Polka
The polka is originally a Czech dance and genre of dance music familiar throughout Europe and the Americas. It originated in the middle of the 19th century in Bohemia, now part of the Czech Republic. The polka remains a popular folk music genre in many European countries, and is performed by folk artists in the Czech Republic, Germany, Austria, Slovenia, Switzerland, and Finland, and to a lesser extent in Poland, Latvia, Lithuania, the Netherlands, Hungary, Italy, Ukraine, Romania, Belarus, Russia, and Slovakia. Local varieties of this dance are also found in the Nordic countries, Spain's Basque Country, the United Kingdom, Ireland, Latin America and the United States.
The term polka possibly comes from the Czech word "pulka" ("half"), referring to the short half-steps featured in the dance. Czech cultural historian and ethnographer Cenek Zíbrt, who wrote in detail about the origin of the dance, in his book, Jak se kdy v Cechách tancovalo cites an opinion of Frantiek Doucha (1840, Kvety, p. 400) that "polka" was supposed to mean "dance in half" ("tanec na polo"), both referring to the half-tempo 2
4 and the half-jump step of the dance. Zíbrt also ironically dismisses the etymology suggested by A. Fähnrich (in Ein etymologisches Taschenbuch, Jiein, 1846) that "polka" comes from the Czech word "pole" ("field").On the other hand, Zdenek Nejedlý suggests that the etymology given by Fr. Doucha is nothing but an effort to prove the "true Czech folk" origin of Polka. Instead, he claims that according to Jaroslav Langr ("Ceské krakovácky" in: Cas. Ces. musea, 1835, Sebr. spisy I, 256) in the area of Hradec Králové, the tune Krakoviáky from the collection Slovanské národní písne of Frantiek Ladislav Celakovský became very popular so that it was used to dance (Czech dances) trasák, britva, and kvapík, and this way was called "Polka". Nejedlý also writes that Václav Vladivoj Tomek also claims the Hradec Králové roots of a Polka.[3] OED also suggests that the name may have been derived from the Czech Polka meaning "Polish woman" (feminine form corresponding to Polák, a Pole).
The beginning of the propagation of dance and accompanying music called polka is generally attributed to a young woman, Anna Slezáková (born Anna Chadimová). The music teacher Josef Neruda noticed her dancing in an unusual way to accompany a local folk song called "Strýcek Nimra koupil imla", or "Uncle Nimra Bought a White Horse", in 1830. She is said to have called the dance Madera ("Madeira wine") because of its liveliness. The dance was further propagated by Neruda, who put the tune to paper and taught other young men to dance it.[2] Cenek Zíbrt notices that a common claim that the events happened in Týnec nad Labem, Bohemia in 1834 is incorrect. Zibrt writes that when he published this traditional story in 1894 in Narodni Listy newspaper, he received a good deal of feedback from eyewitnesses. In particular, he wrote that according to further witness, the originating event actually happened in 1830, in Kostelec nad Labem, where she worked as a housemaid. Zíbrt writes that he published the first version of the story (with incorrect place name) in Bohemia (June 5, 1844), from where it was reprinted all over Europe and in the United States. Zíbrt also wrote that simple Czech folk claimed that they knew and danced Polka long before the nobles got hold of it, i.e., it is a truly folk Czech dance.
By 1835, this dance had spread to the ballrooms of Prague. From there, it spread to Vienna by 1839, and in 1840 was introduced in Paris by Raab, a Prague dance instructor.
It was so well received by both dancers and dance masters in Paris that its popularity was referred to as "polkamania."[6] The dance soon spread to London and was introduced to America in 1844. It remained a popular ballroom dance until the late 19th century, when it would give way to the two-step and new ragtime dances.
Polka dancing enjoyed a resurgence in popularity after World War II, when many Polish refugees moved to the US, adopting this Bohemian style as a cultural dance. Polka dances are still held on a weekly basis across many parts of the US with significant populations of central European origin. It was also found in parts of South America.
The word was widely introduced into the major European languages in the early 1840s.[1] It should not be confused with the polska, a Swedish About this sound
4-beat (help·info) dance with Polish roots (cf. polka-mazurka). A related dance is the redowa. Polkas almost always have a About this sound2
4 (help·info) time signature. Folk music of Polka style appeared in written music about 1800.
