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Polka

The polka is originally a Czech dance and genre of dance music familiar throughout Europe and the Americas. It originated in the middle of the 19th century in Bohemia, now part of the Czech Republic. The polka remains a popular folk music genre in many European countries, and is performed by folk artists in the Czech Republic, Germany, Austria, Slovenia, Switzerland, and Finland, and to a lesser extent in Poland, Latvia, Lithuania, the Netherlands, Hungary, Italy, Ukraine, Romania, Belarus, Russia, and Slovakia. Local varieties of this dance are also found in the Nordic countries, Spain's Basque Country, the United Kingdom, Ireland, Latin America and the United States.
The term polka possibly comes from the Czech word "pulka" ("half"), referring to the short half-steps featured in the dance. Czech cultural historian and ethnographer Cenek Zíbrt, who wrote in detail about the origin of the dance, in his book, Jak se kdy v Cechách tancovalo cites an opinion of František Doucha (1840, Kvety, p. 400) that "polka" was supposed to mean "dance in half" ("tanec na polo"), both referring to the half-tempo 2
4 and the half-jump step of the dance. Zíbrt also ironically dismisses the etymology suggested by A. Fähnrich (in Ein etymologisches Taschenbuch, Jiein, 1846) that "polka" comes from the Czech word "pole" ("field").On the other hand, Zdenek Nejedlý suggests that the etymology given by Fr. Doucha is nothing but an effort to prove the "true Czech folk" origin of Polka. Instead, he claims that according to Jaroslav Langr ("Ceské krakovácky" in: Cas. Ces. musea, 1835, Sebr. spisy I, 256) in the area of Hradec Králové, the tune Krakoviáky from the collection Slovanské národní písne of František Ladislav Celakovský became very popular so that it was used to dance (Czech dances) trasák, britva, and kvapík, and this way was called "Polka". Nejedlý also writes that Václav Vladivoj Tomek also claims the Hradec Králové roots of a Polka.[3] OED also suggests that the name may have been derived from the Czech Polka meaning "Polish woman" (feminine form corresponding to Polák, a Pole).

The beginning of the propagation of dance and accompanying music called polka is generally attributed to a young woman, Anna Slezáková (born Anna Chadimová). The music teacher Josef Neruda noticed her dancing in an unusual way to accompany a local folk song called "Strýcek Nimra koupil šimla", or "Uncle Nimra Bought a White Horse", in 1830. She is said to have called the dance Madera ("Madeira wine") because of its liveliness. The dance was further propagated by Neruda, who put the tune to paper and taught other young men to dance it.[2] Cenek Zíbrt notices that a common claim that the events happened in Týnec nad Labem, Bohemia in 1834 is incorrect. Zibrt writes that when he published this traditional story in 1894 in Narodni Listy newspaper, he received a good deal of feedback from eyewitnesses. In particular, he wrote that according to further witness, the originating event actually happened in 1830, in Kostelec nad Labem, where she worked as a housemaid. Zíbrt writes that he published the first version of the story (with incorrect place name) in Bohemia (June 5, 1844), from where it was reprinted all over Europe and in the United States. Zíbrt also wrote that simple Czech folk claimed that they knew and danced Polka long before the nobles got hold of it, i.e., it is a truly folk Czech dance.

By 1835, this dance had spread to the ballrooms of Prague. From there, it spread to Vienna by 1839, and in 1840 was introduced in Paris by Raab, a Prague dance instructor.

It was so well received by both dancers and dance masters in Paris that its popularity was referred to as "polkamania."[6] The dance soon spread to London and was introduced to America in 1844. It remained a popular ballroom dance until the late 19th century, when it would give way to the two-step and new ragtime dances.

Polka dancing enjoyed a resurgence in popularity after World War II, when many Polish refugees moved to the US, adopting this Bohemian style as a cultural dance. Polka dances are still held on a weekly basis across many parts of the US with significant populations of central European origin. It was also found in parts of South America.

The word was widely introduced into the major European languages in the early 1840s.[1] It should not be confused with the polska, a Swedish About this sound
4-beat (help·info) dance with Polish roots (cf. polka-mazurka). A related dance is the redowa. Polkas almost always have a About this sound2
4 (help·info) time signature. Folk music of Polka style appeared in written music about 1800.

