Polka
The polka is originally a Czech dance and genre of dance music familiar throughout Europe and the Americas. It originated in the middle of the 19th century in Bohemia, now part of the Czech Republic. The polka remains a popular folk music genre in many European countries, and is performed by folk artists in the Czech Republic, Germany, Austria, Slovenia, Switzerland, and Finland, and to a lesser extent in Poland, Latvia, Lithuania, the Netherlands, Hungary, Italy, Ukraine, Romania, Belarus, Russia, and Slovakia. Local varieties of this dance are also found in the Nordic countries, Spain's Basque Country, the United Kingdom, Ireland, Latin America and the United States.
The term polka possibly comes from the Czech word "pulka" ("half"), referring to the short half-steps featured in the dance. Czech cultural historian and ethnographer Cenek Zíbrt, who wrote in detail about the origin of the dance, in his book, Jak se kdy v Cechách tancovalo cites an opinion of Frantiek Doucha (1840, Kvety, p. 400) that "polka" was supposed to mean "dance in half" ("tanec na polo"), both referring to the half-tempo 2
4 and the half-jump step of the dance. Zíbrt also ironically dismisses the etymology suggested by A. Fähnrich (in Ein etymologisches Taschenbuch, Jiein, 1846) that "polka" comes from the Czech word "pole" ("field").On the other hand, Zdenek Nejedlý suggests that the etymology given by Fr. Doucha is nothing but an effort to prove the "true Czech folk" origin of Polka. Instead, he claims that according to Jaroslav Langr ("Ceské krakovácky" in: Cas. Ces. musea, 1835, Sebr. spisy I, 256) in the area of Hradec Králové, the tune Krakoviáky from the collection Slovanské národní písne of Frantiek Ladislav Celakovský became very popular so that it was used to dance (Czech dances) trasák, britva, and kvapík, and this way was called "Polka". Nejedlý also writes that Václav Vladivoj Tomek also claims the Hradec Králové roots of a Polka.[3] OED also suggests that the name may have been derived from the Czech Polka meaning "Polish woman" (feminine form corresponding to Polák, a Pole).
The beginning of the propagation of dance and accompanying music called polka is generally attributed to a young woman, Anna Slezáková (born Anna Chadimová). The music teacher Josef Neruda noticed her dancing in an unusual way to accompany a local folk song called "Strýcek Nimra koupil imla", or "Uncle Nimra Bought a White Horse", in 1830. She is said to have called the dance Madera ("Madeira wine") because of its liveliness. The dance was further propagated by Neruda, who put the tune to paper and taught other young men to dance it.[2] Cenek Zíbrt notices that a common claim that the events happened in Týnec nad Labem, Bohemia in 1834 is incorrect. Zibrt writes that when he published this traditional story in 1894 in Narodni Listy newspaper, he received a good deal of feedback from eyewitnesses. In particular, he wrote that according to further witness, the originating event actually happened in 1830, in Kostelec nad Labem, where she worked as a housemaid. Zíbrt writes that he published the first version of the story (with incorrect place name) in Bohemia (June 5, 1844), from where it was reprinted all over Europe and in the United States. Zíbrt also wrote that simple Czech folk claimed that they knew and danced Polka long before the nobles got hold of it, i.e., it is a truly folk Czech dance.
By 1835, this dance had spread to the ballrooms of Prague. From there, it spread to Vienna by 1839, and in 1840 was introduced in Paris by Raab, a Prague dance instructor.
It was so well received by both dancers and dance masters in Paris that its popularity was referred to as "polkamania."[6] The dance soon spread to London and was introduced to America in 1844. It remained a popular ballroom dance until the late 19th century, when it would give way to the two-step and new ragtime dances.
Polka dancing enjoyed a resurgence in popularity after World War II, when many Polish refugees moved to the US, adopting this Bohemian style as a cultural dance. Polka dances are still held on a weekly basis across many parts of the US with significant populations of central European origin. It was also found in parts of South America.
The word was widely introduced into the major European languages in the early 1840s.[1] It should not be confused with the polska, a Swedish About this sound
4-beat (help·info) dance with Polish roots (cf. polka-mazurka). A related dance is the redowa. Polkas almost always have a About this sound2
4 (help·info) time signature. Folk music of Polka style appeared in written music about 1800.
