Polka
The polka is originally a Czech dance and genre of dance music familiar throughout Europe and the Americas. It originated in the middle of the 19th century in Bohemia, now part of the Czech Republic. The polka remains a popular folk music genre in many European countries, and is performed by folk artists in the Czech Republic, Germany, Austria, Slovenia, Switzerland, and Finland, and to a lesser extent in Poland, Latvia, Lithuania, the Netherlands, Hungary, Italy, Ukraine, Romania, Belarus, Russia, and Slovakia. Local varieties of this dance are also found in the Nordic countries, Spain's Basque Country, the United Kingdom, Ireland, Latin America and the United States.
The term polka possibly comes from the Czech word "pulka" ("half"), referring to the short half-steps featured in the dance. Czech cultural historian and ethnographer Cenek Zíbrt, who wrote in detail about the origin of the dance, in his book, Jak se kdy v Cechách tancovalo cites an opinion of Frantiek Doucha (1840, Kvety, p. 400) that "polka" was supposed to mean "dance in half" ("tanec na polo"), both referring to the half-tempo 2
4 and the half-jump step of the dance. Zíbrt also ironically dismisses the etymology suggested by A. Fähnrich (in Ein etymologisches Taschenbuch, Jiein, 1846) that "polka" comes from the Czech word "pole" ("field").On the other hand, Zdenek Nejedlý suggests that the etymology given by Fr. Doucha is nothing but an effort to prove the "true Czech folk" origin of Polka. Instead, he claims that according to Jaroslav Langr ("Ceské krakovácky" in: Cas. Ces. musea, 1835, Sebr. spisy I, 256) in the area of Hradec Králové, the tune Krakoviáky from the collection Slovanské národní písne of Frantiek Ladislav Celakovský became very popular so that it was used to dance (Czech dances) trasák, britva, and kvapík, and this way was called "Polka". Nejedlý also writes that Václav Vladivoj Tomek also claims the Hradec Králové roots of a Polka.[3] OED also suggests that the name may have been derived from the Czech Polka meaning "Polish woman" (feminine form corresponding to Polák, a Pole).
The beginning of the propagation of dance and accompanying music called polka is generally attributed to a young woman, Anna Slezáková (born Anna Chadimová). The music teacher Josef Neruda noticed her dancing in an unusual way to accompany a local folk song called "Strýcek Nimra koupil imla", or "Uncle Nimra Bought a White Horse", in 1830. She is said to have called the dance Madera ("Madeira wine") because of its liveliness. The dance was further propagated by Neruda, who put the tune to paper and taught other young men to dance it.[2] Cenek Zíbrt notices that a common claim that the events happened in Týnec nad Labem, Bohemia in 1834 is incorrect. Zibrt writes that when he published this traditional story in 1894 in Narodni Listy newspaper, he received a good deal of feedback from eyewitnesses. In particular, he wrote that according to further witness, the originating event actually happened in 1830, in Kostelec nad Labem, where she worked as a housemaid. Zíbrt writes that he published the first version of the story (with incorrect place name) in Bohemia (June 5, 1844), from where it was reprinted all over Europe and in the United States. Zíbrt also wrote that simple Czech folk claimed that they knew and danced Polka long before the nobles got hold of it, i.e., it is a truly folk Czech dance.
By 1835, this dance had spread to the ballrooms of Prague. From there, it spread to Vienna by 1839, and in 1840 was introduced in Paris by Raab, a Prague dance instructor.
It was so well received by both dancers and dance masters in Paris that its popularity was referred to as "polkamania."[6] The dance soon spread to London and was introduced to America in 1844. It remained a popular ballroom dance until the late 19th century, when it would give way to the two-step and new ragtime dances.
Polka dancing enjoyed a resurgence in popularity after World War II, when many Polish refugees moved to the US, adopting this Bohemian style as a cultural dance. Polka dances are still held on a weekly basis across many parts of the US with significant populations of central European origin. It was also found in parts of South America.
The word was widely introduced into the major European languages in the early 1840s.[1] It should not be confused with the polska, a Swedish About this sound
4-beat (help·info) dance with Polish roots (cf. polka-mazurka). A related dance is the redowa. Polkas almost always have a About this sound2
4 (help·info) time signature. Folk music of Polka style appeared in written music about 1800.
The term polka possibly comes from the Czech word "pulka" ("half"), referring to the short half-steps featured in the dance. Czech cultural historian and ethnographer Cenek Zíbrt, who wrote in detail about the origin of the dance, in his book, Jak se kdy v Cechách tancovalo cites an opinion of Frantiek Doucha (1840, Kvety, p. 400) that "polka" was supposed to mean "dance in half" ("tanec na polo"), both referring to the half-tempo 2
4 and the half-jump step of the dance. Zíbrt also ironically dismisses the etymology suggested by A. Fähnrich (in Ein etymologisches Taschenbuch, Jiein, 1846) that "polka" comes from the Czech word "pole" ("field").On the other hand, Zdenek Nejedlý suggests that the etymology given by Fr. Doucha is nothing but an effort to prove the "true Czech folk" origin of Polka. Instead, he claims that according to Jaroslav Langr ("Ceské krakovácky" in: Cas. Ces. musea, 1835, Sebr. spisy I, 256) in the area of Hradec Králové, the tune Krakoviáky from the collection Slovanské národní písne of Frantiek Ladislav Celakovský became very popular so that it was used to dance (Czech dances) trasák, britva, and kvapík, and this way was called "Polka". Nejedlý also writes that Václav Vladivoj Tomek also claims the Hradec Králové roots of a Polka.[3] OED also suggests that the name may have been derived from the Czech Polka meaning "Polish woman" (feminine form corresponding to Polák, a Pole).
