Polka
The polka is originally a Czech dance and genre of dance music familiar throughout Europe and the Americas. It originated in the middle of the 19th century in Bohemia, now part of the Czech Republic. The polka remains a popular folk music genre in many European countries, and is performed by folk artists in the Czech Republic, Germany, Austria, Slovenia, Switzerland, and Finland, and to a lesser extent in Poland, Latvia, Lithuania, the Netherlands, Hungary, Italy, Ukraine, Romania, Belarus, Russia, and Slovakia. Local varieties of this dance are also found in the Nordic countries, Spain's Basque Country, the United Kingdom, Ireland, Latin America and the United States.
The term polka possibly comes from the Czech word "pulka" ("half"), referring to the short half-steps featured in the dance. Czech cultural historian and ethnographer Cenek Zíbrt, who wrote in detail about the origin of the dance, in his book, Jak se kdy v Cechách tancovalo cites an opinion of Frantiek Doucha (1840, Kvety, p. 400) that "polka" was supposed to mean "dance in half" ("tanec na polo"), both referring to the half-tempo 2
4 and the half-jump step of the dance. Zíbrt also ironically dismisses the etymology suggested by A. Fähnrich (in Ein etymologisches Taschenbuch, Jiein, 1846) that "polka" comes from the Czech word "pole" ("field").On the other hand, Zdenek Nejedlý suggests that the etymology given by Fr. Doucha is nothing but an effort to prove the "true Czech folk" origin of Polka. Instead, he claims that according to Jaroslav Langr ("Ceské krakovácky" in: Cas. Ces. musea, 1835, Sebr. spisy I, 256) in the area of Hradec Králové, the tune Krakoviáky from the collection Slovanské národní písne of Frantiek Ladislav Celakovský became very popular so that it was used to dance (Czech dances) trasák, britva, and kvapík, and this way was called "Polka". Nejedlý also writes that Václav Vladivoj Tomek also claims the Hradec Králové roots of a Polka.[3] OED also suggests that the name may have been derived from the Czech Polka meaning "Polish woman" (feminine form corresponding to Polák, a Pole).
The beginning of the propagation of dance and accompanying music called polka is generally attributed to a young woman, Anna Slezáková (born Anna Chadimová). The music teacher Josef Neruda noticed her dancing in an unusual way to accompany a local folk song called "Strýcek Nimra koupil imla", or "Uncle Nimra Bought a White Horse", in 1830. She is said to have called the dance Madera ("Madeira wine") because of its liveliness. The dance was further propagated by Neruda, who put the tune to paper and taught other young men to dance it.[2] Cenek Zíbrt notices that a common claim that the events happened in Týnec nad Labem, Bohemia in 1834 is incorrect. Zibrt writes that when he published this traditional story in 1894 in Narodni Listy newspaper, he received a good deal of feedback from eyewitnesses. In particular, he wrote that according to further witness, the originating event actually happened in 1830, in Kostelec nad Labem, where she worked as a housemaid. Zíbrt writes that he published the first version of the story (with incorrect place name) in Bohemia (June 5, 1844), from where it was reprinted all over Europe and in the United States. Zíbrt also wrote that simple Czech folk claimed that they knew and danced Polka long before the nobles got hold of it, i.e., it is a truly folk Czech dance.
By 1835, this dance had spread to the ballrooms of Prague. From there, it spread to Vienna by 1839, and in 1840 was introduced in Paris by Raab, a Prague dance instructor.
It was so well received by both dancers and dance masters in Paris that its popularity was referred to as "polkamania."[6] The dance soon spread to London and was introduced to America in 1844. It remained a popular ballroom dance until the late 19th century, when it would give way to the two-step and new ragtime dances.
Polka dancing enjoyed a resurgence in popularity after World War II, when many Polish refugees moved to the US, adopting this Bohemian style as a cultural dance. Polka dances are still held on a weekly basis across many parts of the US with significant populations of central European origin. It was also found in parts of South America.
The word was widely introduced into the major European languages in the early 1840s.[1] It should not be confused with the polska, a Swedish About this sound
4-beat (help·info) dance with Polish roots (cf. polka-mazurka). A related dance is the redowa. Polkas almost always have a About this sound2
4 (help·info) time signature. Folk music of Polka style appeared in written music about 1800.
The term polka possibly comes from the Czech word "pulka" ("half"), referring to the short half-steps featured in the dance. Czech cultural historian and ethnographer Cenek Zíbrt, who wrote in detail about the origin of the dance, in his book, Jak se kdy v Cechách tancovalo cites an opinion of Frantiek Doucha (1840, Kvety, p. 400) that "polka" was supposed to mean "dance in half" ("tanec na polo"), both referring to the half-tempo 2
4 and the half-jump step of the dance. Zíbrt also ironically dismisses the etymology suggested by A. Fähnrich (in Ein etymologisches Taschenbuch, Jiein, 1846) that "polka" comes from the Czech word "pole" ("field").On the other hand, Zdenek Nejedlý suggests that the etymology given by Fr. Doucha is nothing but an effort to prove the "true Czech folk" origin of Polka. Instead, he claims that according to Jaroslav Langr ("Ceské krakovácky" in: Cas. Ces. musea, 1835, Sebr. spisy I, 256) in the area of Hradec Králové, the tune Krakoviáky from the collection Slovanské národní písne of Frantiek Ladislav Celakovský became very popular so that it was used to dance (Czech dances) trasák, britva, and kvapík, and this way was called "Polka". Nejedlý also writes that Václav Vladivoj Tomek also claims the Hradec Králové roots of a Polka.[3] OED also suggests that the name may have been derived from the Czech Polka meaning "Polish woman" (feminine form corresponding to Polák, a Pole).
