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Polka

The polka is originally a Czech dance and genre of dance music familiar throughout Europe and the Americas. It originated in the middle of the 19th century in Bohemia, now part of the Czech Republic. The polka remains a popular folk music genre in many European countries, and is performed by folk artists in the Czech Republic, Germany, Austria, Slovenia, Switzerland, and Finland, and to a lesser extent in Poland, Latvia, Lithuania, the Netherlands, Hungary, Italy, Ukraine, Romania, Belarus, Russia, and Slovakia. Local varieties of this dance are also found in the Nordic countries, Spain's Basque Country, the United Kingdom, Ireland, Latin America and the United States.
The term polka possibly comes from the Czech word "pulka" ("half"), referring to the short half-steps featured in the dance. Czech cultural historian and ethnographer Cenek Zíbrt, who wrote in detail about the origin of the dance, in his book, Jak se kdy v Cechách tancovalo cites an opinion of František Doucha (1840, Kvety, p. 400) that "polka" was supposed to mean "dance in half" ("tanec na polo"), both referring to the half-tempo 2
4 and the half-jump step of the dance. Zíbrt also ironically dismisses the etymology suggested by A. Fähnrich (in Ein etymologisches Taschenbuch, Jiein, 1846) that "polka" comes from the Czech word "pole" ("field").On the other hand, Zdenek Nejedlý suggests that the etymology given by Fr. Doucha is nothing but an effort to prove the "true Czech folk" origin of Polka. Instead, he claims that according to Jaroslav Langr ("Ceské krakovácky" in: Cas. Ces. musea, 1835, Sebr. spisy I, 256) in the area of Hradec Králové, the tune Krakoviáky from the collection Slovanské národní písne of František Ladislav Celakovský became very popular so that it was used to dance (Czech dances) trasák, britva, and kvapík, and this way was called "Polka". Nejedlý also writes that Václav Vladivoj Tomek also claims the Hradec Králové roots of a Polka.[3] OED also suggests that the name may have been derived from the Czech Polka meaning "Polish woman" (feminine form corresponding to Polák, a Pole).

The beginning of the propagation of dance and accompanying music called polka is generally attributed to a young woman, Anna Slezáková (born Anna Chadimová). The music teacher Josef Neruda noticed her dancing in an unusual way to accompany a local folk song called "Strýcek Nimra koupil šimla", or "Uncle Nimra Bought a White Horse", in 1830. She is said to have called the dance Madera ("Madeira wine") because of its liveliness. The dance was further propagated by Neruda, who put the tune to paper and taught other young men to dance it.[2] Cenek Zíbrt notices that a common claim that the events happened in Týnec nad Labem, Bohemia in 1834 is incorrect. Zibrt writes that when he published this traditional story in 1894 in Narodni Listy newspaper, he received a good deal of feedback from eyewitnesses. In particular, he wrote that according to further witness, the originating event actually happened in 1830, in Kostelec nad Labem, where she worked as a housemaid. Zíbrt writes that he published the first version of the story (with incorrect place name) in Bohemia (June 5, 1844), from where it was reprinted all over Europe and in the United States. Zíbrt also wrote that simple Czech folk claimed that they knew and danced Polka long before the nobles got hold of it, i.e., it is a truly folk Czech dance.

By 1835, this dance had spread to the ballrooms of Prague. From there, it spread to Vienna by 1839, and in 1840 was introduced in Paris by Raab, a Prague dance instructor.

It was so well received by both dancers and dance masters in Paris that its popularity was referred to as "polkamania."[6] The dance soon spread to London and was introduced to America in 1844. It remained a popular ballroom dance until the late 19th century, when it would give way to the two-step and new ragtime dances.

Polka dancing enjoyed a resurgence in popularity after World War II, when many Polish refugees moved to the US, adopting this Bohemian style as a cultural dance. Polka dances are still held on a weekly basis across many parts of the US with significant populations of central European origin. It was also found in parts of South America.

The word was widely introduced into the major European languages in the early 1840s.[1] It should not be confused with the polska, a Swedish About this sound
4-beat (help·info) dance with Polish roots (cf. polka-mazurka). A related dance is the redowa. Polkas almost always have a About this sound2
4 (help·info) time signature. Folk music of Polka style appeared in written music about 1800.