The beginning of the propagation of dance and accompanying music called polka is generally attributed to a young woman, Anna Slezáková (born Anna Chadimová). The music teacher Josef Neruda noticed her dancing in an unusual way to accompany a local folk song called "Strýcek Nimra koupil imla", or "Uncle Nimra Bought a White Horse", in 1830. She is said to have called the dance Madera ("Madeira wine") because of its liveliness. The dance was further propagated by Neruda, who put the tune to paper and taught other young men to dance it.[2] Cenek Zíbrt notices that a common claim that the events happened in Týnec nad Labem, Bohemia in 1834 is incorrect. Zibrt writes that when he published this traditional story in 1894 in Narodni Listy newspaper, he received a good deal of feedback from eyewitnesses. In particular, he wrote that according to further witness, the originating event actually happened in 1830, in Kostelec nad Labem, where she worked as a housemaid. Zíbrt writes that he published the first version of the story (with incorrect place name) in Bohemia (June 5, 1844), from where it was reprinted all over Europe and in the United States. Zíbrt also wrote that simple Czech folk claimed that they knew and danced Polka long before the nobles got hold of it, i.e., it is a truly folk Czech dance.
By 1835, this dance had spread to the ballrooms of Prague. From there, it spread to Vienna by 1839, and in 1840 was introduced in Paris by Raab, a Prague dance instructor.
It was so well received by both dancers and dance masters in Paris that its popularity was referred to as "polkamania."[6] The dance soon spread to London and was introduced to America in 1844. It remained a popular ballroom dance until the late 19th century, when it would give way to the two-step and new ragtime dances.
Polka dancing enjoyed a resurgence in popularity after World War II, when many Polish refugees moved to the US, adopting this Bohemian style as a cultural dance. Polka dances are still held on a weekly basis across many parts of the US with significant populations of central European origin. It was also found in parts of South America.
The word was widely introduced into the major European languages in the early 1840s.[1] It should not be confused with the polska, a Swedish About this sound
4-beat (help·info) dance with Polish roots (cf. polka-mazurka). A related dance is the redowa. Polkas almost always have a About this sound2
4 (help·info) time signature. Folk music of Polka style appeared in written music about 1800.
EMOJI Alexander Pfluger / Arr. Alexander Pfluger
Format: DIN A4
Texter:
Instrumentation: blasorchester
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Besetzungsliste / Instrumentation: C DirektionFlöte 1Flöte 2OboeFagottEs KlarinetteBb Klarinette 1Bb Klarinette 2Bb Klarinette 3Bb BassklarinetteEb Altsaxophon 1 Eb Altsaxophon 2Bb Tenorsaxophon 1Bb Tenorsaxophon 2Eb BaritonsaxophonBb Trompete 1Bb Trompete 2Bb Flügelhorn 1Bb Flügelhorn 2F Horn 1Eb Hor ...
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Amboss-Polka Albert Parlow / Arr. Kurt Pascher
Der Amboss als Soloinstrument ist sicherlich außergewöhnlich. Dennoch rückt Albert Parlow ihn ins Rampenlicht und erlangte mit seiner Amboss-Polka Weltruhm.
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Feuerfest Polka Josef Strauss / Arr. Terry Kenny
Titel / Title: Feuerfest Polka
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Komponist / Composer: Terry Kenny
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Instrumentation: Concert Band
Josef Strauß (Wien 1827-1870), der zweite Sohn von Johann Strauß Vater, war Ingenieur und Architekt, bevor er in die Spuren seines berühmten Vaters und seines älteren Bruders trat.
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8 F ...
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Meine Leidenschaft Alexander Pfluger / Arr. Alexander Pfluger
Meine Leidenschaft Alexander Pfluger Musik sagt mehr als tausend Worte.
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Instrumentation: blasorchester
Aufnahme / Recording: s15010-musikanten-zauber,hm004-wir-sind-egerlaender-musikanten,km004-fuer-immer-boehmisch,djp002-boehmisch-gelaunt
Besetzungsliste / Instrumentation: C DirektionFlöte 1Flöte 2OboeFagottE ...
