Polka
The polka is originally a Czech dance and genre of dance music familiar throughout Europe and the Americas. It originated in the middle of the 19th century in Bohemia, now part of the Czech Republic. The polka remains a popular folk music genre in many European countries, and is performed by folk artists in the Czech Republic, Germany, Austria, Slovenia, Switzerland, and Finland, and to a lesser extent in Poland, Latvia, Lithuania, the Netherlands, Hungary, Italy, Ukraine, Romania, Belarus, Russia, and Slovakia. Local varieties of this dance are also found in the Nordic countries, Spain's Basque Country, the United Kingdom, Ireland, Latin America and the United States.
The term polka possibly comes from the Czech word "pulka" ("half"), referring to the short half-steps featured in the dance. Czech cultural historian and ethnographer Cenek Zíbrt, who wrote in detail about the origin of the dance, in his book, Jak se kdy v Cechách tancovalo cites an opinion of Frantiek Doucha (1840, Kvety, p. 400) that "polka" was supposed to mean "dance in half" ("tanec na polo"), both referring to the half-tempo 2
4 and the half-jump step of the dance. Zíbrt also ironically dismisses the etymology suggested by A. Fähnrich (in Ein etymologisches Taschenbuch, Jiein, 1846) that "polka" comes from the Czech word "pole" ("field").On the other hand, Zdenek Nejedlý suggests that the etymology given by Fr. Doucha is nothing but an effort to prove the "true Czech folk" origin of Polka. Instead, he claims that according to Jaroslav Langr ("Ceské krakovácky" in: Cas. Ces. musea, 1835, Sebr. spisy I, 256) in the area of Hradec Králové, the tune Krakoviáky from the collection Slovanské národní písne of Frantiek Ladislav Celakovský became very popular so that it was used to dance (Czech dances) trasák, britva, and kvapík, and this way was called "Polka". Nejedlý also writes that Václav Vladivoj Tomek also claims the Hradec Králové roots of a Polka.[3] OED also suggests that the name may have been derived from the Czech Polka meaning "Polish woman" (feminine form corresponding to Polák, a Pole).
The beginning of the propagation of dance and accompanying music called polka is generally attributed to a young woman, Anna Slezáková (born Anna Chadimová). The music teacher Josef Neruda noticed her dancing in an unusual way to accompany a local folk song called "Strýcek Nimra koupil imla", or "Uncle Nimra Bought a White Horse", in 1830. She is said to have called the dance Madera ("Madeira wine") because of its liveliness. The dance was further propagated by Neruda, who put the tune to paper and taught other young men to dance it.[2] Cenek Zíbrt notices that a common claim that the events happened in Týnec nad Labem, Bohemia in 1834 is incorrect. Zibrt writes that when he published this traditional story in 1894 in Narodni Listy newspaper, he received a good deal of feedback from eyewitnesses. In particular, he wrote that according to further witness, the originating event actually happened in 1830, in Kostelec nad Labem, where she worked as a housemaid. Zíbrt writes that he published the first version of the story (with incorrect place name) in Bohemia (June 5, 1844), from where it was reprinted all over Europe and in the United States. Zíbrt also wrote that simple Czech folk claimed that they knew and danced Polka long before the nobles got hold of it, i.e., it is a truly folk Czech dance.
By 1835, this dance had spread to the ballrooms of Prague. From there, it spread to Vienna by 1839, and in 1840 was introduced in Paris by Raab, a Prague dance instructor.
It was so well received by both dancers and dance masters in Paris that its popularity was referred to as "polkamania."[6] The dance soon spread to London and was introduced to America in 1844. It remained a popular ballroom dance until the late 19th century, when it would give way to the two-step and new ragtime dances.
Polka dancing enjoyed a resurgence in popularity after World War II, when many Polish refugees moved to the US, adopting this Bohemian style as a cultural dance. Polka dances are still held on a weekly basis across many parts of the US with significant populations of central European origin. It was also found in parts of South America.
The word was widely introduced into the major European languages in the early 1840s.[1] It should not be confused with the polska, a Swedish About this sound
4-beat (help·info) dance with Polish roots (cf. polka-mazurka). A related dance is the redowa. Polkas almost always have a About this sound2
4 (help·info) time signature. Folk music of Polka style appeared in written music about 1800.
The term polka possibly comes from the Czech word "pulka" ("half"), referring to the short half-steps featured in the dance. Czech cultural historian and ethnographer Cenek Zíbrt, who wrote in detail about the origin of the dance, in his book, Jak se kdy v Cechách tancovalo cites an opinion of Frantiek Doucha (1840, Kvety, p. 400) that "polka" was supposed to mean "dance in half" ("tanec na polo"), both referring to the half-tempo 2
4 and the half-jump step of the dance. Zíbrt also ironically dismisses the etymology suggested by A. Fähnrich (in Ein etymologisches Taschenbuch, Jiein, 1846) that "polka" comes from the Czech word "pole" ("field").On the other hand, Zdenek Nejedlý suggests that the etymology given by Fr. Doucha is nothing but an effort to prove the "true Czech folk" origin of Polka. Instead, he claims that according to Jaroslav Langr ("Ceské krakovácky" in: Cas. Ces. musea, 1835, Sebr. spisy I, 256) in the area of Hradec Králové, the tune Krakoviáky from the collection Slovanské národní písne of Frantiek Ladislav Celakovský became very popular so that it was used to dance (Czech dances) trasák, britva, and kvapík, and this way was called "Polka". Nejedlý also writes that Václav Vladivoj Tomek also claims the Hradec Králové roots of a Polka.[3] OED also suggests that the name may have been derived from the Czech Polka meaning "Polish woman" (feminine form corresponding to Polák, a Pole).
