday worries behind. Light, catchy melodies flow through the various se ...
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Duration: 3:27 min
Difficulty: 3+
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Article Nr: 959848
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Egerländer Bauerntanz (4-er Besetzung) Markus Ringer / Arr. Franz Gerstbrein
Der Egerländer Bauerntanz ist eine leicht zu spielende Polka für zwischendurch. Das Stück, komponiert als Tanzpolka historischer Art, erinnert an die Tanzbodenmusik früherer Tage. Eingerichtet im Marschbuchformat ist der Egerländer Bauerntanz ein flexibel einsetzbarer Titel für viele Anlässe.
Genre: Polka
Besetzung / Instrumentation: Blasochester / Concert Band
Komponist / ...
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Duration: 2:25 min
Difficulty: 1
Difficulty: 1
Article Nr: 219201
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Happy Polka Party Diverse / Arr. Stefan Schwalgin
The Happy Polka formula was shaped by the legendary bandleader James Last: well-known, traditional polka melodies underlaid with a beat groove, arranged in a big band sound dominated by brass instruments. For decades, this recipe for success has lived on in adaptations for various ensembles and continues to inspire young and old alike to clap and sing along. With his new Happy ...
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Duration: 5:30 min
Difficulty: 3
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Article Nr: 933163
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Im Leben geht alles vorüber / Glücksrad-Polka - Salonorchester Peter Kreuder / Arr. Eric Hein
Alternative Bestellnummer: Weinberger 965-17
Alternative Bestellnummer: West Ton Verlag GmbH Köln W O 152A/1367
Im Leben geht alles vorüber
Musik: Peter Kreuder
Text: Schwenn / Schaeffers
Arrgt.: Eric HeinGlücksrad-Polka
Musik: Willy Berking
Text: Hans Feldt
Arrgt.: Hermann Sattler
Besetzungsliste / Instrumentation:
Direktion
Akkordeon
1. Violine a/b
1. Violine c ...
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Duration: 3:00 + 3:00 min
Difficulty: 2+
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Jockey-Polka op.278 Josef Strauss
für Salonorchester
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Article Nr: 642804
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Kuschel-Polka (Kleine Besetzung) Peter Schad
Das Musizieren in kleiner Besetzung ist die ursprünglichste Form der Blasmusik und gewinnt derzeit immer mehr an Bedeutung. Im Ensemble können Musiker an wichtigen Fähigkeiten wie Intonation und Zusammenspiel arbeiten und ihre Spielfreude im direkten Kontakt mit dem Publikum zum Ausdruck bringen.
Die neue Serie RUNDELs Kleine Blasmusik bietet daher faszinierende Möglichkeite ...
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Duration: 2:25 min
Difficulty: 3
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Article Nr: 762878
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Polka From Czech Suite, Op. 39 Antonin Dvorak / Arr. Jeff Bailey
One of the most celebrated of traditional Czech dances, this movement from Dvorák's suite is a delight on any concert program. Minimal shifting for 1st Violins. D Minor/D Major.
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Duration: 4:18 min
Difficulty: 3+
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Article Nr: 932396
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Sonate op. 18 für Trompete und Klavier Thorvald Hansen
Trompete JMLA Silber & Gold
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Duration: 10:20 min
Difficulty: 4
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Article Nr: 40670
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