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Polka

The polka is originally a Czech dance and genre of dance music familiar throughout Europe and the Americas. It originated in the middle of the 19th century in Bohemia, now part of the Czech Republic. The polka remains a popular folk music genre in many European countries, and is performed by folk artists in the Czech Republic, Germany, Austria, Slovenia, Switzerland, and Finland, and to a lesser extent in Poland, Latvia, Lithuania, the Netherlands, Hungary, Italy, Ukraine, Romania, Belarus, Russia, and Slovakia. Local varieties of this dance are also found in the Nordic countries, Spain's Basque Country, the United Kingdom, Ireland, Latin America and the United States.
The term polka possibly comes from the Czech word "pulka" ("half"), referring to the short half-steps featured in the dance. Czech cultural historian and ethnographer Cenek Zíbrt, who wrote in detail about the origin of the dance, in his book, Jak se kdy v Cechách tancovalo cites an opinion of František Doucha (1840, Kvety, p. 400) that "polka" was supposed to mean "dance in half" ("tanec na polo"), both referring to the half-tempo 2
4 and the half-jump step of the dance. Zíbrt also ironically dismisses the etymology suggested by A. Fähnrich (in Ein etymologisches Taschenbuch, Jiein, 1846) that "polka" comes from the Czech word "pole" ("field").On the other hand, Zdenek Nejedlý suggests that the etymology given by Fr. Doucha is nothing but an effort to prove the "true Czech folk" origin of Polka. Instead, he claims that according to Jaroslav Langr ("Ceské krakovácky" in: Cas. Ces. musea, 1835, Sebr. spisy I, 256) in the area of Hradec Králové, the tune Krakoviáky from the collection Slovanské národní písne of František Ladislav Celakovský became very popular so that it was used to dance (Czech dances) trasák, britva, and kvapík, and this way was called "Polka". Nejedlý also writes that Václav Vladivoj Tomek also claims the Hradec Králové roots of a Polka.[3] OED also suggests that the name may have been derived from the Czech Polka meaning "Polish woman" (feminine form corresponding to Polák, a Pole).

The beginning of the propagation of dance and accompanying music called polka is generally attributed to a young woman, Anna Slezáková (born Anna Chadimová). The music teacher Josef Neruda noticed her dancing in an unusual way to accompany a local folk song called "Strýcek Nimra koupil šimla", or "Uncle Nimra Bought a White Horse", in 1830. She is said to have called the dance Madera ("Madeira wine") because of its liveliness. The dance was further propagated by Neruda, who put the tune to paper and taught other young men to dance it.[2] Cenek Zíbrt notices that a common claim that the events happened in Týnec nad Labem, Bohemia in 1834 is incorrect. Zibrt writes that when he published this traditional story in 1894 in Narodni Listy newspaper, he received a good deal of feedback from eyewitnesses. In particular, he wrote that according to further witness, the originating event actually happened in 1830, in Kostelec nad Labem, where she worked as a housemaid. Zíbrt writes that he published the first version of the story (with incorrect place name) in Bohemia (June 5, 1844), from where it was reprinted all over Europe and in the United States. Zíbrt also wrote that simple Czech folk claimed that they knew and danced Polka long before the nobles got hold of it, i.e., it is a truly folk Czech dance.

By 1835, this dance had spread to the ballrooms of Prague. From there, it spread to Vienna by 1839, and in 1840 was introduced in Paris by Raab, a Prague dance instructor.

It was so well received by both dancers and dance masters in Paris that its popularity was referred to as "polkamania."[6] The dance soon spread to London and was introduced to America in 1844. It remained a popular ballroom dance until the late 19th century, when it would give way to the two-step and new ragtime dances.

Polka dancing enjoyed a resurgence in popularity after World War II, when many Polish refugees moved to the US, adopting this Bohemian style as a cultural dance. Polka dances are still held on a weekly basis across many parts of the US with significant populations of central European origin. It was also found in parts of South America.