The beginning of the propagation of dance and accompanying music called polka is generally attributed to a young woman, Anna Slezáková (born Anna Chadimová). The music teacher Josef Neruda noticed her dancing in an unusual way to accompany a local folk song called "Strýcek Nimra koupil imla", or "Uncle Nimra Bought a White Horse", in 1830. She is said to have called the dance Madera ("Madeira wine") because of its liveliness. The dance was further propagated by Neruda, who put the tune to paper and taught other young men to dance it.[2] Cenek Zíbrt notices that a common claim that the events happened in Týnec nad Labem, Bohemia in 1834 is incorrect. Zibrt writes that when he published this traditional story in 1894 in Narodni Listy newspaper, he received a good deal of feedback from eyewitnesses. In particular, he wrote that according to further witness, the originating event actually happened in 1830, in Kostelec nad Labem, where she worked as a housemaid. Zíbrt writes that he published the first version of the story (with incorrect place name) in Bohemia (June 5, 1844), from where it was reprinted all over Europe and in the United States. Zíbrt also wrote that simple Czech folk claimed that they knew and danced Polka long before the nobles got hold of it, i.e., it is a truly folk Czech dance.
By 1835, this dance had spread to the ballrooms of Prague. From there, it spread to Vienna by 1839, and in 1840 was introduced in Paris by Raab, a Prague dance instructor.
It was so well received by both dancers and dance masters in Paris that its popularity was referred to as "polkamania."[6] The dance soon spread to London and was introduced to America in 1844. It remained a popular ballroom dance until the late 19th century, when it would give way to the two-step and new ragtime dances.
Polka dancing enjoyed a resurgence in popularity after World War II, when many Polish refugees moved to the US, adopting this Bohemian style as a cultural dance. Polka dances are still held on a weekly basis across many parts of the US with significant populations of central European origin. It was also found in parts of South America.
The word was widely introduced into the major European languages in the early 1840s.[1] It should not be confused with the polska, a Swedish About this sound
4-beat (help·info) dance with Polish roots (cf. polka-mazurka). A related dance is the redowa. Polkas almost always have a About this sound2
4 (help·info) time signature. Folk music of Polka style appeared in written music about 1800.
Tondovi Polka (Für Anton) Miloslav R. Prochazka / Arr. Siegfried Rundel
Miloslav Procházka wurde am 31. August 1958 in Kyjov (Mähren) geboren. Im Alter von 8 Jahren erhielt er seinen ersten Trompetenunterricht. Zwischen 1974 und 1981 besuchte er das Musikkonservatorium in Kromerí. Während seines Studiums schrieb er bereits zahlreiche volkstümliche Kompositionen. Miloslav Procházka war lange Zeit Mitglied der legendären Blaskapelle Mistrínanka, f ...
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Duration: 4:04 min
Difficulty: 3
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Article Nr: 139325
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Wenn Musikanten träumen Michael Kuhn
Kunden, die diesen Artikel kaufen, erhalten auf Wunsch die CD '20 Jahre' gratis!
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Tonart/ Key: Des-DurOne of the most famous Polka in the catalogue of HeBu Music Publishing. Composed by Michael Kuhn ...
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Duration: 3:20 min
Difficulty: 3
Difficulty: 3
Article Nr: 91638
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Prager Gassen (Polka) Jaroslav Zeman
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Difficulty: 4
Article Nr: 98732
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Aus besonderem Holz (Polka) Mathias Gronert
Wie der Name der Polka Aus besonderem Holz bereits verspricht, haben die Holzbläser einen besonderen Part in diesem abwechslungsreichen Werk. Mathias Gronert hat als kleinen Gag noch einen Zwischenteil in Oberkrainer-Besetzung in die Polka hineinkomponiert. Das TRIO besticht dann in gewohnter Gronert-Manier mit einem wunderbaren Melodiebogen, der Ihre Zuhörer unmittelbar fess ...
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Duration: 4:23 min
Difficulty: 3
Difficulty: 3
Article Nr: 185511
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Vom Egerland zum Moldaustrand Siegfried Rundel
Potpourri der schönsten böhmischen Polkas in zwei Teilen.