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Murzel und Purzel (Konzertpolka f. 2 Klarinetten) - Hans Löhr / Arr. Walter Huhn
Solo Stufe 4+
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Duration: 4:20 min
Difficulty: 3
Composer: Hans Löhr
Arranger: Walter Huhn
Article Nr: 123753
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Ein Egerländer Traum - Kleine Blasbesetzung - Alexander Pfluger / Arr. Alexander Pfluger

Ein Egerländer Traum - Kleine Blasbesetzung Alexander Pfluger / Arr. Alexander Pfluger

Ein Egerländer Traum - Polka aus der Feder von Alexander Pfluger wohl eine seiner erfolgreichsten Kompositionen. Das Arrangement aus dem Live-Programm der Kapelle Die Schwindligen 15 biete allen Registern viele Möglichkeiten musikalisch ihr Können unter Beweis zu stellen. Format: DIN A4 Texter: Instrumentation: kleine-blasbesetzung Aufnahme / Recording: hm006 egerlaende ...
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Duration: 00:03:15 min
Difficulty: 3
Composer: Alexander Pfluger
Arranger: Alexander Pfluger
Article Nr: 178957
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111er Polka (Oide Wurschthaut) - Thomas G. Greiner

111er Polka (Oide Wurschthaut) Thomas G. Greiner

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Duration: 4:19 min
Difficulty: 3
Composer: Thomas G. Greiner
Arranger: -
Article Nr: 178423
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Der Buntspecht - Josef Hotovy / Arr. Heinz Herrmannsdörfer

Der Buntspecht Josef Hotovy / Arr. Heinz Herrmannsdörfer

Ernst Mosch u.s. Original Egerländer Musikanten Ernst Mosch u.s. Original Egerländer Musikanten Partitur (4-zeilig), Direktion/Keyboard in C, Flöte in C, Klarinette in Eb, 1.Klarinette in Bb, 2.Klarinette in Bb, 3.Klarinette in Bb, 1.Alt-Saxophon in Eb, 2.Alt-Saxophon in Eb, 1.Tenor-Saxophon in Bb, 2.Tenor-Saxophon in Bb, Bariton-Saxophon in Eb, 1.Flügelhorn in Bb, 2.Flügelhor ...
44,00 €
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Duration: 3:07 min
Difficulty: 4
Composer: Josef Hotovy
Arranger: Heinz Herrmannsdörfer
Article Nr: 111539
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Zwei böhmische Kameraden (Solo für Tenorhorn od. Bariton & Tuba) - Mark Sven Heidt
Eine der wenigen Solopolkas für Tenorhorn und Tuba. Lassen Sie Ihre Solisten musikalisch aus ihrer "Böhmischen Heimat" erzählen. Eine Komposition, welche sich bestimmt sehr schnell zum Publikumsliebling entwickelt. CD "Böhmische Musikantengrüße" (Guido Henn und seine Goldene Blasmusik)
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Duration: 2:48 min
Difficulty: 3+
Composer: Mark Sven Heidt
Arranger: -
Article Nr: 91127
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La Montanara / Haferstroh-Polka - Willy Ullrich / Arr. Willy Ullrich

La Montanara / Haferstroh-Polka Willy Ullrich / Arr. Willy Ullrich

Duration: --:-- min
Difficulty: -
Composer: Willy Ullrich
Arranger: Willy Ullrich
Article Nr: 125424
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Amelie - Polka - Josef Jiskra

Amelie - Polka Josef Jiskra

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Duration: 3:16 min
Difficulty: 3
Composer: Josef Jiskra
Arranger: -
Article Nr: 91614
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My First Polka - Alexander Pfluger / Arr. Alexander Pfluger

My First Polka Alexander Pfluger / Arr. Alexander Pfluger

MY FIRST POLKA aus der Serie YOUNG STARS Blasmusik für Kids - von Alexander Pfluger. Kompositionen aus der Serie YOUNG STARS Blasmusik for Kids eignen sich besonders für Jugendorchester im Bereich Anfänger- Unterstufe. Diese Stücke sind mit begrenztem Tonumfang für die einzelnen Register und ohne Sechzehntel-Noten ausgeführt. Format: DIN A4 Texter: Instrumentation: bla ...
32,50 €
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Duration: 02:47 min
Difficulty: 1
Composer: Alexander Pfluger
Arranger: Alexander Pfluger
Article Nr: 181700
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Musikantengeflüster - Balearska (Solo für Flügelhorn und Tenorhorn) / Darovana (Polka) - große Besetzung - Antonin Pecha
Direktion in C Flöte in C Klarinette in Es 1. Klarinette in B 2. Klarinette in B 3. Klarinette in B 1. Altsaxofon in Es 2. Altsaxofon in Es 1. Tenorsaxofon in B 2. Tenorsaxofon in B Baritonsaxofon in Es 1. Horn in Es 2. Horn in Es 3. Horn in Es 4. Horn in Es 1. Flügelhorn in B 2. Flügelhorn in B Basstrompete in B 2./3. Trompete in Es 1. Tenorhorn in B 2. ...
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Duration: 2:30 min
Difficulty: 3
Composer: Antonin Pecha
Arranger: -
Article Nr: 107578
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Gerlinger Zeiten - Guido Henn

