Symphony no.10 : Sir Peter Maxwell Davies

Titel (DE): Symphony No. 10 op. 327 - Alla ricerca di Borromini
Titel (EN): Symphony No. 10 op. 327 - Alla ricerca di Borromini
Titel (FR): Symphony No. 10 op. 327 - for solo baritone, SATB chorus and orchestra
Komponist / Composer: Maxwell Davies, Sir Peter
Herausgeber / Editor:
Bearbeiter / Arranger:
Illustrator:
Opus: op. 327
Werkverzeichnis:
Besetzung / Instrumentation: Bariton solo, gemischter Chor (SATB) und Orchester / baritone solo, mixed choir (SATB) and orchestra
Besetzungsdetails: pic.3.afl-3.3Acl.bcl.cbcl.3(3.cbsn).cbsn-4.4.3.1-timp(temple bowl)6perc(glsp, mar, crots, 3sus cym(bow), 3 gongs, tub bells, 2 metal bars, s.d., tenor drum, v. lg b.d., 3 tom-toms, flexatone-str
Kompositionsjahr / Date of Composition: 2013
Aufführungsdauer / Duration: 45'
Verlag / Publisher: Schott Music Ltd., London
Erscheindungsdatum / Date of Publishing: 24.12.2014
Ausgabe / Publication: Studienpartitur - Study score -
- - -
Seiten / Pages: 96
Verarbeitung: Rückendrahtheftung - Saddle-wire stitching
Schwierigkeitsgrad / Difficulty: - -
Sprache / Language: Italienisch
Reihe / Series: Musik unserer Zeit
ISMN: M-2201-3527-9
ISMN-13: 979-0-2201-3527-9
ISMN-EAN: 9790220135279
UPC: 841886024342

In his 80th year, Peter Maxwell Davies returns in music to Rome, where he studied with Goffredo Petrassi in the late 1950's. Full of darkly glowing sonorities (recalling the earlier Roma, Amor of 1998) and often in a language of startling harmonic directness, the Symphony sets Leopardi's sonnet A se stesso, Borromini's last testament and an anonymous sonnet which attacks Borromini's work for its eccentricity' and lack of coherence'. Davies has composed a deeply moving meditation on the nature of creativity, the artist's relationship with the past and, ultimately, mortality. Chris Austin

I Part 1 Adagio - II Part 2 Adagio - III Part 3 Presto - IV Part 4 Adagio

[FR]
In his 80th year, Peter Maxwell Davies returns in music to Rome, where he studied with Goffredo Petrassi in the late 1950's. Full of darkly glowing sonorities (recalling the earlier Roma, Amor of 1998) and often in a language of startling harmonic directness, the Symphony sets Leopardi's sonnet A se stesso, Borromini's last testament and an anonymous sonnet which attacks Borromini's work for its eccentricity' and lack of coherence'. Davies has composed a deeply moving meditation on the nature of creativity, the artist's relationship with the past and, ultimately, mortality. Chris Austin

I Part 1 Adagio - II Part 2 Adagio - III Part 3 Presto - IV Part 4 Adagio