Polka
The polka is originally a Czech dance and genre of dance music familiar throughout Europe and the Americas. It originated in the middle of the 19th century in Bohemia, now part of the Czech Republic. The polka remains a popular folk music genre in many European countries, and is performed by folk artists in the Czech Republic, Germany, Austria, Slovenia, Switzerland, and Finland, and to a lesser extent in Poland, Latvia, Lithuania, the Netherlands, Hungary, Italy, Ukraine, Romania, Belarus, Russia, and Slovakia. Local varieties of this dance are also found in the Nordic countries, Spain's Basque Country, the United Kingdom, Ireland, Latin America and the United States.
The term polka possibly comes from the Czech word "pulka" ("half"), referring to the short half-steps featured in the dance. Czech cultural historian and ethnographer Cenek Zíbrt, who wrote in detail about the origin of the dance, in his book, Jak se kdy v Cechách tancovalo cites an opinion of Frantiek Doucha (1840, Kvety, p. 400) that "polka" was supposed to mean "dance in half" ("tanec na polo"), both referring to the half-tempo 2
4 and the half-jump step of the dance. Zíbrt also ironically dismisses the etymology suggested by A. Fähnrich (in Ein etymologisches Taschenbuch, Jiein, 1846) that "polka" comes from the Czech word "pole" ("field").On the other hand, Zdenek Nejedlý suggests that the etymology given by Fr. Doucha is nothing but an effort to prove the "true Czech folk" origin of Polka. Instead, he claims that according to Jaroslav Langr ("Ceské krakovácky" in: Cas. Ces. musea, 1835, Sebr. spisy I, 256) in the area of Hradec Králové, the tune Krakoviáky from the collection Slovanské národní písne of Frantiek Ladislav Celakovský became very popular so that it was used to dance (Czech dances) trasák, britva, and kvapík, and this way was called "Polka". Nejedlý also writes that Václav Vladivoj Tomek also claims the Hradec Králové roots of a Polka.[3] OED also suggests that the name may have been derived from the Czech Polka meaning "Polish woman" (feminine form corresponding to Polák, a Pole).
The beginning of the propagation of dance and accompanying music called polka is generally attributed to a young woman, Anna Slezáková (born Anna Chadimová). The music teacher Josef Neruda noticed her dancing in an unusual way to accompany a local folk song called "Strýcek Nimra koupil imla", or "Uncle Nimra Bought a White Horse", in 1830. She is said to have called the dance Madera ("Madeira wine") because of its liveliness. The dance was further propagated by Neruda, who put the tune to paper and taught other young men to dance it.[2] Cenek Zíbrt notices that a common claim that the events happened in Týnec nad Labem, Bohemia in 1834 is incorrect. Zibrt writes that when he published this traditional story in 1894 in Narodni Listy newspaper, he received a good deal of feedback from eyewitnesses. In particular, he wrote that according to further witness, the originating event actually happened in 1830, in Kostelec nad Labem, where she worked as a housemaid. Zíbrt writes that he published the first version of the story (with incorrect place name) in Bohemia (June 5, 1844), from where it was reprinted all over Europe and in the United States. Zíbrt also wrote that simple Czech folk claimed that they knew and danced Polka long before the nobles got hold of it, i.e., it is a truly folk Czech dance.
By 1835, this dance had spread to the ballrooms of Prague. From there, it spread to Vienna by 1839, and in 1840 was introduced in Paris by Raab, a Prague dance instructor.
It was so well received by both dancers and dance masters in Paris that its popularity was referred to as "polkamania."[6] The dance soon spread to London and was introduced to America in 1844. It remained a popular ballroom dance until the late 19th century, when it would give way to the two-step and new ragtime dances.
Polka dancing enjoyed a resurgence in popularity after World War II, when many Polish refugees moved to the US, adopting this Bohemian style as a cultural dance. Polka dances are still held on a weekly basis across many parts of the US with significant populations of central European origin. It was also found in parts of South America.