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Duration: 00:03:53 min
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Article Nr: 163649
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Junggesellen (Polka) Erwin Trojan
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Article Nr: 126995
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B wie böhmisch Michael Kuhn
Titel / Title: B wie böhmisch
Komponist / Composer: Michael Kuhn
Genre: Polka
Format: A4
Aufnahme / Recording: CD Holger Mück - CD Egerländer Musikantenfest - 2009
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Duration: 3:38 min
Difficulty: 3
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Article Nr: 154800
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Magische Momente Alexander Pfluger / Arr. Alexander Pfluger
Format: DIN A4
Instrumentation: blasorchester
Aufnahme / Recording: s15010-musikanten-zauber,
bv001-vorspiel
Besetzungsliste / Instrumentation: C DirektionFlöte 1Flöte 2OboeFagottEs KlarinetteBb Klarinette 1Bb Klarinette 2Bb Klarinette 3Bb BassklarinetteEb Altsaxophon 1 Eb Altsaxophon 2Bb Tenorsaxophon 1Bb Tenorsaxophon 2Eb BaritonsaxophonBb Trompete 1Bb Trompete 2Bb Flüg ...
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Duration: 00:03:30 min
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Article Nr: 214619
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Posaunen Hone Walter Grechenig
Gewidmet Gerhard Schrall, dem legendären Showman der Obervellacher Buam
Lustige Bravourpolka für VentilposauneBesetzungsliste / Instrumentation:
Solo Posaune in Bb/C
Flöte in C
Eb Klarinette
Bb Klarinette 1
Bb Klarinette 2
Bb Klarinette 3
Bb Flügelhorn 1
Bb Flügelhorn 2
Bb Trompete
Bb Tenorhorn
Bb/C Bariton
Bb/C P ...
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Egerland Heimatland Josef Stepanek / Arr. Gerald Weinkopf

Ernst Mosch u.s. Original Egerländer Musikanten
Ernst Mosch u.s. Original Egerländer Musikanten
Aufnahme: CD Die schönsten Polkas & Walzer der Welt (Elmar Wolf & die Neuen Egerländer)
Partitur, Flöte in C, Oboe in C, Klarinette in Eb, 1.Klarinette in Bb, 2.Klarinette in Bb, 3.Klarinette in Bb, 1.Alt-Saxophon in Eb, 2.Alt-Saxophon in Eb, 1.Tenor-Saxophon in Bb, 2.Tenor-Saxo ...
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SMS-Polka Alexander Pfluger / Arr. Alexander Pfluger
SMS-Polka aus der Serie YOUNG STARS Blasmusik für Kids - von Alexander Pfluger. Kompositionen aus der Serie YOUNG STARS Blasmusik for Kids eignen sich besonders für Jugendorchester im Bereich Anfänger- Unterstufe. Diese Stücke sind mit begrenztem Tonumfang für die einzelnen Register und ohne Sechzehntel-Noten ausgeführt.
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Be ...
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Article Nr: 175528
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Emma Polka Ludwig Radakovits
Besetzung "EMMA-Polka"
Flöte in C
Klarinette in Es
1. Klarinette in B
2. Klarinette in B
1. Flügelhorn in B
2. Flügelehorn in B
1. Trompete in B
2. Trompete in B
Tenorhorn in B
Bariton in B
1. Trompete Es
2. Trompete in Es
1. Posaune in C
2. Posaune in C
Posaune in B
1. Bass in C
2. Bass in C
Schlagzeug
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Ein Egerländer Traum Alexander Pfluger / Arr. Alexander Pfluger
Ein Egerländer Traum - Polka aus der Feder von Alexander Pfluger wohl eine seiner erfolgreichsten Kompositionen. Das Arrangement aus dem Live-Programm der Kapelle Die Schwindligen 15 biete allen Registern viele Möglichkeiten musikalisch ihr Können unter Beweis zu stellen.
Format: DIN A4
Instrumentation: blasorchester
Aufnahme / Recording: hm006 egerlaender blut,s15007-un ...
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Zwei Mexikaner in Böhmen (Solo für 2 Trompeten) Mark Sven Heidt / Arr. Guido Henn
Ein Erfolgsstück aus dem Repertoire von GUIDO HENN UND SEINER GOLDENEN BLASMUSIK. Das Werk erhält seinen Reiz durch den Gegensatz von Swing-Teilen und böhmischer Polka.
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Duration: 3:23 min
Difficulty: 3
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Article Nr: 91139
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Pennsylvania Polka Traditional / Arr. Eric Osterling
Titel / Title: Pennsylvania Polka
Herausgeber / Publisher: Hal Leonard
Instrumentation: Concert Band/Harmonie
Serie / Series: Discovery Plus Concert Band
Produkttyp / Product: Partitur + Stimmen
UPC: 73999966220There's no better way to please a crowd than by playing a rousing polka! This excellent arrangement will sound great with younger players and is easy to learn. Clea ...
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Duration: 3:00 min
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Article Nr: 145607
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Es ist schön - Hodonin (Nechod K Nam) - große Besetzung Josef Konecny
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Article Nr: 183868
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Traumgefühle (Polka) Mathias Rauch / Arr. Michael Klostermann
ISRC: ATHZ12200012
Aufnahme / Recording: CD Blasmusik zum Verlieben (Blaskapelle Böhmische Liebe - Ltg. Mathias Rauch)
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Duration: 2:59 min
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