The term polka possibly comes from the Czech word "pulka" ("half"), referring to the short half-steps featured in the dance. Czech cultural historian and ethnographer Cenek Zíbrt, who wrote in detail about the origin of the dance, in his book, Jak se kdy v Cechách tancovalo cites an opinion of Frantiek Doucha (1840, Kvety, p. 400) that "polka" was supposed to mean "dance in half" ("tanec na polo"), both referring to the half-tempo 2
4 and the half-jump step of the dance. Zíbrt also ironically dismisses the etymology suggested by A. Fähnrich (in Ein etymologisches Taschenbuch, Jiein, 1846) that "polka" comes from the Czech word "pole" ("field").On the other hand, Zdenek Nejedlý suggests that the etymology given by Fr. Doucha is nothing but an effort to prove the "true Czech folk" origin of Polka. Instead, he claims that according to Jaroslav Langr ("Ceské krakovácky" in: Cas. Ces. musea, 1835, Sebr. spisy I, 256) in the area of Hradec Králové, the tune Krakoviáky from the collection Slovanské národní písne of Frantiek Ladislav Celakovský became very popular so that it was used to dance (Czech dances) trasák, britva, and kvapík, and this way was called "Polka". Nejedlý also writes that Václav Vladivoj Tomek also claims the Hradec Králové roots of a Polka.[3] OED also suggests that the name may have been derived from the Czech Polka meaning "Polish woman" (feminine form corresponding to Polák, a Pole).
The beginning of the propagation of dance and accompanying music called polka is generally attributed to a young woman, Anna Slezáková (born Anna Chadimová). The music teacher Josef Neruda noticed her dancing in an unusual way to accompany a local folk song called "Strýcek Nimra koupil imla", or "Uncle Nimra Bought a White Horse", in 1830. She is said to have called the dance Madera ("Madeira wine") because of its liveliness. The dance was further propagated by Neruda, who put the tune to paper and taught other young men to dance it.[2] Cenek Zíbrt notices that a common claim that the events happened in Týnec nad Labem, Bohemia in 1834 is incorrect. Zibrt writes that when he published this traditional story in 1894 in Narodni Listy newspaper, he received a good deal of feedback from eyewitnesses. In particular, he wrote that according to further witness, the originating event actually happened in 1830, in Kostelec nad Labem, where she worked as a housemaid. Zíbrt writes that he published the first version of the story (with incorrect place name) in Bohemia (June 5, 1844), from where it was reprinted all over Europe and in the United States. Zíbrt also wrote that simple Czech folk claimed that they knew and danced Polka long before the nobles got hold of it, i.e., it is a truly folk Czech dance.
By 1835, this dance had spread to the ballrooms of Prague. From there, it spread to Vienna by 1839, and in 1840 was introduced in Paris by Raab, a Prague dance instructor.
It was so well received by both dancers and dance masters in Paris that its popularity was referred to as "polkamania."[6] The dance soon spread to London and was introduced to America in 1844. It remained a popular ballroom dance until the late 19th century, when it would give way to the two-step and new ragtime dances.
Polka dancing enjoyed a resurgence in popularity after World War II, when many Polish refugees moved to the US, adopting this Bohemian style as a cultural dance. Polka dances are still held on a weekly basis across many parts of the US with significant populations of central European origin. It was also found in parts of South America.
The word was widely introduced into the major European languages in the early 1840s.[1] It should not be confused with the polska, a Swedish About this sound
4-beat (help·info) dance with Polish roots (cf. polka-mazurka). A related dance is the redowa. Polkas almost always have a About this sound2
4 (help·info) time signature. Folk music of Polka style appeared in written music about 1800.
Frühlingsrosen Michael Schiegg / Arr. Sebastian Höglauer
Neue Polka mit Ohrwurmcharakter aus der Feder von Michael Schiegg und aus dem Repertoire von Blech & Co, Quattro Poly und Blechverrückt...
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Ein Sonntag in Böhmen Benedikt Feustel / Arr. Rudi Fischer
Titel / Title: Ein Sonntag in Böhmen
Komponist / Composer: M.: B.Feustel, Bearb.: R.Fischer
Genre: Polka
Format: A4
Aufnahme / Recording:
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Duration: 4:07 min
Difficulty: 3
Difficulty: 3
Article Nr: 168772
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Musikanten spielt´s auf, muzikanti vyhravejte Josef Thums
Titel / Title: Musikanten spielt´s auf, muzikanti vyhravejte
Komponist / Composer: Josef Thums
Genre: Polka - Solo
Format: A4
Aufnahme / Recording: CD Die 12 Pilsner - Musikanten spielts auf
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Difficulty: 4+
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Bergzeit - Polka Thomas Lindl / Arr. Michael Kuhn
Titel / Title: Bergzeit - Polka
Komponist / Composer: M: T. Lindl Arr.: M. Kuhn
Genre: Polka
Format: A4
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Grüß Euch Gott beianand´! Franz Xaver Holzhauser
Titel / Title: Grüß Euch Gott beianand´!