The word was widely introduced into the major European languages in the early 1840s.[1] It should not be confused with the polska, a Swedish About this sound
4-beat (help·info) dance with Polish roots (cf. polka-mazurka). A related dance is the redowa. Polkas almost always have a About this sound2
4 (help·info) time signature. Folk music of Polka style appeared in written music about 1800.
The term polka possibly comes from the Czech word "pulka" ("half"), referring to the short half-steps featured in the dance. Czech cultural historian and ethnographer Cenek Zíbrt, who wrote in detail about the origin of the dance, in his book, Jak se kdy v Cechách tancovalo cites an opinion of Frantiek Doucha (1840, Kvety, p. 400) that "polka" was supposed to mean "dance in half" ("tanec na polo"), both referring to the half-tempo 2
4 and the half-jump step of the dance. Zíbrt also ironically dismisses the etymology suggested by A. Fähnrich (in Ein etymologisches Taschenbuch, Jiein, 1846) that "polka" comes from the Czech word "pole" ("field").On the other hand, Zdenek Nejedlý suggests that the etymology given by Fr. Doucha is nothing but an effort to prove the "true Czech folk" origin of Polka. Instead, he claims that according to Jaroslav Langr ("Ceské krakovácky" in: Cas. Ces. musea, 1835, Sebr. spisy I, 256) in the area of Hradec Králové, the tune Krakoviáky from the collection Slovanské národní písne of Frantiek Ladislav Celakovský became very popular so that it was used to dance (Czech dances) trasák, britva, and kvapík, and this way was called "Polka". Nejedlý also writes that Václav Vladivoj Tomek also claims the Hradec Králové roots of a Polka.[3] OED also suggests that the name may have been derived from the Czech Polka meaning "Polish woman" (feminine form corresponding to Polák, a Pole).
The beginning of the propagation of dance and accompanying music called polka is generally attributed to a young woman, Anna Slezáková (born Anna Chadimová). The music teacher Josef Neruda noticed her dancing in an unusual way to accompany a local folk song called "Strýcek Nimra koupil imla", or "Uncle Nimra Bought a White Horse", in 1830. She is said to have called the dance Madera ("Madeira wine") because of its liveliness. The dance was further propagated by Neruda, who put the tune to paper and taught other young men to dance it.[2] Cenek Zíbrt notices that a common claim that the events happened in Týnec nad Labem, Bohemia in 1834 is incorrect. Zibrt writes that when he published this traditional story in 1894 in Narodni Listy newspaper, he received a good deal of feedback from eyewitnesses. In particular, he wrote that according to further witness, the originating event actually happened in 1830, in Kostelec nad Labem, where she worked as a housemaid. Zíbrt writes that he published the first version of the story (with incorrect place name) in Bohemia (June 5, 1844), from where it was reprinted all over Europe and in the United States. Zíbrt also wrote that simple Czech folk claimed that they knew and danced Polka long before the nobles got hold of it, i.e., it is a truly folk Czech dance.
By 1835, this dance had spread to the ballrooms of Prague. From there, it spread to Vienna by 1839, and in 1840 was introduced in Paris by Raab, a Prague dance instructor.
It was so well received by both dancers and dance masters in Paris that its popularity was referred to as "polkamania."[6] The dance soon spread to London and was introduced to America in 1844. It remained a popular ballroom dance until the late 19th century, when it would give way to the two-step and new ragtime dances.
Polka dancing enjoyed a resurgence in popularity after World War II, when many Polish refugees moved to the US, adopting this Bohemian style as a cultural dance. Polka dances are still held on a weekly basis across many parts of the US with significant populations of central European origin. It was also found in parts of South America.
The word was widely introduced into the major European languages in the early 1840s.[1] It should not be confused with the polska, a Swedish About this sound
4-beat (help·info) dance with Polish roots (cf. polka-mazurka). A related dance is the redowa. Polkas almost always have a About this sound2
4 (help·info) time signature. Folk music of Polka style appeared in written music about 1800.
In den Rottauen Simon Winbeck
Partitur und Stimmen
"In den Rottauen" ist eine Polka für Blasorchester von Simon Winbeck und stammt aus den Originalnoten der "MusiKatzen".