The term polka possibly comes from the Czech word "pulka" ("half"), referring to the short half-steps featured in the dance. Czech cultural historian and ethnographer Cenek Zíbrt, who wrote in detail about the origin of the dance, in his book, Jak se kdy v Cechách tancovalo cites an opinion of Frantiek Doucha (1840, Kvety, p. 400) that "polka" was supposed to mean "dance in half" ("tanec na polo"), both referring to the half-tempo 2
4 and the half-jump step of the dance. Zíbrt also ironically dismisses the etymology suggested by A. Fähnrich (in Ein etymologisches Taschenbuch, Jiein, 1846) that "polka" comes from the Czech word "pole" ("field").On the other hand, Zdenek Nejedlý suggests that the etymology given by Fr. Doucha is nothing but an effort to prove the "true Czech folk" origin of Polka. Instead, he claims that according to Jaroslav Langr ("Ceské krakovácky" in: Cas. Ces. musea, 1835, Sebr. spisy I, 256) in the area of Hradec Králové, the tune Krakoviáky from the collection Slovanské národní písne of Frantiek Ladislav Celakovský became very popular so that it was used to dance (Czech dances) trasák, britva, and kvapík, and this way was called "Polka". Nejedlý also writes that Václav Vladivoj Tomek also claims the Hradec Králové roots of a Polka.[3] OED also suggests that the name may have been derived from the Czech Polka meaning "Polish woman" (feminine form corresponding to Polák, a Pole).
The beginning of the propagation of dance and accompanying music called polka is generally attributed to a young woman, Anna Slezáková (born Anna Chadimová). The music teacher Josef Neruda noticed her dancing in an unusual way to accompany a local folk song called "Strýcek Nimra koupil imla", or "Uncle Nimra Bought a White Horse", in 1830. She is said to have called the dance Madera ("Madeira wine") because of its liveliness. The dance was further propagated by Neruda, who put the tune to paper and taught other young men to dance it.[2] Cenek Zíbrt notices that a common claim that the events happened in Týnec nad Labem, Bohemia in 1834 is incorrect. Zibrt writes that when he published this traditional story in 1894 in Narodni Listy newspaper, he received a good deal of feedback from eyewitnesses. In particular, he wrote that according to further witness, the originating event actually happened in 1830, in Kostelec nad Labem, where she worked as a housemaid. Zíbrt writes that he published the first version of the story (with incorrect place name) in Bohemia (June 5, 1844), from where it was reprinted all over Europe and in the United States. Zíbrt also wrote that simple Czech folk claimed that they knew and danced Polka long before the nobles got hold of it, i.e., it is a truly folk Czech dance.
By 1835, this dance had spread to the ballrooms of Prague. From there, it spread to Vienna by 1839, and in 1840 was introduced in Paris by Raab, a Prague dance instructor.
It was so well received by both dancers and dance masters in Paris that its popularity was referred to as "polkamania."[6] The dance soon spread to London and was introduced to America in 1844. It remained a popular ballroom dance until the late 19th century, when it would give way to the two-step and new ragtime dances.
Polka dancing enjoyed a resurgence in popularity after World War II, when many Polish refugees moved to the US, adopting this Bohemian style as a cultural dance. Polka dances are still held on a weekly basis across many parts of the US with significant populations of central European origin. It was also found in parts of South America.
The word was widely introduced into the major European languages in the early 1840s.[1] It should not be confused with the polska, a Swedish About this sound
4-beat (help·info) dance with Polish roots (cf. polka-mazurka). A related dance is the redowa. Polkas almost always have a About this sound2
4 (help·info) time signature. Folk music of Polka style appeared in written music about 1800.
Flieg kleiner Vogel flieg
Besetzung / Instrumentation: Blasorchester
Komponist: Frantisek ManasFranz Bummerl
Stil / Art: Walzer
Schwierigkeitsgrad: Unter-/Mittelstufe
Interpret: Elmar Wolf & die Neuen Egerländer
Format: DIN A5
Erscheinungsjahr: 2004
Flieg, kleiner Vogel, flieg - ein zwitschernder musikalischer Höhenflug von Frantisek Manas.
Flieg kleiner Vogel flieg
Walzer
...