Komponist / Composer: Musik/Text: F. X. Holzhauser
Genre: Polka-Gesang
Format: A4
Aufnahme / Recording: CD Blech & Co. CD Nr. 3
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Difficulty: 3
Difficulty: 3
Article Nr: 168763
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Tenorka Polka Josef Konecny
Solo für Tenorhorn & BaritonBesetzungsliste / Instrumentation:
Direktion C
Flöte C
Klarinette Es
1.Klarinette B
2.Klarinette B
1.Flügelhorn B
2.Flügelhorn B
1.Trompete B
2.Trompete B
Tenorhorn Solo B
Bariton Solo C/B
1.Posaune C
2.Posaune C
Bass C/B
Schlagzeug
...
Duration: --:-- min
Difficulty: -
Difficulty: -
Article Nr: 168741
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Wir sagen dankeschön R. Seufert / Arr. Rudi Fischer
Eine schöne Polka mit Gesang. Sie überzeugt mit einer gefälligen Melodie und einem eingängigen Text mit welchem sich die Musiker standesgemäß verabschieden und bedanken können beim Publikum! Auch ohne Gesang aufführbar! Ausgabe mit Gesangsstimme!
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Duration: 3:05 min
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Article Nr: 168587
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Fantastic Polka Arthur Pryor / Arr. Andrew Glover
Titel / Title: Fantastic Polka
Herausgeber / Publisher: Barnhouse
Instrumentation: Concert Band
Produkttyp / Product: Partitur + Stimmen
Erscheinungsdatum / Date of Production: 24
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Duration: 5:49 min
Difficulty: 3
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Article Nr: 167525
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Wieder daheim Thorsten Reinau
Aus dem Repertoire der "Neuen Böhmischen Blasmusik", Leitung: Roland Kohler
Die Besonderheit an dieser Polka ist das Bläserquartett im Trio und das Zitat des Badnerliedes am Schluss.
Der Komponist Thorsten Reinau lebte mehrere Jahre mit seiner Familie in Österreich und als er im Jahr 2014 wieder zurück in seine badische Heimat kam, war er "Wieder daheim".
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Seeger Pfingstfest Elmar Walter
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Pettstadter Mädel Elmar Walter
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Beim Zankerwirt Alexander Pfluger / Arr. Alexander Pfluger
Format: DIN A4
Texter:
Instrumentation: blasorchester
Aufnahme / Recording: s15004-jubilaeumsparade,wm001-musikantentraum
Besetzungsliste / Instrumentation: C DirektionFlöte 1Flöte 2OboeFagottEs KlarinetteBb Klarinette 1Bb Klarinette 2Bb Klarinette 3Bb BassklarinetteEb Altsaxophon 1 Eb Altsaxophon 2Bb Tenorsaxophon 1Bb Tenorsaxophon 2Eb BaritonsaxophonBb Trompete 1Bb Trompete ...
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Duration: 00:03:32 min
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Zeit für Musik Alexander Pfluger / Arr. Alexander Pfluger
Zeit für Musik - neue Polka aus der Feder von Alexander Pfluger.
Format: DIN A4
Texter:
Instrumentation: blasorchester
Aufnahme / Recording: s15008-zeit-fuer-musik,ap001-carpe-diem
Besetzungsliste / Instrumentation: C DirektionFlöte 1Flöte 2OboeFagottEs KlarinetteBb Klarinette 1Bb Klarinette 2Bb Klarinette 3Bb BassklarinetteEb Altsaxophon 1 Eb Altsaxophon 2Bb Tenorsaxophon 1Bb ...
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Duration: 00:03:53 min
Difficulty: 3
Difficulty: 3
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Feierabend-Polka Hans-Reiner Schmidt
Hans-Reiner Schmidt, Komponist und Musiker, begeistert mit seinen Kompositionen immer wieder aufs Neue. Mit der allseits beliebten Feierabendpolka hat er eine Polka komponiert, die sich nicht nur als krönender Abschluss jedes Konzertes hervorragend eignet.
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Duration: 2:30 min
Difficulty: 3+
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Article Nr: 165510
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Frühlingsgedanken Maximilian Obermüller / Arr. Franz Gerstbrein
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Article Nr: 164948
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Herbstfest Franz Sprenzinger / Arr. Hanns-Peter Springer
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Difficulty: 3
Article Nr: 164923
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