Polka
The polka is originally a Czech dance and genre of dance music familiar throughout Europe and the Americas. It originated in the middle of the 19th century in Bohemia, now part of the Czech Republic. The polka remains a popular folk music genre in many European countries, and is performed by folk artists in the Czech Republic, Germany, Austria, Slovenia, Switzerland, and Finland, and to a lesser extent in Poland, Latvia, Lithuania, the Netherlands, Hungary, Italy, Ukraine, Romania, Belarus, Russia, and Slovakia. Local varieties of this dance are also found in the Nordic countries, Spain's Basque Country, the United Kingdom, Ireland, Latin America and the United States.
The term polka possibly comes from the Czech word "pulka" ("half"), referring to the short half-steps featured in the dance. Czech cultural historian and ethnographer Cenek Zíbrt, who wrote in detail about the origin of the dance, in his book, Jak se kdy v Cechách tancovalo cites an opinion of Frantiek Doucha (1840, Kvety, p. 400) that "polka" was supposed to mean "dance in half" ("tanec na polo"), both referring to the half-tempo 2
4 and the half-jump step of the dance. Zíbrt also ironically dismisses the etymology suggested by A. Fähnrich (in Ein etymologisches Taschenbuch, Jiein, 1846) that "polka" comes from the Czech word "pole" ("field").On the other hand, Zdenek Nejedlý suggests that the etymology given by Fr. Doucha is nothing but an effort to prove the "true Czech folk" origin of Polka. Instead, he claims that according to Jaroslav Langr ("Ceské krakovácky" in: Cas. Ces. musea, 1835, Sebr. spisy I, 256) in the area of Hradec Králové, the tune Krakoviáky from the collection Slovanské národní písne of Frantiek Ladislav Celakovský became very popular so that it was used to dance (Czech dances) trasák, britva, and kvapík, and this way was called "Polka". Nejedlý also writes that Václav Vladivoj Tomek also claims the Hradec Králové roots of a Polka.[3] OED also suggests that the name may have been derived from the Czech Polka meaning "Polish woman" (feminine form corresponding to Polák, a Pole).
The beginning of the propagation of dance and accompanying music called polka is generally attributed to a young woman, Anna Slezáková (born Anna Chadimová). The music teacher Josef Neruda noticed her dancing in an unusual way to accompany a local folk song called "Strýcek Nimra koupil imla", or "Uncle Nimra Bought a White Horse", in 1830. She is said to have called the dance Madera ("Madeira wine") because of its liveliness. The dance was further propagated by Neruda, who put the tune to paper and taught other young men to dance it.[2] Cenek Zíbrt notices that a common claim that the events happened in Týnec nad Labem, Bohemia in 1834 is incorrect. Zibrt writes that when he published this traditional story in 1894 in Narodni Listy newspaper, he received a good deal of feedback from eyewitnesses. In particular, he wrote that according to further witness, the originating event actually happened in 1830, in Kostelec nad Labem, where she worked as a housemaid. Zíbrt writes that he published the first version of the story (with incorrect place name) in Bohemia (June 5, 1844), from where it was reprinted all over Europe and in the United States. Zíbrt also wrote that simple Czech folk claimed that they knew and danced Polka long before the nobles got hold of it, i.e., it is a truly folk Czech dance.
By 1835, this dance had spread to the ballrooms of Prague. From there, it spread to Vienna by 1839, and in 1840 was introduced in Paris by Raab, a Prague dance instructor.
It was so well received by both dancers and dance masters in Paris that its popularity was referred to as "polkamania."[6] The dance soon spread to London and was introduced to America in 1844. It remained a popular ballroom dance until the late 19th century, when it would give way to the two-step and new ragtime dances.
Polka dancing enjoyed a resurgence in popularity after World War II, when many Polish refugees moved to the US, adopting this Bohemian style as a cultural dance. Polka dances are still held on a weekly basis across many parts of the US with significant populations of central European origin. It was also found in parts of South America.
The word was widely introduced into the major European languages in the early 1840s.[1] It should not be confused with the polska, a Swedish About this sound
4-beat (help·info) dance with Polish roots (cf. polka-mazurka). A related dance is the redowa. Polkas almost always have a About this sound2
4 (help·info) time signature. Folk music of Polka style appeared in written music about 1800.
