Polka
The polka is originally a Czech dance and genre of dance music familiar throughout Europe and the Americas. It originated in the middle of the 19th century in Bohemia, now part of the Czech Republic. The polka remains a popular folk music genre in many European countries, and is performed by folk artists in the Czech Republic, Germany, Austria, Slovenia, Switzerland, and Finland, and to a lesser extent in Poland, Latvia, Lithuania, the Netherlands, Hungary, Italy, Ukraine, Romania, Belarus, Russia, and Slovakia. Local varieties of this dance are also found in the Nordic countries, Spain's Basque Country, the United Kingdom, Ireland, Latin America and the United States.
The term polka possibly comes from the Czech word "pulka" ("half"), referring to the short half-steps featured in the dance. Czech cultural historian and ethnographer Cenek Zíbrt, who wrote in detail about the origin of the dance, in his book, Jak se kdy v Cechách tancovalo cites an opinion of Frantiek Doucha (1840, Kvety, p. 400) that "polka" was supposed to mean "dance in half" ("tanec na polo"), both referring to the half-tempo 2
4 and the half-jump step of the dance. Zíbrt also ironically dismisses the etymology suggested by A. Fähnrich (in Ein etymologisches Taschenbuch, Jiein, 1846) that "polka" comes from the Czech word "pole" ("field").On the other hand, Zdenek Nejedlý suggests that the etymology given by Fr. Doucha is nothing but an effort to prove the "true Czech folk" origin of Polka. Instead, he claims that according to Jaroslav Langr ("Ceské krakovácky" in: Cas. Ces. musea, 1835, Sebr. spisy I, 256) in the area of Hradec Králové, the tune Krakoviáky from the collection Slovanské národní písne of Frantiek Ladislav Celakovský became very popular so that it was used to dance (Czech dances) trasák, britva, and kvapík, and this way was called "Polka". Nejedlý also writes that Václav Vladivoj Tomek also claims the Hradec Králové roots of a Polka.[3] OED also suggests that the name may have been derived from the Czech Polka meaning "Polish woman" (feminine form corresponding to Polák, a Pole).
The beginning of the propagation of dance and accompanying music called polka is generally attributed to a young woman, Anna Slezáková (born Anna Chadimová). The music teacher Josef Neruda noticed her dancing in an unusual way to accompany a local folk song called "Strýcek Nimra koupil imla", or "Uncle Nimra Bought a White Horse", in 1830. She is said to have called the dance Madera ("Madeira wine") because of its liveliness. The dance was further propagated by Neruda, who put the tune to paper and taught other young men to dance it.[2] Cenek Zíbrt notices that a common claim that the events happened in Týnec nad Labem, Bohemia in 1834 is incorrect. Zibrt writes that when he published this traditional story in 1894 in Narodni Listy newspaper, he received a good deal of feedback from eyewitnesses. In particular, he wrote that according to further witness, the originating event actually happened in 1830, in Kostelec nad Labem, where she worked as a housemaid. Zíbrt writes that he published the first version of the story (with incorrect place name) in Bohemia (June 5, 1844), from where it was reprinted all over Europe and in the United States. Zíbrt also wrote that simple Czech folk claimed that they knew and danced Polka long before the nobles got hold of it, i.e., it is a truly folk Czech dance.
By 1835, this dance had spread to the ballrooms of Prague. From there, it spread to Vienna by 1839, and in 1840 was introduced in Paris by Raab, a Prague dance instructor.
It was so well received by both dancers and dance masters in Paris that its popularity was referred to as "polkamania."[6] The dance soon spread to London and was introduced to America in 1844. It remained a popular ballroom dance until the late 19th century, when it would give way to the two-step and new ragtime dances.
Polka dancing enjoyed a resurgence in popularity after World War II, when many Polish refugees moved to the US, adopting this Bohemian style as a cultural dance. Polka dances are still held on a weekly basis across many parts of the US with significant populations of central European origin. It was also found in parts of South America.
The word was widely introduced into the major European languages in the early 1840s.[1] It should not be confused with the polska, a Swedish About this sound
4-beat (help·info) dance with Polish roots (cf. polka-mazurka). A related dance is the redowa. Polkas almost always have a About this sound2
4 (help·info) time signature. Folk music of Polka style appeared in written music about 1800.
