Polka
The polka is originally a Czech dance and genre of dance music familiar throughout Europe and the Americas. It originated in the middle of the 19th century in Bohemia, now part of the Czech Republic. The polka remains a popular folk music genre in many European countries, and is performed by folk artists in the Czech Republic, Germany, Austria, Slovenia, Switzerland, and Finland, and to a lesser extent in Poland, Latvia, Lithuania, the Netherlands, Hungary, Italy, Ukraine, Romania, Belarus, Russia, and Slovakia. Local varieties of this dance are also found in the Nordic countries, Spain's Basque Country, the United Kingdom, Ireland, Latin America and the United States.
The term polka possibly comes from the Czech word "pulka" ("half"), referring to the short half-steps featured in the dance. Czech cultural historian and ethnographer Cenek Zíbrt, who wrote in detail about the origin of the dance, in his book, Jak se kdy v Cechách tancovalo cites an opinion of Frantiek Doucha (1840, Kvety, p. 400) that "polka" was supposed to mean "dance in half" ("tanec na polo"), both referring to the half-tempo 2
4 and the half-jump step of the dance. Zíbrt also ironically dismisses the etymology suggested by A. Fähnrich (in Ein etymologisches Taschenbuch, Jiein, 1846) that "polka" comes from the Czech word "pole" ("field").On the other hand, Zdenek Nejedlý suggests that the etymology given by Fr. Doucha is nothing but an effort to prove the "true Czech folk" origin of Polka. Instead, he claims that according to Jaroslav Langr ("Ceské krakovácky" in: Cas. Ces. musea, 1835, Sebr. spisy I, 256) in the area of Hradec Králové, the tune Krakoviáky from the collection Slovanské národní písne of Frantiek Ladislav Celakovský became very popular so that it was used to dance (Czech dances) trasák, britva, and kvapík, and this way was called "Polka". Nejedlý also writes that Václav Vladivoj Tomek also claims the Hradec Králové roots of a Polka.[3] OED also suggests that the name may have been derived from the Czech Polka meaning "Polish woman" (feminine form corresponding to Polák, a Pole).
The beginning of the propagation of dance and accompanying music called polka is generally attributed to a young woman, Anna Slezáková (born Anna Chadimová). The music teacher Josef Neruda noticed her dancing in an unusual way to accompany a local folk song called "Strýcek Nimra koupil imla", or "Uncle Nimra Bought a White Horse", in 1830. She is said to have called the dance Madera ("Madeira wine") because of its liveliness. The dance was further propagated by Neruda, who put the tune to paper and taught other young men to dance it.[2] Cenek Zíbrt notices that a common claim that the events happened in Týnec nad Labem, Bohemia in 1834 is incorrect. Zibrt writes that when he published this traditional story in 1894 in Narodni Listy newspaper, he received a good deal of feedback from eyewitnesses. In particular, he wrote that according to further witness, the originating event actually happened in 1830, in Kostelec nad Labem, where she worked as a housemaid. Zíbrt writes that he published the first version of the story (with incorrect place name) in Bohemia (June 5, 1844), from where it was reprinted all over Europe and in the United States. Zíbrt also wrote that simple Czech folk claimed that they knew and danced Polka long before the nobles got hold of it, i.e., it is a truly folk Czech dance.
By 1835, this dance had spread to the ballrooms of Prague. From there, it spread to Vienna by 1839, and in 1840 was introduced in Paris by Raab, a Prague dance instructor.
It was so well received by both dancers and dance masters in Paris that its popularity was referred to as "polkamania."[6] The dance soon spread to London and was introduced to America in 1844. It remained a popular ballroom dance until the late 19th century, when it would give way to the two-step and new ragtime dances.
Polka dancing enjoyed a resurgence in popularity after World War II, when many Polish refugees moved to the US, adopting this Bohemian style as a cultural dance. Polka dances are still held on a weekly basis across many parts of the US with significant populations of central European origin. It was also found in parts of South America.
The word was widely introduced into the major European languages in the early 1840s.[1] It should not be confused with the polska, a Swedish About this sound
4-beat (help·info) dance with Polish roots (cf. polka-mazurka). A related dance is the redowa. Polkas almost always have a About this sound2
4 (help·info) time signature. Folk music of Polka style appeared in written music about 1800.