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Difficulty: 3
Difficulty: 3
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Article Nr: 202904
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Alle machen heute mit
Besetzung / Instrumentation: Blasorchester
Komponist: Vaclav BlahaFranz Bummerl
Stil / Art: Marsch-Polka
Schwierigkeitsgrad: Unter-/Mittelstufe
Interpret: Elmar Wolf & die Neuen Egerländer
Format: DIN A5
Erscheinungsjahr: 2003
Alle machen heute mit - die Polka, die Ihre Zuhörer von den Bänken reißt.
Alle machen heute mit
Marsch-Polka
V. Blaha
F. Bum ...
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Herzblut - Polka Frantisek Manas / Arr. Franz Bummerl
Herzblut
Besetzung / Instrumentation: Blasorchester
Komponist: Frantisek ManasFranz Bummerl
Stil / Art: Polka
Schwierigkeitsgrad: Unter-/Mittelstufe
Interpret: Elmar Wolf & die Neuen Egerländer
Aufnahme: 'Danke an meine Freunde' - Elmar Wolf & die Neuen Egerländer (EW9043-3)
Format: DIN A4
Erscheinungsjahr: 2002
Eine wunderbare böhmische Polka aus der Feder von Frantisek Manas. ...
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Article Nr: 202896
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Freu dich mit mir - Polka Vaclav Blaha / Arr. Franz Bummerl
Freu dich mit mir
Besetzung / Instrumentation: Blasorchester
Komponist: Vaclav BlahaFranz Bummerl
Stil / Art: Polka
Schwierigkeitsgrad: Unter-/Mittelstufe
Spieldauer: 00:02:39
Interpret: Ernst Mosch und seine Original Egerländer Musikanten
Aufnahme: 'Danke an meine Freunde' - Elmar Wolf & die Neuen Egerländer
Format: DIN A5
Erscheinungsjahr: 2001
Freu dich mit mir - eine heiter ...
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Duration: 2:39 min
Difficulty: 3
Difficulty: 3
Article Nr: 202894
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Fahr mit mir ans blaue Meer Vaclav Blaha / Arr. Franz Bummerl
Fahr mit mir ans blaue Meer
Besetzung / Instrumentation: Blasorchester
Komponist: Vaclav BlahaFranz Bummerl
Stil / Art: Polka
Schwierigkeitsgrad: Unter-/Mittelstufe
Spieldauer: 00:02:41
Interpret: Ernst Mosch und seine Original Egerländer Musikanten
Format: DIN A5
Erscheinungsjahr: 2000
Fahr mit mir ans blaue Meer - eine strahlende Polka von Vaclav Blaha, die Urlaubsgefühle uns ...
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Article Nr: 202893
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Maruschka
Besetzung: Blasorchester
Stil / Art: Polka, Böhmisch
Komponist: Antonin Kur
Frank Ecker
Schwierigkeitsgrad: Unter-/Mittelstufe
2
Spieldauer: 00:03:00
Interpret: Elmar Wolf & die neuen Egerländer
Aufnahme:
Format: DIN A4
Erscheinungsjahr: 1998
Weitere Titelfassung: Maruska
Maruschka
Polka
Antonin Kur
Frank Ecker
EWOTON
Noten
Die Maruschka Polka is ...
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Article Nr: 202885
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Mährische Trachtenpolka Antonin Zvacék / Arr. Freek Mestrini
Mährische Trachtenpolka
Besetzung / Instrumentation: Blasorchester
Komponist: Antonin Zvacek
Bearbeiter: Freek Mestrini
Stil / Art: Polka
Schwierigkeitsgrad: Unter-/Mittelstufe 2+
Spieldauer: 03:00
Interpret: Elmar Wolf & die neuen Egerländer
Aufnahme:
Format: DIN A4
Erscheinungsjahr: 1998
Eine wunderbare märische Melodie von Antonin Zvacek. Originalnoten von Elmar Wolf & die ...
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Duration: 3:00 min
Difficulty: 2+
Difficulty: 2+
Article Nr: 202884
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Kuckucks-Polka Hubert Wolf / Arr. Frank Ecker
Kuckucks-Polka
Besetzung / Instrumentation: Blasorchester
Komponist: Hubert Wolf
Arrangeur: Frank Ecker
Stil / Art: Polka
Schwierigkeitsgrad: Unter-/Mittelstufe
Spieldauer: 00:03:00
Interpret: Hubert Wolf & seine Böhmerwälder Musikanten
Format: DIN A4
Erscheinungsjahr: 1997
Die Kuckucks-Polka von Hubert Wolf - eine gewitzte musikalische Hommage an den Vogel unserer Heimatwälder ...