The beginning of the propagation of dance and accompanying music called polka is generally attributed to a young woman, Anna Slezáková (born Anna Chadimová). The music teacher Josef Neruda noticed her dancing in an unusual way to accompany a local folk song called "Strýcek Nimra koupil imla", or "Uncle Nimra Bought a White Horse", in 1830. She is said to have called the dance Madera ("Madeira wine") because of its liveliness. The dance was further propagated by Neruda, who put the tune to paper and taught other young men to dance it.[2] Cenek Zíbrt notices that a common claim that the events happened in Týnec nad Labem, Bohemia in 1834 is incorrect. Zibrt writes that when he published this traditional story in 1894 in Narodni Listy newspaper, he received a good deal of feedback from eyewitnesses. In particular, he wrote that according to further witness, the originating event actually happened in 1830, in Kostelec nad Labem, where she worked as a housemaid. Zíbrt writes that he published the first version of the story (with incorrect place name) in Bohemia (June 5, 1844), from where it was reprinted all over Europe and in the United States. Zíbrt also wrote that simple Czech folk claimed that they knew and danced Polka long before the nobles got hold of it, i.e., it is a truly folk Czech dance.
By 1835, this dance had spread to the ballrooms of Prague. From there, it spread to Vienna by 1839, and in 1840 was introduced in Paris by Raab, a Prague dance instructor.
It was so well received by both dancers and dance masters in Paris that its popularity was referred to as "polkamania."[6] The dance soon spread to London and was introduced to America in 1844. It remained a popular ballroom dance until the late 19th century, when it would give way to the two-step and new ragtime dances.
Polka dancing enjoyed a resurgence in popularity after World War II, when many Polish refugees moved to the US, adopting this Bohemian style as a cultural dance. Polka dances are still held on a weekly basis across many parts of the US with significant populations of central European origin. It was also found in parts of South America.
The word was widely introduced into the major European languages in the early 1840s.[1] It should not be confused with the polska, a Swedish About this sound
4-beat (help·info) dance with Polish roots (cf. polka-mazurka). A related dance is the redowa. Polkas almost always have a About this sound2
4 (help·info) time signature. Folk music of Polka style appeared in written music about 1800.
Glücksschmied-Polka Gottfried Hummel
Polka mit Gesang & Amboss
Über die Suche nach dem Glück sind schon unzählige Bücher und Lieder geschrieben worden. Der Komponist und Texter Gottfried Hummel sagt in seiner Polka, dass es genügt Optimist zu sein und dass die Musik immer eine Hilfe sein kann.
Schon Schubert sagte: Wer die Musik liebt, ist nie ganz unglücklich. Recht hat er!
Diese Polka wird sicher dazu beit ...
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Duration: 2:30 min
Difficulty: 2+
Difficulty: 2+
Article Nr: 170820
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Velikonocní-Polka (Oster-Polka) Antonin Orsag / Arr. Freek Mestrini
Mährische Polka auch bekannt als "Oster-Polka"
Eine sehr wirkungsvolle, typisch mährische Polka aus den Repertoire der bekannten Blaskapelle GLORIA aus Tschechien.
Die neue, zeitgemäße Einrichtung dieses Titels durch Freek Mestrini ist auch in kleiner, traditioneller Besetzung bereits gut spielbar!
45,00 €
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Duration: --:-- min
Difficulty: 3+
Difficulty: 3+
Article Nr: 170777
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Egerländer Frühschoppen-Polka Freek Mestrini
Böhmische Polka
Auf Wunsch seines langjährigen Musikerkollegen, Dr. Detlef Marburger, komponierte Freek Mestrini diese typisch böhmische Polka.
Im Stil seiner bekannten Komposition Daheim in Böhmen wird auch diese Polka Musiker und Publikum gleichermaßen begeistern!
45,00 €
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Duration: --:-- min
Difficulty: 3
Difficulty: 3
Article Nr: 170766
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Frühlingsträume (Polka) Peter Schad
33,50 €
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Duration: 3:50 min
Difficulty: 2+
Difficulty: 2+
Article Nr: 170729
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Geschenk aus Mähren Antonin Zavodny
Volkstümliche Polka
38,00 €
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Duration: 3:30 min
Difficulty: 3
Difficulty: 3
Article Nr: 170629
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Pratelum Polka Jaroslav Zeman
35,90 €
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Duration: --:-- min
Difficulty: -
Difficulty: -
Article Nr: 170464
in stock | delivery time 1-2 days *
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Böhmisch gelaunt Leonhard Schmid / Arr. Mathias Rauch
Eine pfiffige, frische böhmische Polka des jungen bayerischen Komponisten Leonhard Schmid in einem anspruchsvollen Arrangement von Mathias Rauch.
