12 études transcendales : Wilhelm Killmayer

Titel (DE): Douze Études transcendentales -
Titel (EN): Douze Études transcendentales -
Titel (FR): Douze Études transcendentales -
Komponist / Composer: Killmayer, Wilhelm
Herausgeber / Editor:
Bearbeiter / Arranger:
Illustrator:
Opus:
Werkverzeichnis:
Besetzung / Instrumentation: Klavier / piano
Besetzungsdetails:
Kompositionsjahr / Date of Composition: 1991 - 1992
Aufführungsdauer / Duration: 26'
Verlag / Publisher: Schott Music
Erscheindungsdatum / Date of Publishing: 22.10.2002
Ausgabe / Publication: - -
- - -
Seiten / Pages: 28
Verarbeitung: Rückendrahtheftung - Saddle-wire stitching
Schwierigkeitsgrad / Difficulty: fortgeschritten - advanced - avancé
Sprache / Language:
Reihe / Series:
ISMN: M-001-11211-6
ISMN-13: 979-0-001-11211-6
ISMN-EAN: 9790001112116
UPC:

Unlike the highly virtuoso Études d'exécution transcendante by Franz Liszt, these études by Wilhelm Killmayer are written in a deliberately anti-virtuoso manner, without chroma, i.e. with seven tones and largely in two parts'. (Wilhelm Killmayer) Each of the twelve pieces focusses on a single compositional or technical aspect. Diatonic scales, parallel thirds and major chords are combined with some technically very tricky passages. Killmayer makes great demands on the pianist's concentration, subtly coloured performance and differentiated articulation. The seventh étude is given the title Im Schumann-Ton' unforced heartfelt music, always somehow absent and unpredictable in its modulations.

I Appasionato espressivo II Ländler d'execution transparente III Lugubre IV Vergnügt, leicht, ohne Hast V Ländler solenne VI Leicht, mit Anmut VII Im Schumann-Ton VIII Presto IX Mit Schleier X Kraftvoll und geschmeidig, in allen Stimmen singend XI Rasch dahin XII Choral, mesto

[FR]
Unlike the highly virtuoso Études d'exécution transcendante by Franz Liszt, these études by Wilhelm Killmayer are written in a deliberately anti-virtuoso manner, without chroma, i.e. with seven tones and largely in two parts'. (Wilhelm Killmayer) Each of the twelve pieces focusses on a single compositional or technical aspect. Diatonic scales, parallel thirds and major chords are combined with some technically very tricky passages. Killmayer makes great demands on the pianist's concentration, subtly coloured performance and differentiated articulation. The seventh étude is given the title Im Schumann-Ton' unforced heartfelt music, always somehow absent and unpredictable in its modulations.

I Appasionato espressivo II Ländler d'execution transparente III Lugubre IV Vergnügt, leicht, ohne Hast V Ländler solenne VI Leicht, mit Anmut VII Im Schumann-Ton VIII Presto IX Mit Schleier X Kraftvoll und geschmeidig, in allen Stimmen singend XI Rasch dahin XII Choral, mesto