Gerlinger Zeiten Guido Henn

Kunden, die diesen Artikel kaufen, erhalten auf Wunsch die CD '20 Jahre' gratis! Bitte bestellen Sie hierzu: - diesen Artikel - die CD '20 Jahre'- und zusätzlich den Artikel CD Aktion HeBu - Volkstümliche CD gratis beim Kauf einer Notenausgabe 'Gewidmet Reinhard Konyen, dem Ehrendirigenten des Musikverein Stadtkapelle Gerlingen e.V.' ...
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Duration: --:-- min
Difficulty: -
Composer: Guido Henn
Arranger: -
Article Nr: 171447
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Böhmische Posaunen (Solopolka) - Mark Sven Heidt
Kunden, die diesen Artikel kaufen, erhalten auf Wunsch die CD '10 Jahre' gratis! Bitte bestellen Sie hierzu: - diesen Artikel - die CD '10 Jahre'- und zusätzlich den Artikel CD Aktion HeBu - Volkstümliche CD gratis beim Kauf einer Notenausgabe ...
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Duration: 3:09 min
Difficulty: 3
Composer: Mark Sven Heidt
Arranger: -
Article Nr: 91411
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Bayrische Polka (Solo für Posaune) - Georg Lohmann / Arr. Michael Klostermann

Bayrische Polka (Solo für Posaune) Georg Lohmann / Arr. Michael Klostermann

Titel / Title: Bayrische Polka - Solo für Posaune Herausgeber / Publisher: Mitropa Music Instrumentation: Concert Band/Harmonie and Trombone Produkttyp / Product: Partitur + Stimmen Serie / Series: Michael Klostermann und seine Musikanten Produkttyp / Product: Partitur + Stimmen Erscheinungsdatum / Date of Production: 2004 ISMN: 9790035028070
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Duration: 2:45 min
Difficulty: 3+ (INTERMEDIATE-ADV)
Composer: Georg Lohmann
Arranger: Michael Klostermann
Article Nr: 145919
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Leben heisst lieben - Josef Hotovy / Arr. Franz Bummerl

Leben heisst lieben Josef Hotovy / Arr. Franz Bummerl

Ernst Mosch u.s. Original Egerländer Musikanten Ernst Mosch u.s. Original Egerländer Musikanten Gesamtausgabe A4 hoch Partitur, Direktion in C, Gesang, Flöte in C, Oboe in C, Klarinette in Es, 1. Klarinette in B, 2. Klarinette in B, 3. Klarinette in B, Fagott in C, 1. Altsaxophon in Es, 2. Altsaxophon in Es, 1. Tenorsaxophon in B, 2. Tenorsaxophon in B, Baritonsaxophon in ...
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Duration: --:-- min
Difficulty: 4
Composer: Josef Hotovy
Arranger: Franz Bummerl
Article Nr: -2147483648
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Jubiläumsgrüße (Slovacka polka) - Frantisek Manas / Arr. Franz Bummerl

Jubiläumsgrüße (Slovacka polka) Frantisek Manas / Arr. Franz Bummerl

Jubiläumsgrüße Besetzung: Blasorchester Stil/Art: Polka, Böhmisch Komponist: Frantisek Manas Arrangeur: Franz Bummerl Schwierigkeitsgrad: Mittelstufe | 3 Spieldauer: 00:02:41 Interpret: Ernst Mosch & seine Original Egerländer Musikanten Aufnahme: CD Die schönsten Polkas & Walzer der Welt (Elmar Wolf & die Neuen Egerländer)Format: DIN A4 oder auch als Variante DIN A5 E ...
50,00 €
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Duration: 2:41 min
Difficulty: 3
Composer: Frantisek Manas
Arranger: Franz Bummerl
Article Nr: 106202
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Im Waldschatten (V Lesnim Stinu) - Bedrich Ondracek
Duration: 4:40 min
Difficulty: 2
Composer: Bedrich Ondracek
Arranger: -
Article Nr: 130106
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Am Bischofsee - Alexander Pfluger / Arr. Alexander Pfluger

Am Bischofsee Alexander Pfluger / Arr. Alexander Pfluger

Format: DIN A4 Texter: Instrumentation: blasorchester Aufnahme / Recording: djp002-boehmisch-gelaunt,qp002-lets-go-quattro Besetzungsliste / Instrumentation: C DirektionFlöte 1Flöte 2OboeFagottEs KlarinetteBb Klarinette 1Bb Klarinette 2Bb Klarinette 3Bb BassklarinetteEb Altsaxophon 1 Eb Altsaxophon 2Bb Tenorsaxophon 1Bb Tenorsaxophon 2Eb BaritonsaxophonBb Trompete 1Bb Flügelho ...
36,00 €
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Duration: 00:03:04 min
Difficulty: 3
Composer: Alexander Pfluger
Arranger: Alexander Pfluger
Article Nr: 186701
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