The term polka possibly comes from the Czech word "pulka" ("half"), referring to the short half-steps featured in the dance. Czech cultural historian and ethnographer Cenek Zíbrt, who wrote in detail about the origin of the dance, in his book, Jak se kdy v Cechách tancovalo cites an opinion of Frantiek Doucha (1840, Kvety, p. 400) that "polka" was supposed to mean "dance in half" ("tanec na polo"), both referring to the half-tempo 2
4 and the half-jump step of the dance. Zíbrt also ironically dismisses the etymology suggested by A. Fähnrich (in Ein etymologisches Taschenbuch, Jiein, 1846) that "polka" comes from the Czech word "pole" ("field").On the other hand, Zdenek Nejedlý suggests that the etymology given by Fr. Doucha is nothing but an effort to prove the "true Czech folk" origin of Polka. Instead, he claims that according to Jaroslav Langr ("Ceské krakovácky" in: Cas. Ces. musea, 1835, Sebr. spisy I, 256) in the area of Hradec Králové, the tune Krakoviáky from the collection Slovanské národní písne of Frantiek Ladislav Celakovský became very popular so that it was used to dance (Czech dances) trasák, britva, and kvapík, and this way was called "Polka". Nejedlý also writes that Václav Vladivoj Tomek also claims the Hradec Králové roots of a Polka.[3] OED also suggests that the name may have been derived from the Czech Polka meaning "Polish woman" (feminine form corresponding to Polák, a Pole).
The beginning of the propagation of dance and accompanying music called polka is generally attributed to a young woman, Anna Slezáková (born Anna Chadimová). The music teacher Josef Neruda noticed her dancing in an unusual way to accompany a local folk song called "Strýcek Nimra koupil imla", or "Uncle Nimra Bought a White Horse", in 1830. She is said to have called the dance Madera ("Madeira wine") because of its liveliness. The dance was further propagated by Neruda, who put the tune to paper and taught other young men to dance it.[2] Cenek Zíbrt notices that a common claim that the events happened in Týnec nad Labem, Bohemia in 1834 is incorrect. Zibrt writes that when he published this traditional story in 1894 in Narodni Listy newspaper, he received a good deal of feedback from eyewitnesses. In particular, he wrote that according to further witness, the originating event actually happened in 1830, in Kostelec nad Labem, where she worked as a housemaid. Zíbrt writes that he published the first version of the story (with incorrect place name) in Bohemia (June 5, 1844), from where it was reprinted all over Europe and in the United States. Zíbrt also wrote that simple Czech folk claimed that they knew and danced Polka long before the nobles got hold of it, i.e., it is a truly folk Czech dance.
By 1835, this dance had spread to the ballrooms of Prague. From there, it spread to Vienna by 1839, and in 1840 was introduced in Paris by Raab, a Prague dance instructor.
It was so well received by both dancers and dance masters in Paris that its popularity was referred to as "polkamania."[6] The dance soon spread to London and was introduced to America in 1844. It remained a popular ballroom dance until the late 19th century, when it would give way to the two-step and new ragtime dances.
Polka dancing enjoyed a resurgence in popularity after World War II, when many Polish refugees moved to the US, adopting this Bohemian style as a cultural dance. Polka dances are still held on a weekly basis across many parts of the US with significant populations of central European origin. It was also found in parts of South America.
The word was widely introduced into the major European languages in the early 1840s.[1] It should not be confused with the polska, a Swedish About this sound
4-beat (help·info) dance with Polish roots (cf. polka-mazurka). A related dance is the redowa. Polkas almost always have a About this sound2
4 (help·info) time signature. Folk music of Polka style appeared in written music about 1800.
Feuerfest! Opus 269 Johann Strauß / Strauss (Sohn) / Arr. Terry Vosbein
Also called Fire Festival Polka, this transcription captures all the sparkle of the original. With captivating melodies and creative percussion (including an anvil!), this lively polka will delight band members and audiences alike!
60,00 €
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Duration: 2:30 min
Difficulty: 3
Difficulty: 3
Article Nr: 98327
in stock | delivery time 1-2 days *
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Stremtal-Polka - Marschbuchausgabe Volksweise / Arr. Johann Bauer
Die "Stremtal Polka" in einer Bearbeitung von Johann Bauer im praktischen Marschbuchformat.
26,90 €
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Duration: 3:20 min
Difficulty: 2
Difficulty: 2
Article Nr: 176840
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Ich seh' die Sterne (Polka) Franz Meierhofer / Arr. Manfred Wiener
37,90 €
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Duration: --:-- min
Difficulty: 3
Difficulty: 3
Article Nr: 155079
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Anna Polka Josef Hotovy / Arr. Franz Bummerl
Ernst Mosch u.s. Original Egerländer MusikantenBesetzungsliste / Instrumentation:
Partitur (4-zeilig), Direktion/Keyboard in C, Flöte in C, Klarinette in Eb, 1.Klarinette in Bb, 2.Klarinette in Bb, 3.Klarinette in Bb, 1.Alt-Saxophon in Eb, 2.Alt-Saxophon in Eb, 1.Tenor-Saxophon in Bb, 2.Tenor-Saxophon in Bb, Bariton-Saxophon in Eb, 1.Flügelhorn in Bb, 2.Flügelhorn in Bb, 1.Tro ...
