Blasorchester / Concert Band
A concert band's repertoire includes original wind compositions, transcriptions/arrangements of orchestral compositions, light music, and popular tunes. Though the instrumentation is similar, a concert band is distinguished from the marching band in that its primary function is as a concert ensemble. The standard repertoire for the concert band does, however, contain concert marches.
During the 19th century, large ensembles of wind and percussion instruments in the British and American traditions existed mainly in the form of the military band for ceremonial and festive occasions, and the works performed consisted mostly of marches. The only time wind bands were used in a concert setting comparable to that of a symphony orchestra was when transcriptions of orchestral or operatic pieces were arranged and performed, as there were comparatively few original concert works for a large wind ensemble.
Prior to the 1950s, wind ensembles varied in the combinations of instruments included. The modern "standard" instrumentation of the wind ensemble was more or less established by Frederick Fennell at Eastman School of Music as the Eastman Wind Ensemble in 1952 after the model of the orchestra: a pool of players from which a composer can select in order to create different sonorities. [1] The wind ensemble could be said to be modeled on the wind section of a "Wagner orchestra," an important difference being the addition of saxophones and baritone/euphonium. (The American Wind Symphony Orchestra, which uses neither of these, adheres more strictly to the "expanded orchestral wind section" model.) While many people consider the wind ensemble to be one player on a part, this is only practical in true chamber music. Full band pieces usually require doubling or tripling of the clarinet parts, and six trumpeters is typical in a wind ensemble. According to Fennell, the wind ensemble was not revolutionary, but developed naturally out of the music that led him to the concept.
Military bands
A military band is a group of personnel that performs musical duties for military functions, usually for the armed forces. A typical military band consists mostly of wind and percussion instruments. The conductor of a band commonly bears the title of Bandmaster or Director of Music. Ottoman military bands are thought to be the oldest variety of military marching band in the world, dating from the 13th century.
The military band should be capable of playing ceremonial and marching music, including the national anthems and patriotic songs of not only their own nation but others as well, both while stationary and as a marching band. Military bands also play a part in military funeral ceremonies.
There are two types of historical traditions in military bands. The first is military field music. This type of music includes bugles (or other natural instruments such as natural trumpets or natural horns), bagpipes, or fifes and almost always drums (see military drums). This type of music was used to control troops on the battlefield as well as for entertainment. Following the development of instruments such as the keyed trumpet or the saxhorn family of brass instruments, a second tradition of the brass and woodwind military band was formed.
Professional bands
Professional concert bands not associated with the military are rare, and most do not offer full-time positions.[citation needed] Examples of professional non-military concert bands include:
Dallas Wind Symphony, led by Jerry Junkin
Tokyo Kosei Wind Orchestra, led for many years by Frederick Fennell, and as of 2006 conducted by Sir Douglas Bostock
Osaka Municipal Symphonic Band
Royal Hawaiian Band, created by royal decree in 1836 by King Kamehameha III
Community bands
A community band is a concert band or brass band ensemble composed of volunteer (non-paid) amateur musicians in a particular geographic area. It may be sponsored by the local (municipal) government or self-supporting. These groups rehearse regularly and perform at least once a year. Some bands are also marching bands, participating in parades and other outdoor events. Although they are volunteer musical organizations, community bands may employ an Artistic Director (conductor) or various operational staff.
Hey Mama ho / Viva la Mexico (Stimmungskracher) Holger Chellga
- Hey, Mama Ho
- Viva la Mexico
Tonart: F-major
Bearbeitung: Holger Chellga
Grad: 2-3
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Difficulty: 3
available in 3 days *
Rosen und Flieder (Böhmische Polka) Anton Dutz / Arr. Anton Dutz
Musik: Anton Dutz / Text: Toni Ertl
Arrangement: Anton Dutz
Tonart: Es-Dur
Grad: 3
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Difficulty: 3
available in 3 days *
Wo Musikanten sind (Otti Bauer) Erich Becht / Arr. Erwin Jahreis
Otti Bauer und sein Musikantenexpress
Musik: Erich Becht / Thomas Kern-Niklaus
Text: Michael Floda
Bearbeitung: Erwin Jahreis
Tonart: As-Dur auf Des-Dur
Grad: 3+
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Difficulty: 3
available in 3 days *
Das Fest der Volksmusik Michael Bauer
Erkennungsmelodie der Superhitparade der Volkmusik.
Musik: Erich Brecht
Bearbeitung: Michael Bauer
Tonart: Des-Dur mit Wechsel auf As-Dur
Grad: 3
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Difficulty: 2
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Meine Lieder streicheln dich (Patrick Lindner) E. Liessmann / Arr. Erwin Jahreis
Tonart: Es-Dur auf F-Dur
Grad: 2+
Bearbeitung: Erwin Jareis
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Difficulty: 2
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Detroit City (I wanna go home) Mel Dillis / Arr. Erwin Jahreis
Tonart: Es-Dur
Grad: 2-3
Bearbeitung: Erwin Jahreis
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Difficulty: 2
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Jetzt muss ein Bier her (Kristall Quintett) Peter Jonathan / Arr. Michael Bauer
Musik: Peter Jonathan Text: Herrmann Strittmatter
Bearbeitung: Michael Bauer
Tonart: As-Dur / B-Dur
Grad: 2-3
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Difficulty: 2
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Tirol, i bin a Kind von dir (Zillertaler Schürzenjäger) P. Fidler & W. Kröll / Arr. Michael Bauer
Bearbeitung: Michael Bauer
Tonart: F-Dur
Grad: 2-3
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Difficulty: 2
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California Blue (Roy Orbison) Roy Orbison / Arr. Erwin Jahreis
Bearbeitung: Michael Bauer
Tonart: Des-Dur
Grad: 2-3
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Difficulty: 2
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Auf der Alm (Juche, auf der ober'n Alm) Münchener Zwietracht / Arr. Erwin Jahreis
Münchner Zwietracht
Juche auf der hohen Alm..
Musik: Wolfgang Köbele
Text: Karl Eichinger
Bearbeitung: Erwin Jahreis
Tonart: Es-Dur auf F-Dur
Grad: 3
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Difficulty: 2
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The Best of Everly Brothers (Medley) Erwin Jahreis
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Difficulty: -
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Rock and Roll is back / I'm walking (Oldies but Goldies Vol.4) Peter Hawkins & Domino / Arr. Erwin Jahreis
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Difficulty: 3
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Yellow River / Beautiful Sunday (Oldies but Goldies Vol.2) TonyChristie / Daniel Boone / Arr. Michael Bauer
Doppelnummer:
Yellow River - Tony Christie
Es-Dur
Musik und Text: Jeff Christie
Bearbeitung: Michael Bauer
sowie
Beautiful Sunday - Daniel Boone
B-Dur
Musik und Text: Daniel Boone / Rod McQueen
Bearbeitung: Michael Bauer
Grad: 3 +
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Difficulty: 3
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Banditen - Galopp Johann Strauß / Strauss (Sohn) / Arr. Sepp Neumayr
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Difficulty: 4
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Wenn die ersten Blumen blüh'n/Irgendwann Heinz Herrmannsdörfer
Difficulty: 3
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Werkverzeichnis: Solo-Tenorhorn / Euphonium und Blasorchester Bd.4 Ewald Preinsberger
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Difficulty: -
available in 7 days *





