Eternity's Sunrise : for strings Steve Martland

Titel (DE): Eternity's Sunrise - for string orchestra
Titel (EN): Eternity's Sunrise - for string orchestra
Titel (FR): Eternity's Sunrise - for string orchestra
Komponist / Composer: Martland, Steve
Herausgeber / Editor:
Bearbeiter / Arranger:
Illustrator:
Opus:
Werkverzeichnis:
Besetzung / Instrumentation: Streichorchester / string orchestra
Besetzungsdetails: str(3.3.2.2.1 minimum)
Kompositionsjahr / Date of Composition: 2007
Aufführungsdauer / Duration: 16'
Verlag / Publisher: Schott Music Ltd., London
Erscheindungsdatum / Date of Publishing: 11.09.2013
Ausgabe / Publication: Studienpartitur - Study score -
- - -
Seiten / Pages: 44
Verarbeitung: Rückendrahtheftung - Saddle-wire stitching
Schwierigkeitsgrad / Difficulty: - -
Sprache / Language:
Reihe / Series: Musik unserer Zeit
ISMN: M-2201-3436-4
ISMN-13: 979-0-2201-3436-4
ISMN-EAN: 9790220134364
UPC:

I wanted to write a companion piece for Tiger Dancing, which was written for the choreographer Henri Oguike and his company. Although Eternity's Sunrise was written for the concert hall rather than the theatre, dance is a pervasive feature of the music, the ensemble plays almost throughout in rhythmic unison. The opening burst sets the stage for what follows and makes a short final return as a coda. The work last about sixteen minutes. Steve Martland. The work has a powerful impact on both players and audiences, it's high-voltage music requiring real stamina from the performers. Audiences at the premiere and subsequent tour loved it and the work would make marvellous dance music. The title of this piece comes from lines by the visionary English poet William Blake: He who binds to himself a joy Does the winged life destroy; But he who kisses the joy as it flies Lives in eternity's sunrise. Incidentally, this poem was on Stockhausen's desk for most of his working life, and his death occurred as Steve was writing the piece.

[FR]
I wanted to write a companion piece for Tiger Dancing, which was written for the choreographer Henri Oguike and his company. Although Eternity's Sunrise was written for the concert hall rather than the theatre, dance is a pervasive feature of the music, the ensemble plays almost throughout in rhythmic unison. The opening burst sets the stage for what follows and makes a short final return as a coda. The work last about sixteen minutes. Steve Martland. The work has a powerful impact on both players and audiences, it's high-voltage music requiring real stamina from the performers. Audiences at the premiere and subsequent tour loved it and the work would make marvellous dance music. The title of this piece comes from lines by the visionary English poet William Blake: He who binds to himself a joy Does the winged life destroy; But he who kisses the joy as it flies Lives in eternity's sunrise. Incidentally, this poem was on Stockhausen's desk for most of his working life, and his death occurred as Steve was writing the piece.