39,00 €
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Duration: 3:00 min
Difficulty: 3
Difficulty: 3
Article Nr: 182812
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In de Griam (Gassenpolka) Gerald Servit
Titel / Title: In de Griam (Gassenpolka)
Komponist / Composer: Gerald Servit
Genre: Polka
Format: A4
Aufnahme / Recording: CD Blaskapelle Vindemia "Grüße von VINDEMIA" 2011
Mit dieser Gassenpolka werden die Zuhörer musikalisch in die Kellergassen des bekannten Wiener Weinviertels geführt!
45,40 €
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Duration: 3:10 min
Difficulty: 3
Difficulty: 3
Article Nr: 182331
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Ein Tag mit Dir - Polka Simon Winbeck
n/a
Noten Blasmusikausgabe
Partitur, Direktion in C, Flöte in C, Klarinette in Es, 1. Klarinette in B, 2. Klarinette in B, 3. Klarinette in B, Trompete in B, 1. Flügelhorn in B, 2. Flügelhorn in B, Tenorhorn in B, Bariton in C, 1. Horn in F, 2. Horn in F, 1. Posaune in C, 2. Posaune in C,
3. Posaune in C, Bass in C, Schlagzeug
30,00 €
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Duration: --:-- min
Difficulty: 4
Difficulty: 4
Article Nr: 180467
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Freude im Herzen - Polka Volksweise / Arr. Elmar Walter
Schabernack
Noten Blasmusikausgabe
Partitur, Direktion in C, Flöte in C, Oboe, Klarinette in Es, 1.Klarinette in B, 2.Klarinette in B, 3.Klarinette in B, Fagott in C, 1. Altsaxophon in Es, 2.Altsaxophon in Es, 1.Tenorsaxophon in B, 2.Tenorsaxophon in B, Baritonsaxophon in Es, 1.Trompete in B, 2.Trompete in B, 1.Flügelhorn, 2.Flügelhorn, 1.Horn in F, 2.Horn in F, 3.Horn in F, 1 ...
39,00 €
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Duration: --:-- min
Difficulty: 3
Difficulty: 3
Article Nr: 180193
in stock | delivery time 1-2 days *
in stock | delivery time 1-2 days *


Mein Herzblatt Georg Obermüller / Arr. Georg Obermüller
Obermüller Musikanten
Noten Blasmusikausgabe
Partitur, Direktion in C, Flöte in C, Oboe in C, Klarinette in Es, 1. Klarinette in B, 2. Klarinette in B, 3. Klarinette in B, 1. Altsaxophon in Es, 2. Altsaxophon in Es, 1. Tenorsaxophon in B, 2. Tenorsaxophon in B, Baritonsaxophon in Es, Fagott in C, 1. Trompete in B, 2. Trompete in B, 3. Trompete in B, 1. Flügelhorn in B, 2. Flü ...
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Duration: --:-- min
Difficulty: 2
Difficulty: 2
Article Nr: 180062
available in 7 days *
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Alxinger Polka Traditional / Arr. Georg Obermüller
Obermüller Musikanten
Noten Blasmusikausgabe
Partitur, Direktion in C, Flöte in C, Oboe in C, Klarinette in Es, 1. Klarinette in B, 2. Klarinette in B, 3. Klarinette in B, Fagott in C, 1. Altsaxophon in Es, 2. Altsaxophon in Es, 1. Tenorsaxophon in B, 2. Tenorsaxophon in B, Baritonsaxophon in Es, 1. Trompete in B, 2. Trompete in B, 3. Trompete in B, 1. Flügelhorn in B, 2. Flüg ...
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Duration: --:-- min
Difficulty: 2
Difficulty: 2
Article Nr: 179456
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Ale rychle Traditional / Arr. Georg Obermüller
Obermüller Musikanten
Noten Blasmusikausgabe
Partitur, Direktion in C, Flöte in C, Oboe in C, Klarinette in Es, 1. Klarinette in B, 2. Klarinette in B, 3. Klarinette in B, 1. Altsaxophon in Es, 2. Altsaxophon in Es, 1. Tenorsaxophon in B, 2. Tenorsaxophon in B , Baritonsaxophon in Es, Fagott in C, 1. Trompete in B, 2. Trompete in B, 3. Trompete in B, 1. Flügelhorn in B, 2. Flü ...