Inhalt Egerländer-Polka, Egerländer Marsch, Amsel-Polka, Liebling, heut' möcht' ich tanzen geh'n, Und noch ein bisserl..., Urlaubsschein
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Duration: 3:1 min
Difficulty: 3+
Difficulty: 3+
Article Nr: 105375
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Fanynka Polka Josef Pancik / Arr. Gustav Hammerschmidt
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Difficulty: 3
Article Nr: 129867
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Jirinková polka Bedrich Smetana / Arr. Yo Kitano
New year
CD Le vol du dragon
A Czech dance "polka" is for B. Smetana (1824-1884), author of famous symphony My country, a typical compositional form, similarly as a waltz for Strauss family or a polonaise for Chopin. He composed "Dahlia polka" for piano solo in the age of his 17, inspired by "Dahlia feasts with its characteristic flower decorations.
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Duration: 3:45 min
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Article Nr: 188010
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Tritsch-Tratsch-Polka Johann Strauß / Strauss (Sohn) / Arr. Roger Niese
Titel / Title: Tritsch-Tratsch-Polka - Polka schnell
Herausgeber / Publisher: Baton Music
Instrumentation: Concert Band/Harmonie
Produkttyp / Product: Partitur + Stimmen'Tritsch Tratsch' was a satirical magazine in Vienna in. In 1858 it printed a profile of Johann Strauss: it was feared, said the report, that Strauss' concert seasons in Russia and the development of his com ...
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Duration: 3:00 min
Difficulty: 3
Difficulty: 3
Article Nr: 154766
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Scherzpolka Thomas Doss
Titel / Title: Scherzpolka - Polka for Fun
Herausgeber / Publisher: Mitropa Music
Instrumentation: Concert Band/Harmonie
Produkttyp / Product: Partitur + Stimmen
Serie / Series: Ovation Series
Erscheinungsdatum / Date of Production: 2004
ISMN: 9790035027240
Das Spannungsfeld zwischen Hochkultur, alpenländischem Ambiente, Volksmusik und 'tief-philosophischen' Gesprächen ...
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Duration: 2:20 min
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Article Nr: 142821
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Ohne Sorgen Josef Strauss / Arr. Thom Roosen
Titel / Title: Ohne Sorgen
Untertitel / Subtitle: Polka schnell
Herausgeber / Publisher: Baton Music
Instrumentation: concert band
Produkttyp / Product: Partitur + StimmenIn 1869, Josef Strauss spent the summer together with his brother Johann in Pavlovsk near St. Petersburg. When he recovered from an illness he wrote a particularly fast-paced fast polka and gave the work t ...
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Duration: 2:00 min
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Article Nr: 186353
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Freunde der Blasmusik Bertl Bauer / Arr. Franz Gerstbrein
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Duration: 3:1 min
Difficulty: 3
Difficulty: 3
Article Nr: 142299
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Die Froschpolka (Solo für Posaune) Berthold Schick / Arr. Peter Schad
Lustiges, fröhliches Posaunensolo mit Wa-Wa Dämpfer, bei der ein Frosch imitiert wird. Komponiert hat diese Polka Berthold Schick, arrangiert wurde sie von Peter Schad, Komponist und Leiter der Oberschwäbischen Dorfmusikanten.
Diese Polka kommt auch besonders gut als Zugabe an.
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Duration: 3:29 min
Difficulty: 2+
Difficulty: 2+
Article Nr: 144151
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Hinter der Garage (Originalarrangement Da Blechhauf'n) Jaroslav Jankovec / Arr. Albert Wieder
Originalarrangement Da Blechhauf'n
Musik: Jaroslav Jankovec
Text: Daniel Novotny
Arr./Bearb.: Albert Wieder
Bestellnummer: CUM-HDG
Besetzung: Kleine Blasmusik
Format: DIN A4
Schwierigkeitsgrad: 2 (Unterstufe)
1. Trompete/Flügelhorn in Bb
2. Trompete/Flügelhorn in Bb
3. Trompete/Flügelhorn in Bb
1. Posaune/Basstrompete in C und Bb
2. Posaune/Basstrompete in ...
Duration: 2:30 min
Difficulty: 2
Difficulty: 2
Article Nr: 207924
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Kuhstall Polka - Böhmische Besetzung Engelbert Wörndle
Die "Kuhstall Polka" ist eine schmissige Polka für böhmische Besetzung von Engelbert Wörndle, gewidmet Rosi Schöpf. Sie stammt aus dem Repertoire der Innsbrucker Böhmische.
1x Direktion in C 1x Flöte in C 1x Klarinette in Eb 1x 1. Klarinette in Bb 1x 2. Klarinette in Bb 1x 3. Klarinette in Bb 1x Trompete in Bb 2x 1. Flügelhorn in Bb 2x 2. Flügelhorn in Bb 2x Tenorhorn in Bb ...
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Duration: 2:42 min
Difficulty: 2
Difficulty: 2
Article Nr: 185557
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Auf die Freundschaft (Polka) Wolfgang Kugler
Böhmische Polka aus dem Repertoire der Blaskapelle Peng. Bestens geeignet für Bierzelt und Konzert.
35,00 €
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Duration: 3:06 min
Difficulty: 2+
Difficulty: 2+
Article Nr: 173620
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Niko - Polka Johann Strauß / Strauss (Sohn) / Arr. Armin Suppan
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Duration: --:-- min
Difficulty: -
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Article Nr: 141124
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