BIRDS FRAGMENTS 3 FOR Toshio Hosokawa

Titel (DE): Birds Fragments III -
Titel (EN): Birds Fragments III -
Titel (FR): Birds Fragments III -
Komponist / Composer: Hosokawa, Toshio
Herausgeber / Editor:
Bearbeiter / Arranger:
Illustrator:
Opus:
Werkverzeichnis:
Besetzung / Instrumentation: Shô (Akkordeon) und Flöte (Bass-Flöte und Piccolo) / Shô (Accordeon) and Flute (Bass Flute and Piccolo)
Besetzungsdetails:
Kompositionsjahr / Date of Composition: 1990
Aufführungsdauer / Duration: 7'
Verlag / Publisher: Schott Music Co. Ltd., Tokyo
Erscheindungsdatum / Date of Publishing: 04.04.2003
Ausgabe / Publication: Partitur und Stimmen - Score and parts -
- - -
Seiten / Pages: 22
Verarbeitung: Rückendrahtheftung - Saddle-wire stitching
Schwierigkeitsgrad / Difficulty: schwer - difficult - difficile
Sprache / Language:
Reihe / Series:
ISMN: M-65001-195-2
ISMN-13: 979-0-65001-195-2
ISMN-EAN: 9790650011952
UPC:

Toshio Hosokawa studied in Tokyo and in Germany (with Isang Yun, among others). His first opera 'Vision of Lear' had its first performance at the 1998 Munich Festival, where it was highly praised as 'a work inspired by the meeting of East and West, opening the way to a new musical world'. This bridge between East and West is a characteristic feature of his compositions and is reflected particularly in his choice of instruments. 'Bird Fragments III' makes use of the shô, the Japanese equivalent of the sheng mouth organ, bass recorder and piccolo (with just one player) and is dedicated to Toru Takemitsu.
"Bird Fragments III verwendet neben Shô (einer japanischen Mundorgel) Bassflöte und Piccolo (ein Spieler) und ist Toru Takemitsu gewidmet.

[FR]
Toshio Hosokawa studied in Tokyo and in Germany (with Isang Yun, among others). His first opera 'Vision of Lear' had its first performance at the 1998 Munich Festival, where it was highly praised as 'a work inspired by the meeting of East and West, opening the way to a new musical world'. This bridge between East and West is a characteristic feature of his compositions and is reflected particularly in his choice of instruments. 'Bird Fragments III' makes use of the shô, the Japanese equivalent of the sheng mouth organ, bass recorder and piccolo (with just one player) and is dedicated to Toru Takemitsu.
"Bird Fragments III verwendet neben Shô (einer japanischen Mundorgel) Bassflöte und Piccolo (ein Spieler) und ist Toru Takemitsu gewidmet.

SHO (ACOORDION) AND FLUTES (BASS FLUTE AND PICCOLO)