The term polka possibly comes from the Czech word "pulka" ("half"), referring to the short half-steps featured in the dance. Czech cultural historian and ethnographer Cenek Zíbrt, who wrote in detail about the origin of the dance, in his book, Jak se kdy v Cechách tancovalo cites an opinion of Frantiek Doucha (1840, Kvety, p. 400) that "polka" was supposed to mean "dance in half" ("tanec na polo"), both referring to the half-tempo 2
4 and the half-jump step of the dance. Zíbrt also ironically dismisses the etymology suggested by A. Fähnrich (in Ein etymologisches Taschenbuch, Jiein, 1846) that "polka" comes from the Czech word "pole" ("field").On the other hand, Zdenek Nejedlý suggests that the etymology given by Fr. Doucha is nothing but an effort to prove the "true Czech folk" origin of Polka. Instead, he claims that according to Jaroslav Langr ("Ceské krakovácky" in: Cas. Ces. musea, 1835, Sebr. spisy I, 256) in the area of Hradec Králové, the tune Krakoviáky from the collection Slovanské národní písne of Frantiek Ladislav Celakovský became very popular so that it was used to dance (Czech dances) trasák, britva, and kvapík, and this way was called "Polka". Nejedlý also writes that Václav Vladivoj Tomek also claims the Hradec Králové roots of a Polka.[3] OED also suggests that the name may have been derived from the Czech Polka meaning "Polish woman" (feminine form corresponding to Polák, a Pole).
The beginning of the propagation of dance and accompanying music called polka is generally attributed to a young woman, Anna Slezáková (born Anna Chadimová). The music teacher Josef Neruda noticed her dancing in an unusual way to accompany a local folk song called "Strýcek Nimra koupil imla", or "Uncle Nimra Bought a White Horse", in 1830. She is said to have called the dance Madera ("Madeira wine") because of its liveliness. The dance was further propagated by Neruda, who put the tune to paper and taught other young men to dance it.[2] Cenek Zíbrt notices that a common claim that the events happened in Týnec nad Labem, Bohemia in 1834 is incorrect. Zibrt writes that when he published this traditional story in 1894 in Narodni Listy newspaper, he received a good deal of feedback from eyewitnesses. In particular, he wrote that according to further witness, the originating event actually happened in 1830, in Kostelec nad Labem, where she worked as a housemaid. Zíbrt writes that he published the first version of the story (with incorrect place name) in Bohemia (June 5, 1844), from where it was reprinted all over Europe and in the United States. Zíbrt also wrote that simple Czech folk claimed that they knew and danced Polka long before the nobles got hold of it, i.e., it is a truly folk Czech dance.
By 1835, this dance had spread to the ballrooms of Prague. From there, it spread to Vienna by 1839, and in 1840 was introduced in Paris by Raab, a Prague dance instructor.
It was so well received by both dancers and dance masters in Paris that its popularity was referred to as "polkamania."[6] The dance soon spread to London and was introduced to America in 1844. It remained a popular ballroom dance until the late 19th century, when it would give way to the two-step and new ragtime dances.
Polka dancing enjoyed a resurgence in popularity after World War II, when many Polish refugees moved to the US, adopting this Bohemian style as a cultural dance. Polka dances are still held on a weekly basis across many parts of the US with significant populations of central European origin. It was also found in parts of South America.
The word was widely introduced into the major European languages in the early 1840s.[1] It should not be confused with the polska, a Swedish About this sound
4-beat (help·info) dance with Polish roots (cf. polka-mazurka). A related dance is the redowa. Polkas almost always have a About this sound2
4 (help·info) time signature. Folk music of Polka style appeared in written music about 1800.
Mein Herz schlägt böhmisch (Polka) Michael Kuhn
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Duration: 3:19 min
Difficulty: 3
Difficulty: 3
Article Nr: 91166
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Mein schönes Hackenbuch Roland Andraschko / Arr. Erwin Zsaitsits
Eine wahre Perle ist die wunderschöne Polka von Roland Andraschko: Mein schönes Hackenbuch! So ungewöhnlich der Titel, so ungewöhnlich das Stück, beginnend mit einer Flügelhorn-Tenorhorn-Weise, weiterführend jedoch mit deutlich mehr Schwung als der Beginn vermuten lässt. Eingespielt von Erwin Zsaitsits und seinen HELMA-Musikanten auf der CD "Die schönste Orchidee". Schwierigkei ...
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Duration: 2:25 min
Difficulty: 1+
Difficulty: 1+
Article Nr: 147295
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Meine böhmische Welt (Gesangspolka) Guido Henn
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Duration: 3:14 min
Difficulty: 3
Difficulty: 3
Article Nr: 155780
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Meine grosse Liebe Karel Vacek / Arr. Frank Pleyer
Ernst Mosch u.s. Original Egerländer Musikanten
Ernst Mosch u.s. Original Egerländer Musikanten
Partitur, Direktion in C, Flöte in C, Oboe, Klarinette in Es, 1. Klarinette in B, 2. Klarinette in B, 3. Klarinette in B, Fagott, 1. Altsaxophon in Es, 2. Altsaxophon in Es, 1. Tenorsaxophon in B, 2. Tenorsaxophon in B, Baritonsaxophon in Es, 1. Trompete in B, 2. Trompete in B, 1. F ...