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Das Spatzenpärchen (Polka für 2 Solo-Klarinetten) / Zwei Spitzbuben (Polka für 2 Solo-Flügelhörner) - K. Mosheimer / H. Hüttl
17,50 €
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Duration: --:-- min
Difficulty: -
Composer: K. Mosheimer / H. Hüttl
Arranger: -
Article Nr: 129698
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Tenorpolka - Heribert Raich

Tenorpolka Heribert Raich

4er Ausgabe: Talpolka Tanzpolka Telemazur Tenorpolka
47,90 €
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Duration: 12:00 min
Difficulty: 2+
Composer: Heribert Raich
Arranger: -
Article Nr: 128642
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Tenorgrußpolka - Heribert Raich

Tenorgrußpolka Heribert Raich

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Duration: --:-- min
Difficulty: -
Composer: Heribert Raich
Arranger: -
Article Nr: 128637
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Sperlpolka - Johann Strauß / Strauss (Sohn) / Arr. Anton Othmar Sollfelner

Sperlpolka Johann Strauß / Strauss (Sohn) / Arr. Anton Othmar Sollfelner

39,00 €
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Duration: 2:38 min
Difficulty: -
Article Nr: 128548
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Polka pro dva Klarinety (Konzertpolka f. 2 B-Klarinetten) - Augustin Zitek / Arr. Hans Eibl
99,00 €
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Duration: 4:15 min
Difficulty: -
Composer: Augustin Zitek
Arranger: Hans Eibl
Article Nr: 128346
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Muzikantumpolka - Jaroslav Zeman

Muzikantumpolka Jaroslav Zeman

129,00 €
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Duration: 3:00 min
Difficulty: 5
Composer: Jaroslav Zeman
Arranger: -
Article Nr: 128263
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Musikantenfrauen (Polka) - Sepp Leitinger

Musikantenfrauen (Polka) Sepp Leitinger

69,00 €
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Duration: --:-- min
Difficulty: -
Composer: Sepp Leitinger
Arranger: -
Article Nr: 128247
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Mit Elan voran (Konzertmarsch) / Polka für Solo Trompete / Vincentgalopp - Diverse
Heinrich Oberortner / Adam Hudec / Adam Hudec Dreifach-Ausgabe: 1. Polka für Trompete (Adam Hudec) 2. Mit Elan voran (Konzertmarsch von Hans Oberortner) 3. Vincantgalopp (Adam Hudec)
69,00 €
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Duration: 2:32 min
Difficulty: 3+
Composer: Diverse
Arranger: -
Article Nr: 128176
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Merinatschka (Polka) - Pavol Stopka

Merinatschka (Polka) Pavol Stopka

59,00 €
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Duration: 2:50 min
Difficulty: 2
Composer: Pavol Stopka
Arranger: -
Article Nr: 128162
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Magurapolka / Makosgalopp - Jozef Balaz / Arr. Miloslav Hlavacek

Magurapolka / Makosgalopp Jozef Balaz / Arr. Miloslav Hlavacek

Doppelnummer
79,00 €
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Duration: 4:04 min
Difficulty: 2+
Composer: Jozef Balaz
Arranger: Miloslav Hlavacek
Article Nr: 128117
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Bauern-Polka / Lieber Bismarck, schaukle nicht (Polka) - Johann Strauß / Strauss (Sohn) / Arr. Armin Suppan

Bauern-Polka / Lieber Bismarck, schaukle nicht (Polka) Johann Strauß / Strauss (Sohn) / Arr. Armin Suppan

79,00 €
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Duration: --:-- min
Difficulty: -
Article Nr: 128074
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Katrinpolka - Heribert Raich

Katrinpolka Heribert Raich

49,00 €
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Duration: --:-- min
Difficulty: -
Composer: Heribert Raich
Arranger: -
Article Nr: 127972
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Jirinkapolka - Bedrich Erben / Arr. Ladislav Kubes

Jirinkapolka Bedrich Erben / Arr. Ladislav Kubes

Die Arbeit hoch - Bodingbauer Jirinkapolka - Erben Rigips-Marsch - Raich Sommernachtswalzer - Fischer/Wolf
49,90 €
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Duration: --:-- min
Difficulty: 2+
Composer: Bedrich Erben
Arranger: Ladislav Kubes
Article Nr: 127914
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Jasminpolka - Jaroslav Novak

Jasminpolka Jaroslav Novak

32,10 €
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Duration: --:-- min
Difficulty: -
Composer: Jaroslav Novak
Arranger: -
Article Nr: 127912
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Im Fluge opus 230 (Polka schnell) - Josef Strauss / Arr. Anton Othmar Sollfelner

Im Fluge opus 230 (Polka schnell) Josef Strauss / Arr. Anton Othmar Sollfelner

59,00 €
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Duration: 2:01 min
Difficulty: -
Article Nr: 127873
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Gipfelwindpolka - Heribert Raich

Gipfelwindpolka Heribert Raich

49,00 €
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Duration: --:-- min
Difficulty: -
Composer: Heribert Raich
Arranger: -
Article Nr: 127711
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