The word was widely introduced into the major European languages in the early 1840s.[1] It should not be confused with the polska, a Swedish About this sound
4-beat (help·info) dance with Polish roots (cf. polka-mazurka). A related dance is the redowa. Polkas almost always have a About this sound2
4 (help·info) time signature. Folk music of Polka style appeared in written music about 1800.

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Seifl Polka - Johann Bauer

Seifl Polka Johann Bauer

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Duration: --:-- min
Difficulty: -
Composer: Johann Bauer
Arranger: -
Article Nr: 187032
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Beste Freunde Polka - Stefan Haselwanter

Beste Freunde Polka Stefan Haselwanter

59,90 €
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Duration: --:-- min
Difficulty: -
Composer: Stefan Haselwanter
Arranger: -
Article Nr: 187030
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Wir sind Franz - 7er-Böhmische - Mathias Rauch
Wunderbare neue Polka von Mathias Rauch. Komponiert für die CD der Innsbrucker Böhmischen "Im freien Fall"
29,90 €
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Duration: 3:15 min
Difficulty: 2+
Composer: Mathias Rauch
Arranger: -
Article Nr: 187008
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Fuchsgraben - Karel Vacek / Arr. Timo Dellweg

Fuchsgraben Karel Vacek / Arr. Timo Dellweg

Titel / Title: Fuchsgraben Komponist / Composer: M: K.Vacek, Bearb.: T.Dellweg Genre: Polka Format: A4 Aufnahme / Recording: CD Michael Maier und seine Blasmusikfreunde
33,90 €
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Duration: --:-- min
Difficulty: 3
Composer: Karel Vacek
Arranger: Timo Dellweg
Article Nr: 187005
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L'Oiseau Tapageur 'Rondo Polka für Piccoloflöte und Blasorchester - Louis Balleron / Arr. Geert Flik
Louis Balleron (1869 - 1916) war u.A. als Flötist an der 'Opera Comique' in Paris tätig. Für seine eigenes Instrument und die Piccoloflöte komponierte er mehrere Solo-Stücke. Die Rondo Polka L'Oiseau Tapageur beschreibt einen lebendigen, lärmenden Vogel. Das Stück ist ein absolutes Muß für jeden ambitionierten Piccoloflötisten. Hier kann er die brillanten Möglichkeiten des Inst ...
143,50 €
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Duration: 6 min
Difficulty: 3+ (Solo 5)
Composer: Louis Balleron
Arranger: Geert Flik
Article Nr: 187004
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Beim Steegwirt-Fritz - Polka - Franz Watz
Das Musizieren in kleiner Besetzung ist die ursprünglichste Form der Blasmusik und gewinnt derzeit immer mehr an Bedeutung. Im Ensemble können Musiker an wichtigen Fähigkeiten wie Intonation und Zusammenspiel arbeiten und ihre Spielfreude im direkten Kontakt mit dem Publikum zum Ausdruck bringen. Die neue Serie RUNDELs Kleine Blasmusik bietet daher faszinierende Möglichkeite ...
23,50 €
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Duration: 3:50 min
Difficulty: 4
Composer: Franz Watz
Arranger: -
Article Nr: 186995
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Musica Excelsis - Timo Dellweg

Musica Excelsis Timo Dellweg

"Musica Excelsis" ist eine Auftragskomposition von Timo Dellweg für Blasorchester zum Grand Prix der Blasmusik 2018. Die Polka stammt aus den Originalnoten von Michael Maier und seinen Blasmusikfreunden.
45,00 €
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Duration: --:-- min
Difficulty: -
Composer: Timo Dellweg
Arranger: -
Article Nr: 186994
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Stunden der Freude - Polka
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Difficulty: -
Composer: -
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Article Nr: 186991
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Ohne Bremse - Eduard Strauß (Strauss) / Arr. John Glenesk Mortimer

Ohne Bremse Eduard Strauß (Strauss) / Arr. John Glenesk Mortimer

Blasorchester > Ensembles > Formation

Breaks Off / Sans Freins
Op. 238
Concert Band
73,90 €
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Duration: 2:46 min
Difficulty: 3
Article Nr: 186897
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Musik macht Freu(n)de - Berthold Kiechle / Arr. Alexander Pfluger