Eingespielt auf dem neuen Album von 'Die jungen Pfaffenwinkler'
29,90 €
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Duration: --:-- min
Difficulty: 4
Difficulty: 4
Article Nr: 170178
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Am Stammtisch Timo Dellweg
Titel / Title: Am Stammtisch
Komponist / Composer: Timo Dellweg
Genre: Polka
Format: A4
Aufnahme / Recording: CD Michael Maier und seine Blasmusikfreunde
32,50 €
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Duration: --:-- min
Difficulty: 3
Difficulty: 3
Article Nr: 170174
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Unterm Nussbaum (Böhmische Polka) Franzi Scala / Arr. Guido Henn
49,90 €
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Duration: --:-- min
Difficulty: -
Difficulty: -
Article Nr: 170116
in stock | delivery time 1-2 days *
in stock | delivery time 1-2 days *


Heimatliebe Polka Mathias Rauch
Mit dieser Polka ist Mathias Rauch nach der "Böhmischen Liebe" wieder ein wahrer Ohrenschmaus gelungen. Schon hat diese Polka durch ihre Einfachkeit die Herzen der Musiker und des Publikums erobert!
49,90 €
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Duration: 3:30 min
Difficulty: 3
Difficulty: 3
Article Nr: 170113
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Posaune-Slowrock Adam Hudec
69,00 €
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Duration: --:-- min
Difficulty: -
Difficulty: -
Article Nr: 170034
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SMS-Polka Daniel Kloos
Mit einem Augenzwinkern sozusagen komponierte Daniel Kloos diese heitere, leicht spielbare, aber durchaus anspruchsvolle Polka, die durch schmissige Melodien, abwechslungsreiche Instrumentierung und durch eine Prise Humor besticht.
Besetzung: 2 Flöten 1, 2 Flöten 2/Oboe, 3 Klarinetten 1 in B, 3 Klarinetten 2 in B, 3 Klarinetten 3 in B, 2 Altsaxophone in Es, 1 Tenorsaxophon ...
39,00 €
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Duration: 3:00 min
Difficulty: 3
Difficulty: 3
Article Nr: 169986
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Junge Mädchen / Lass mich nie allein Ernst Mosch
Junge Mädchen / Lass mich nie allein
Junge Mädchen
Besetzung / Instrumentation: Blasorchester
Stil / Art: Polka, Böhmisch
Komponist: Stefan Witz
Arrangeur: Gerald Weinkopf & Franz Bummerl
Schwierigkeitsgrad: Mittelstufe | 3
Dauer: 2:50
Interpret: Ernst Mosch und seine Original Egerländer Musikanten
Aufnahme: -
Format: DIN A4
Erscheinungsjahr: 29.01.1966 - Vertrag m ...
50,00 €
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Duration: 2:50 & min
Difficulty: 3
Difficulty: 3
Article Nr: 169098
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in stock | delivery time 1-2 days *


Das ist mein Leben Franz Watz
Das ist mein Leben ist eine der erfolgreichsten, wenn nicht DIE erfolgreichste Polka, von Franz Watz.
Besetzung: Blasorchester
Stil / Art: Bravour-Polka, Böhmisch
Komponist: Franz Watz
Arrangeur: -
Schwierigkeitsgrad: Mittel-Oberstufe | 4
Spieldauer: 03:35
Interpret: Elmar Wolf & die Neuen Egerländer
Aufnahme: Egerländer Wunschkonzert (CD9042) & EWO Disc 10 (CD8010) ...
50,00 €
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Duration: 3:35 min
Difficulty: 4
Difficulty: 4
Article Nr: 169061
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in stock | delivery time 1-2 days *


Aus Böhmen kommt die Musik / Zillertaler Hochzeitsmarsch Christian Bruhn / Arr. Walter Tuschla
Aus Böhmen kommt die Musik
Besetzung: Oberkrainer-Besetzung
Komponist: Christian Bruhn
Arrangeur: Walter Tuschla
Stil / Art: Polka
Schwierigkeitsgrad: Mittelstufe
Spieldauer: 00:04:30
Interpret: Gitti & Erika
Aufnahme: -
Format: DIN A5
Erscheinungsjahr: 1989
Zillertaler Hochzeitsmarsch
Besetzung: Oberkrainer-Besetzung
Komponist: Traditional
Arrangeur: Walter T ...
16,00 €
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Duration: 4:30 min
Difficulty: 3
Difficulty: 3
Article Nr: 168867
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in stock | delivery time 1-2 days *


Geisterpolka Helmut Zsaitsits
Die "Geisterpolka" (Dr. David Geist Polka) ist eine schmissige Polka von Helmut Zsaitsits. Sie war der Hauptpreis bei der "Langen Nacht der Böhmischen Blasmusik" der Blaskapelle Tidirium.
43,90 €
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Duration: 4:25 min
Difficulty: 3
Difficulty: 3
Article Nr: 168844
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