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Duration: 3:18 min
Difficulty: 3
Difficulty: 3
Article Nr: 111499
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Auf Reisen - Na ceste Markus Mikusch
Titel / Title: Auf Reisen - Na ceste
Komponist / Composer: Markus Mikusch
Genre: Polka
Format: A4
Aufnahme / Recording: CD Blech & Co. CD Nr. 3
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Duration: --:-- min
Difficulty: 3+
Difficulty: 3+
Article Nr: 171188
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Meine erste Polka für Blasorchester Rudi Fischer
38,50 €
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Duration: 3:00 min
Difficulty: 2+
Difficulty: 2+
Article Nr: 181754
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Verliebte Musikanten - Hochzeitspolka Nr. 2 Markus Ebner
Gewidmet dem Musikanten-Brautpaar Martina und Christian.
35,00 €
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Duration: 3:20 min
Difficulty: 2+
Difficulty: 2+
Article Nr: 192145
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Southbrass Polka - Kleine Besetzung Alexander Egger
Originalnoten von Southbrass (Gewinner des Grand Prix der Blasmusik 2018) - für kleine Besetzung
Direktion in C, 1. Flügelhorn in B, 2. Flügelhorn in B, Trompete in B, Tenorhorn in B, Bariton in C, Bariton in B, Tuba in C, Schlagzeug
19,00 €
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Duration: --:-- min
Difficulty: 2
Difficulty: 2
Article Nr: 186024
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Bier-Polka Josef Hadraba
Bier-Polka für Blasorchester wurde komponiert von Josef Hadraba.
21,00 €
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Duration: 2:30 min
Difficulty: 1
Difficulty: 1
Article Nr: 111171
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Parksteiner Jubiläumspolka (Blasorchester) Timo Dellweg
Die "Parksteiner Jubiläumspolka" ist eine Auftragskomposition anlässlich des 25-jährigen Bestehens der Jugendblaskapelle Parkstein. Die Polka wurde beim Herbstkonzert im November 2015 uraufgeführt.
40,00 €
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Duration: 3 min
Difficulty: 3
Difficulty: 3
Article Nr: 214304
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Die Jahre zieh'n vorbei Franz Meierhofer / Arr. Michael Kuhn
Diese neue böhmische Polka aus der Feder des österreichischen Erfolgsautoren Franz Meierhofer besticht durch die einprägsamen Melodienbögen, die vom "Polkakönig" Michael Kuhn musikalisch, mit viel Liebe und abwechslungsreich in Szene gesetzt wurden. Nach dem großen Finale, in dem die Trio-Melodie furios als Reminiszenz erklingt, wird niemand mehr im Publikum sitzen. "Die Jahre ...
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Duration: 04:15 min
Difficulty: 3
Difficulty: 3
Article Nr: 199729
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Nicolka 4.0 Thomas Zsivkovits / Arr. Jörg Bollin
Brandneue Polka aus der Feder des bekannten österreichischen Musikers und Komponisten Thomas Zsivkovits ("Eine kleine Dorfmusik"), arrangiert von Jörg Bollin
39,95 €
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Duration: 3:50 min
Difficulty: 2+
Difficulty: 2+
Article Nr: 177569
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Kirschblütenzauber (Polka) Very Rickenbacher / Arr. Franz Watz
Kirschblütenzauber" ist die neue, erfrischende Polka des Schweizer Komponisten Very Rickenbacher, der mit seinem Polka-Hit Ein halbes Jahrhundert" die Blasmusikwelt begeisterte. Erleben Sie nun auch diese bezaubernde Komposition, deren Melodie erblüht wie die Kirschblüten im Frühling.
46,50 €
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Duration: 3:20 min
Difficulty: 3
Difficulty: 3
Article Nr: 162616
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Musikantenkirtag Thomas Zsivkovits / Arr. Erwin Zsaitsits
Polka von Thomas Zsivkovits - den "Flotten Bergsteigern" (D) gewidmet.
43,90 €
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Duration: 2:29 min
Difficulty: 2
Difficulty: 2
Article Nr: 153040
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Fantastic Polka Arthur Pryor / Arr. Edgar L. Barrow
BOVACO Classic CB
A dizzying showpiece for trombone! Requires blinding technique, immense range, and lots of finesse, but your audience will be amazed!
81,50 €
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Duration: 04:38 min
Difficulty: 3 (Solo 4)
Difficulty: 3 (Solo 4)
Article Nr: 167523
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Böhmisch-Ola (Polka) Wilfried Rösch / Arr. Mathias Gronert
Polka voller Spiel- und Lebensfreude von Wilfried Rösch,
Dirigent der "Böhmischen Freunde". Dieser Titel
wird auch bei Ihrem Auftritt wahre Begeisterungsstürme
auslösen, spätestens im TRIO, wo die Polka eine
La Ola-Welle entfacht.
38,50 €
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Duration: 3:30 min
Difficulty: 3
Difficulty: 3
Article Nr: 180953
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