The term polka possibly comes from the Czech word "pulka" ("half"), referring to the short half-steps featured in the dance. Czech cultural historian and ethnographer Cenek Zíbrt, who wrote in detail about the origin of the dance, in his book, Jak se kdy v Cechách tancovalo cites an opinion of Frantiek Doucha (1840, Kvety, p. 400) that "polka" was supposed to mean "dance in half" ("tanec na polo"), both referring to the half-tempo 2
4 and the half-jump step of the dance. Zíbrt also ironically dismisses the etymology suggested by A. Fähnrich (in Ein etymologisches Taschenbuch, Jiein, 1846) that "polka" comes from the Czech word "pole" ("field").On the other hand, Zdenek Nejedlý suggests that the etymology given by Fr. Doucha is nothing but an effort to prove the "true Czech folk" origin of Polka. Instead, he claims that according to Jaroslav Langr ("Ceské krakovácky" in: Cas. Ces. musea, 1835, Sebr. spisy I, 256) in the area of Hradec Králové, the tune Krakoviáky from the collection Slovanské národní písne of Frantiek Ladislav Celakovský became very popular so that it was used to dance (Czech dances) trasák, britva, and kvapík, and this way was called "Polka". Nejedlý also writes that Václav Vladivoj Tomek also claims the Hradec Králové roots of a Polka.[3] OED also suggests that the name may have been derived from the Czech Polka meaning "Polish woman" (feminine form corresponding to Polák, a Pole).
The beginning of the propagation of dance and accompanying music called polka is generally attributed to a young woman, Anna Slezáková (born Anna Chadimová). The music teacher Josef Neruda noticed her dancing in an unusual way to accompany a local folk song called "Strýcek Nimra koupil imla", or "Uncle Nimra Bought a White Horse", in 1830. She is said to have called the dance Madera ("Madeira wine") because of its liveliness. The dance was further propagated by Neruda, who put the tune to paper and taught other young men to dance it.[2] Cenek Zíbrt notices that a common claim that the events happened in Týnec nad Labem, Bohemia in 1834 is incorrect. Zibrt writes that when he published this traditional story in 1894 in Narodni Listy newspaper, he received a good deal of feedback from eyewitnesses. In particular, he wrote that according to further witness, the originating event actually happened in 1830, in Kostelec nad Labem, where she worked as a housemaid. Zíbrt writes that he published the first version of the story (with incorrect place name) in Bohemia (June 5, 1844), from where it was reprinted all over Europe and in the United States. Zíbrt also wrote that simple Czech folk claimed that they knew and danced Polka long before the nobles got hold of it, i.e., it is a truly folk Czech dance.
By 1835, this dance had spread to the ballrooms of Prague. From there, it spread to Vienna by 1839, and in 1840 was introduced in Paris by Raab, a Prague dance instructor.
It was so well received by both dancers and dance masters in Paris that its popularity was referred to as "polkamania."[6] The dance soon spread to London and was introduced to America in 1844. It remained a popular ballroom dance until the late 19th century, when it would give way to the two-step and new ragtime dances.
Polka dancing enjoyed a resurgence in popularity after World War II, when many Polish refugees moved to the US, adopting this Bohemian style as a cultural dance. Polka dances are still held on a weekly basis across many parts of the US with significant populations of central European origin. It was also found in parts of South America.
The word was widely introduced into the major European languages in the early 1840s.[1] It should not be confused with the polska, a Swedish About this sound
4-beat (help·info) dance with Polish roots (cf. polka-mazurka). A related dance is the redowa. Polkas almost always have a About this sound2
4 (help·info) time signature. Folk music of Polka style appeared in written music about 1800.
Freudentränen Guido Henn
Titel / Title: Freudentränen
Komponist / Composer: Musik und Arr.:Guido Henn
Genre: Böhm. Polka
Format: A4
Aufnahme / Recording: CD Guido Henn - Magisch Böhmisch
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Duration: 4:27 min
Difficulty: 3
Difficulty: 3
Article Nr: 149231
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Freunde für's Leben Mathias Rauch
Die wunderschöne neue Polka von Mathias Rauch in einem gut spielbaren Arrangement für großes Blasorchester.
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Duration: 3:08 min
Difficulty: 3
Difficulty: 3
Article Nr: 177704
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Freunde fürs Leben - Böhmische Besetzung Mathias Rauch
Die neue Polka von Mathias Rauch spielt sich in kürzester Zeit in der Herzen der Blasmusikfans.
Eine Komposition die schon nach kurzer Zeit großen Erfolg erzielt!
Und wieder stimmt das Sprichwort: Weniger ist mehr!
Kurz gesagt, eine Polka für die Seele!
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Duration: 3:09 min
Difficulty: 2+
Difficulty: 2+
Article Nr: 179420
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Freundschaftspolka Guido Henn
Kunden, die diesen Artikel kaufen, erhalten auf Wunsch die CD 'Böhmisch klingen uns're Lieder' (Artikelnummer 80255) gratis!
