5 ROMANZEN : FUER VIOLONCELLO UND Wilhelm Killmayer

Titel (DE): Fünf Romanzen -
Titel (EN): Five Romances -
Titel (FR): Five Romances -
Komponist / Composer: Killmayer, Wilhelm
Herausgeber / Editor:
Bearbeiter / Arranger:
Illustrator:
Opus:
Werkverzeichnis:
Besetzung / Instrumentation: Violoncello und Klavier / cello and piano
Besetzungsdetails:
Kompositionsjahr / Date of Composition: 1989
Aufführungsdauer / Duration: 20'
Verlag / Publisher: Schott Music
Erscheindungsdatum / Date of Publishing: 30.11.1994
Ausgabe / Publication: - -
- - -
Seiten / Pages: 41
Verarbeitung: Rückendrahtheftung - Saddle-wire stitching
Schwierigkeitsgrad / Difficulty: schwer - difficult - difficile
Sprache / Language:
Reihe / Series:
ISMN: M-001-08121-4
ISMN-13: 979-0-001-08121-4
ISMN-EAN: 9790001081214
UPC:

Humour plays a role, and my pieces are also an attempt to entertain people.' Words not often associated with contemporary music, but Wilhelm Killmayer wants to place fun and seriousness side by side. Different tonal spheres are found in the Impromptu and the jaunty Scherzo lento which uses tap tones for example. The Chorale that follows allows the music to drift seamlessly into atonality. In the fourth romance Im Schumannschen Ton' (The Schumann Sound'), a diatonic melody is complicated so much that the ending distorts to the beginning, just like man combines many different qualities'. In the concluding Capriccio, shifting time signatures and dynamic fluctuations are combined in a virtuoso manner. A humourous piece which demands the purest concentration from the players.

I Impromptu · II Scherzo lento · III Choral · IV Im Schumann-Ton · V Caprice de Figaro

[FR]
Humour plays a role, and my pieces are also an attempt to entertain people.' Words not often associated with contemporary music, but Wilhelm Killmayer wants to place fun and seriousness side by side. Different tonal spheres are found in the Impromptu and the jaunty Scherzo lento which uses tap tones for example. The Chorale that follows allows the music to drift seamlessly into atonality. In the fourth romance Im Schumannschen Ton' (The Schumann Sound'), a diatonic melody is complicated so much that the ending distorts to the beginning, just like man combines many different qualities'. In the concluding Capriccio, shifting time signatures and dynamic fluctuations are combined in a virtuoso manner. A humourous piece which demands the purest concentration from the players.

I Impromptu · II Scherzo lento · III Choral · IV Im Schumann-Ton · V Caprice de Figaro