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Duration: --:-- min
Difficulty: 3
Difficulty: 3
Article Nr: 106500
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Meine Liebste - Polka Frantisek Manas / Arr. Siegfried Rundel
Frantisek Manas (1921-2004) gehörte zweifelsohne zu den bedeutendsten tschechischen Blasorchesterkomponisten. Der aus Mähren stammende Tonkünstler wurde vor allem durch die Mährischen Tänze, einer Reihe von Konzertstücken basierend auf Melodien der mährischen Folklore, berühmt und bekannt. Frantisek Manas schrieb ein große Anzahl Polkas, Walzer und Märsche.
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Duration: 3:00 min
Difficulty: 3+
Difficulty: 3+
Article Nr: 105126
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Melnicka Polka Vaclav Blaha / Arr. Antonin Votava
Besetzungsliste / Instrumentation:
Direktion C
Klarinette Es,
1.Klarinette B
2.Klarinette B
3.Klaritte B
1.Flügelhorn B
2.Flügelhorn B
1.Trompete B oblig,
Tenor B ( Basstrompete B )
Bariton C/B
1.Posaune C/B
2.Posaune C/B
3.Posaune C/B
1.Bass F
2.Bass C
Schlagzeug
Melnicka Polka
Stil / Art: Art: Polka, Böhmisch
Komponist: Vaclav Blaha
Arrangeur: -
Schwi ...
20,00 €
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Duration: 2:00 min
Difficulty: 2
Difficulty: 2
Article Nr: 177863
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Michaela-Polka Mark Sven Heidt
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Difficulty: 3+
Difficulty: 3+
Article Nr: 91099
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Milovana Polka (Für Andrea) Viliam Beres
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Article Nr: 129438
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Mit Musik durchs Leben Klaus Rambacher
Genre: Polka
Instrumentation: Wind Orchestra
With Music Through Life Klaus Rambacher, the Franconian composer, presents a lively march-polka that could almost serve as his personal motto. Music has been his companion since childhood, with Egerländer and Bohemian brass music leaving a particular mark on his musical development. At just 18 years old, he took over the directio ...
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Duration: 3:30 min
Difficulty: 3
Difficulty: 3
Article Nr: 223479
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Moulinet Polka Josef Strauss / Arr. Stig Gustafson
CONCERT BAND CLASSICS
62,06 €
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Duration: 3:16 min
Difficulty: 3
Difficulty: 3
Article Nr: 151622
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München - Wien, ein Sinn (Polka francaise) Karl Komzák (Sohn) / Arr. Harald Kolasch
51,40 €
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Duration: 3:44 min
Difficulty: 3+
Difficulty: 3+
Article Nr: 137791
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Murgtäler Polka Peter Fister
vormals Art Nr. 115598
40,00 €
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Duration: 3 min
Difficulty: 2+ (2,+)
Difficulty: 2+ (2,+)
Article Nr: 91216
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Musikantenfest (Polka) Guido Henn
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Duration: --:-- min
Difficulty: 2
Difficulty: 2
Article Nr: 91007
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Musikantenglück (Polka) Mark Sven Heidt
49,90 €
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Duration: 3:38 min
Difficulty: 3+
Difficulty: 3+
Article Nr: 91185
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Musikantenmuckl (2 Klar., 2 Flgh. und 2 Tnh) Traditional / Arr. Franz Watz
Komponist: Volksweise
Arrangeur: Franz Watz
Musikrichtung: Solistische Polka für Bläsersextett und Blasorchester
Schwierigkeitsgrad: 3 (Mittelstufe)
Spielzeit: 2:52
Verlag: Schorer
Instrumentation: Harmonie (Direktion A4, Stimmen A4)
Aufnahme auf: CD Auf gut böhmisch
58,00 €
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Duration: 2:52 min
Difficulty: 3
Difficulty: 3
Article Nr: 155847
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Musikantenstolz Jaroslav Skabrada / Arr. Frank Pleyer
Ernst Mosch u.s. Original Egerländer Musikanten
Ernst Mosch u.s. Original Egerländer Musikanten
Partitur (4-zeilig), Flöte in C, Klarinette in Eb, 1. Klarinette in Bb, 2. Klarinette in Bb, 3. Klarinette in Bb, 1. Altsaxophon in Eb, 2. Altsaxophon in Eb, 1. Tenorsaxophon in Bb, 2. Tenorsaxophon in Bb, Baritonsaxophon in Eb, 1. Trompete in Bb, 2. Trompete in Bb, 3. Trompete in B ...
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Duration: --:-- min
Difficulty: 5
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Article Nr: 131414
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