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Duration: 2:57 min
Difficulty: 3+
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Frühling im Böhmerland (Polka) Guido Henn
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Duration: 3:04 min
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Article Nr: 91276
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Frühlingszauber Guido Henn
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Duration: 2:55 min
Difficulty: 3
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Article Nr: 155782
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Für immer glücklich sein Franz Meierhofer / Arr. Pavol Prostredny
Der bekannte österreichische Autor Franz Meierhofer ("Traum einer Marketenderin") stellt mit seiner Polka "Für immer glücklich sein" (s)ein neues Meisterstück der böhmischen Blasmusik vor. Für Musik und Text gleichermaßen verantwortlich, zeigt uns Meierhofer, wie er seinen mehr als seligen Wunsch musikalisch zeichnet.
Verträumte, eingängige Melodien liefern sich einen Reigen ...
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Duration: --:-- min
Difficulty: -
Difficulty: -
Article Nr: 222070
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Für meine Liebste Vojtech Benda
Böhmische Polka
27,00 €
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Duration: 3:20 min
Difficulty: 1
Difficulty: 1
Article Nr: 111165
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Für schöne Stunden Roman Weninger
Böhmische Besetzung: Klarinette in Eb, Klarinette in B, 2 Flügelhörner, Trompete, Tenorhorn, Bariton, 2 Posaunen in C, Tuba, Schlagzeug
Duration: 4:09 min
Difficulty: 2
Difficulty: 2
Article Nr: 177564
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Für unsere Freunde Andreas L. Bauer / Arr. Erwin Zsaitsits
Die Polka "Für unsere Freunde" wurde von Komponist Andreas L. Bauer geschrieben und vermittelt spritzige Stimmung voller Elan. Eine wirklich verbindende Polka für Freunde.
Jetzt auch auf der neuen CD "Alles Polka" zu hören. Viel Vergnügen!
43,90 €
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Article Nr: 170341
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Gedankensprünge Franz Gerstbrein
Einzigartige Konzertpolka von Franz Gerstbrein im Stile des tschechischen Erfolgskomponisten Jaroslav Skabrada. Ein echtes Hörerlebnis für Musikbegeisterte.
Aus dem Repertoire vom Blasorchester Wolfgang Grünbauer.
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Duration: 3:40 min
Difficulty: 4
Difficulty: 4
Article Nr: 219838
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Glücksgefühle (Polka) Michael Kuhn
Kunden, die diesen Artikel kaufen, erhalten auf Wunsch die CD 'Zauber der Blasmusik' (Artikelnummer 80393) gratis!
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Duration: 2:30 min
Difficulty: 2+
Difficulty: 2+
Article Nr: 91104
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Goldene Musik Jaroslav Skabrada / Arr. Franz Bummerl
Ernst Mosch u.s. Original Egerländer Musikanten
Ernst Mosch u.s. Original Egerländer Musikanten
Partitur, Direktion in C, Flöte in C, Oboe, Klarinette in Es, 1. Klarinette in B, 2. Klarinette in B, 3. Klarinette in B, Fagott, 1. Altsaxophon in Es, 2. Altsaxophon in Es, 1. Tenorsaxophon in B, 2. Tenorsaxophon in B, Baritonsaxophon in Es, 1. Trompete in B, 2. Trompete in B, 1. F ...
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Duration: 3:20 min
Difficulty: 5
Difficulty: 5
Article Nr: 111613
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Goldenes Böhmerland (Polka) Mark Sven Heidt
Kunden, die diesen Artikel kaufen, erhalten auf Wunsch die CD 'Zauber der Blasmusik' (Artikelnummer 80393) gratis!
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Duration: 3:13 min
Difficulty: -
Difficulty: -
Article Nr: 91107
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Grenzenlos - Polka Peter Leitner
"Grenzenlos" ist mehr als nur eine Melodie die neue Polka von Peter Leitner ist auch Ausdruck grenzenloser Leidenschaft und Hingabe zur Musik. Mit "Grenzenlos" gelingt Peter Leitner die eindrucksvolle Verschmelzung von traditionellen Klängen und innovativen Elementen. Zu Beginn und am Ende präsentiert der Komponist eine einfühlsame Bläserweise. Dazwischen erklingt eine moderne ...
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Duration: 4:20 min
Difficulty: 3
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Article Nr: 219256
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Gute Laune mit Blasmusik Franz Sprenzinger / Arr. Franz Sprenzinger
Blasmusik macht Spass und richtig gute Blasmusik macht auch richtig gute Laune. Mit diesem Wissen hat sich Franz Sprenzinger eine eingängige Polka einfallen lassen, die den Blasmusikfreunden schnell ins Ohr geht und genau das hervorruft, was der Titel verspricht: "Gute Laune mit Blasmusik". Ein Aufnahme dieser Polka gibt von den Bierzeltmusikanten auf der CD "Ein Herz voll Blas ...
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Duration: 4:30 min
Difficulty: 3
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Article Nr: 179070
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