Latin Dances : Wolfgang Birtel

Titel (DE): Latin Dances Heft 12 - 4 Famous Standards
Titel (EN): Latin Dances Issue 12 - 4 Famous Standards
Titel (FR): Latin Dances Numéro 12 - 4 standards célèbres
Komponist / Composer: Abreu, José Gomes de / Nazareth, Ernesto / Velázquez, Consuelo / Villoldo, Angel G.
Herausgeber / Editor:
Bearbeiter / Arranger: Birtel, Wolfgang
Illustrator:
Opus:
Werkverzeichnis:
Besetzung / Instrumentation: Streichquartett (Kontrabass ad libitum) / string quartet (double bass ad libitum)
Besetzungsdetails:
Kompositionsjahr / Date of Composition:
Aufführungsdauer / Duration:
Verlag / Publisher: Schott Music
Erscheindungsdatum / Date of Publishing: 31.03.2015
Ausgabe / Publication: Partitur und Stimmen - Score and parts -
- - -
Seiten / Pages: 56
Verarbeitung: Rückendrahtheftung - Saddle-wire stitching
Schwierigkeitsgrad / Difficulty: mittelschwer - intermediate - moyen
Sprache / Language:
Reihe / Series: Souvenir Musical
ISMN: M-001-18956-9
ISMN-13: 979-0-001-18956-9
ISMN-EAN: 9790001189569
UPC: 841886026148

Demanding salon music for string quartet (with double-bass ad libitum) is provided by Wolfgang Birtel in his 'Latin Dances' with four titles which can be played individually or as a little suite. The first dance is the chorinho 'Não me toques' by Zequinha de Abreu (1880-1935) who not only wrote 'Tico Tico' but also other rousing pieces of music. Ernesto Nazareth (1863-1934) is considered to be the 'inventor' of the Brazilian tango and waltz: He titled the waltz, which follows as second title, 'Ingenious'. These rather unknown titles are followed by two absolute worldwide hits: 'Bolada de Aficionado' by A.G. Villoldo and then the everlasting beguine 'Bésame Mucho' by the Mexican composer Consuelo Velázques (1916-2005). Whether individually or as a 'four-pack' the fingers will be twitching and the toes will be tingling for this music carries away musicians and audience alike.
Musique de salon de haut niveau pour quatuor à cordes. Contient quatre titres pouvant être joués séparément ou comme une petite suite. Dans tous les cas, les doigts s'agitent, les orteils démangent car cette musique entraîne tout autant les musiciens que leur auditoire dans son sillage.
Z. de Abreu : Não me toques - E. Nazareth : Genial - A.G. Villoldo: Bolada de Aficionado - C. Velázquez : Bésame Mucho

[FR]
Demanding salon music for string quartet (with double-bass ad libitum) is provided by Wolfgang Birtel in his 'Latin Dances' with four titles which can be played individually or as a little suite. The first dance is the chorinho 'Não me toques' by Zequinha de Abreu (1880-1935) who not only wrote 'Tico Tico' but also other rousing pieces of music. Ernesto Nazareth (1863-1934) is considered to be the 'inventor' of the Brazilian tango and waltz: He titled the waltz, which follows as second title, 'Ingenious'. These rather unknown titles are followed by two absolute worldwide hits: 'Bolada de Aficionado' by A.G. Villoldo and then the everlasting beguine 'Bésame Mucho' by the Mexican composer Consuelo Velázques (1916-2005). Whether individually or as a 'four-pack' the fingers will be twitching and the toes will be tingling for this music carries away musicians and audience alike.
Musique de salon de haut niveau pour quatuor à cordes. Contient quatre titres pouvant être joués séparément ou comme une petite suite. Dans tous les cas, les doigts s'agitent, les orteils démangent car cette musique entraîne tout autant les musiciens que leur auditoire dans son sillage.
Z. de Abreu : Não me toques - E. Nazareth : Genial - A.G. Villoldo: Bolada de Aficionado - C. Velázquez : Bésame Mucho
Z. de Abreu : Não me toques
E. Nazareth : Genial
A.G. Villoldo: Bolada de Aficionado
C. Velázquez : Bésame Mucho