39,00 €
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Duration: --:-- min
Difficulty: 3
Difficulty: 3
Article Nr: 179455
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Zwiesler Polka Traditional / Arr. Georg Obermüller
Obermüller Musikanten
Noten Blasmusikausgabe
Partitur, Direktion in C, Flöte in C, Oboe in C, Klarinette in Es, 1. Klarinette in B, 2. Klarinette in B, 3. Klarinette in B, 1. Altsaxophon in Es, 2. Altsaxophon in Es, 1. Tenorsaxophon in B, 2. Tenorsaxophon in B , Baritonsaxophon in Es, Fagott in C, 1. Trompete in B, 2. Trompete in B, 3. Trompete in B, 1. Flügelhorn in B, 2. Flü ...
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Duration: --:-- min
Difficulty: 2
Difficulty: 2
Article Nr: 179454
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Grabitzer Polka Traditional / Arr. Georg Obermüller
Obermüller Musikanten
Noten Blasmusikausgabe
Partitur, Direktion in C, Flöte in C, Oboe in C, Klarinette in Es, 1. Klarinette in B, 2. Klarinette in B, 3. Klarinette in B, 1. Altsaxophon in Es, 2. Altsaxophon in Es, 1. Tenorsaxophon in B, 2. Tenorsaxophon in B , Baritonsaxophon in Es, Fagott in C, 1. Trompete in B, 2. Trompete in B, 3. Trompete in B, 1. Flügelhorn in B, 2. Flü ...
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Duration: --:-- min
Difficulty: 2
Difficulty: 2
Article Nr: 179453
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Hinter den Bergen Ernst Mosch / Arr. Frank Pleyer
Gesamtausgabe
Duration: --:-- min
Difficulty: -
Difficulty: -
Article Nr: 178653
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Fiaschd Boigga - Polka Sebastian Höglauer
Holzfrei-Böhmische
Noten Blasmusikausgabe
Partitur, Direktion in C, Flöte in C, Oboe in C, Klarinette in Es, 1. Klarinette in B, 2. Klarinette in B, 3. Klarinette in B, 1. Altsaxophon in Es, 2. Altsaxophon in Es, 1. Tenorsaxophon in B, 2. Tenorsaxophon in B, Baritonsaxophon in Es, Fagott in C, 1. Trompete in B, 2. Trompete in B, 3. Trompete in B, 1. Flügelhorn in B, 2. Flügelh ...
39,00 €
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Duration: --:-- min
Difficulty: 4
Difficulty: 4
Article Nr: 178593
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Clara-Polka Timo Dellweg
Die "Clara-Polka" für Blasorchester stammt aus der Feder von Timo Dellweg und aus den Originalnoten der Pälzer Polkabuwe. Sie ist Clara Kehr gewidmet.
Duration: --:-- min
Difficulty: 3
Difficulty: 3
Article Nr: 175967
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Eine schöne Polka von der Gruppe "Vollblutmusikanten" unter der Leitung von Hermann Rupp!
39,90 €
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Duration: 3:00 min
Difficulty: 2+
Difficulty: 2+
Composer: -
Arranger: -
Arranger: -
Article Nr: 182166
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Williams Polka Engelbert Wörndle
"Williams Polka" ist eine Polka aus der Feder von Engelbert Wörndle für kleine Besetzung.
1., 2., 3. Trompete in B
Tenorhorn in B
Bariton in B/C
Tuba in B/C/Es
Schlagzeug
19,90 €
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Duration: 3:30 min
Difficulty: 2+
Difficulty: 2+
Article Nr: 182156
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Grüß Gott (Begrüssungspolka) Michael Seufert / Arr. Rudi Fischer
38,50 €
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Duration: --:-- min
Difficulty: 2
Difficulty: 2
Article Nr: 182154
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