Musik macht Freu(n)de Berthold Kiechle / Arr. Alexander Pfluger

Format: DIN A4 Texter: Franz Blochum Instrumentation: blasorchester Aufnahme / Recording: s15007-unser-glueck-ist-blasmusik Besetzungsliste / Instrumentation: C DirektionFlöte 1Flöte 2OboeFagottEs KlarinetteBb Klarinette 1Bb Klarinette 2Bb Klarinette 3Bb BassklarinetteEb Altsaxophon 1 Eb Altsaxophon 2Bb Tenorsaxophon 1Bb Tenorsaxophon 2Eb BaritonsaxophonBb Trompete 1Bb Trompete ...
32,50 €
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Duration: 00:02:49 min
Difficulty: 3
Composer: Berthold Kiechle
Arranger: Alexander Pfluger
Article Nr: 186846
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Max-Polka - Herrn Max Wild zum 40jährigen Musikantenjubiläum - Stefan Kühndorf
Max Wild leitet gemeinsam mit seinen Brüdern das Familienunternehmen, das sein Vater 1955 gegründet hatte. Die Firma Max Wild ist fest im Landkreis Biberach verwurzelt und zugleich in ganz Deutschland und weit darüber hinaus als Spezialist für anspruchsvolle Bau-, Abbruch- und Logistik-Arbeiten gefragt. Doch nicht nur als Geschäftsführer des erfolgreichen Familienbetriebes leis ...
38,50 €
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Duration: 2:50 min
Difficulty: 3
Composer: Stefan Kühndorf
Arranger: -
Article Nr: 186841
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In schöner Erinnerung - Polka- Antonie und Siegfried Rundel gewidmet - - Roland Kohler / Arr. Franz Gerstbrein
Siegfried Rundel erkannte in den 1980er Jahren als einer der Ersten das Potential meiner Formation Neue Böhmische Blasmusik (NBB) und veröffentlichte schon bald sehr erfolgreich unsere ersten Musikstücke, die seitdem zum festen Repertoire vieler Blaskapellen gehören. Mit seinem untrüglichen Gespür für das, was beim Publikum gefragt ist, beriet mich Siegfried Rundel maßgeblich u ...
38,50 €
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Duration: 3:45 min
Difficulty: 3
Composer: Roland Kohler
Arranger: Franz Gerstbrein
Article Nr: 186837
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Blasmusik ist mein Leben - Franz Meierhofer / Arr. Michael Kuhn

Blasmusik ist mein Leben Franz Meierhofer / Arr. Michael Kuhn

39,00 €
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Duration: --:-- min
Difficulty: -
Composer: Franz Meierhofer
Arranger: Michael Kuhn
Article Nr: 186736
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Mit Herz und Hand ein Musikant - traditionelle Besetzung - Stephan Hutter
45,00 €
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Duration: 3:48 min
Difficulty: 2
Composer: Stephan Hutter
Arranger: -
Article Nr: 186732
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Beliebte Annen-Polka - Konzertpolka (Opus 137) - Johann Strauß / Strauss (Vater) / Arr. Gottfried Reisegger

Beliebte Annen-Polka - Konzertpolka (Opus 137) Johann Strauß / Strauss (Vater) / Arr. Gottfried Reisegger

Anlässlich des Namenstages der Kaiserin Maria Anna im Jahr 1842 komponierte Johann Strauss diese gleichzeitig gefühl- und temperamentvolle Polka in seinem unverwechselbar "Wiener" Stil. In der vorliegenden Ausgabe hat Gottfried Reisegger dieses immer noch gern aufgeführte Werk originalgetreu für zeitgenössisches, großes Blasorchester neu eingerichtet. Ein abwechslungsreiches ...
45,00 €
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Duration: 2:44 min
Difficulty: 3
Article Nr: 186662
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Bitte schön! - Johann Strauß / Strauss (Sohn) / Arr. Karl Pfortner

Bitte schön! Johann Strauß / Strauss (Sohn) / Arr. Karl Pfortner

52,00 €
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Duration: --:-- min
Difficulty: -
Article Nr: 186392
available in 5 days *
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