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Article Nr: 202882
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Im kleinen Dörfchen Wenzel Valcek / Arr. Frank Ecker
Im kleinen Dörfchen
Besetzung: Blasorchester
Komponist: Wenzel Valcek
Arrangeur: Frank Ecker
Stil / Art: Polka
Schwierigkeitsgrad: Unter-/Mittelstufe
Spieldauer: 00:03:00
Interpret: Elmar Wolf & die neuen Egerländer
Aufnahme: 'Danke an meine Freunde' - Elmar Wolf & die Neuen Egerländer
Format: DIN A4
Erscheinungsjahr: 1997
Im kleine Dörfchen, eine beschwingt-heitere Polka von ...
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Duration: 3:00 min
Difficulty: 3
Difficulty: 3
Article Nr: 202881
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Im Herzen Jung (Polka) Alexander Pfluger
Im Herzen Jung für Blasorchester wurde komponiert von Alexander Pfluger.
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Duration: 3:00 min
Difficulty: 3
Difficulty: 3
Article Nr: 202869
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Festfieber Peter Schad
Zum 60-jährigen Jubiläum der Musikvereinigung Welden e.V.
Festfieber in dieser Stimmung befindet sich die Musikvereinigung Welden, die 2019 ihr 60-jähriges Bestehen unter dem Motto Klangvoll durch den Holzwinkel feiert. Was würde besser passen, dachte sich der 1. Vorsitzende Stefan Weishaupt, als die gleichnamige Polka Festfieber von Peter Schad, die als besonderes Geburtst ...
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Duration: 3:28 min
Difficulty: 3
Difficulty: 3
Article Nr: 202852
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Mit Blasmusik ins Glück Roland Kohler / Arr. Thorsten Reinau
Der Name Roland Kohler steht seit vielen Jahren für mitreißende, herzerfrischende und schwungvolle Blasmusik. Mit seiner Formation Neue Böhmische Blasmusik und seinen kreativen, melodienreichen Eigenkompositionen erspielte er sich einen festen Platz in der Blasmusikwelt. Aus seiner Feder stammen zeitlose Hits wie Blasmusik-Vergnügen, Mit Herz und Schwung und Blasmusik zu jeder ...
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Duration: 2:41 min
Difficulty: 3
Difficulty: 3
Article Nr: 202850
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Kaiserblick Josef Lang jun.
"Kaiserblick" ist eine böhmische Polka von Josef Lang jun. Die Polka ist für eine kleine Besetzung im böhmisch-mährischen Stil gedacht, wobei dem Lieferumfang die Stimmen beiliegen, um das Werk mit großem Blasorchester zu spielen.
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Duration: 2:32 min
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Article Nr: 202806
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Einfach nur Böhmisch Daniel Hilbert / Arr. Sascha Dalke
Titel / Title: Einfach nur böhmisch
Komponist / Composer: M:D.Hilbert/S.Dalke, Arr.: Dalke
Genre: Polka
Format: A4
Aufnahme / Recording: CD Vollblutmusikanten 2020
Polka
39,90 €
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Duration: --:-- min
Difficulty: 3
Difficulty: 3
Article Nr: 201655
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Lasset uns das Leben genießen Josef Lang jun.
"Lasset uns das Leben genießen" ist eine Polka mit Gesang von Josef Lang jun. Die Polka ist für eine kleine Besetzung im böhmisch-mährischen Stil gedacht, wobei dem Lieferumfang die Stimmen beiliegen, um das Werk mit großem Blasorchester zu spielen.Besetzungsliste / Instrumentation:
Partitur
Klarinette in Es
Klarinette 1 in B
Klarinette 2 in B
Klarinette 3 in B
Flügelhorn ...
Duration: 03:41 min
Difficulty: -
Difficulty: -
Article Nr: 201559
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Am Kreuzbach (Polka) Maximilian Obermüller / Arr. Franz Gerstbrein
Originalnoten der 6erBLÅS für kleine Besetzung
Besetzung: Direktion in C, 1. Flügelhorn in B, 2. Flügelhorn in B, 1. Trompete in B, Tenorhorn in B, Bariton in B, Bariton in C,Tuba in C, Schlagzeug
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Difficulty: 4
Difficulty: 4
Article Nr: 201556
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