Concerto A-Dur op. 1/1 Pietro Nardini

Titel (DE): Concerto A-Dur op. 1/1 -
Titel (EN): Concerto A Major op. 1/1 -
Titel (FR): Concerto A Major op. 1/1 -
Komponist / Composer: Nardini, Pietro
Herausgeber / Editor: Kehr, Günter
Bearbeiter / Arranger:
Illustrator:
Opus: op. 1/1
Werkverzeichnis:
Besetzung / Instrumentation: Violine, Streicher, Orgel (Cembalo); 2 Hörner in A ad libitum / violin, strings, organ (harpsichord); 2 horns in A ad libitum
Besetzungsdetails:
Kompositionsjahr / Date of Composition:
Aufführungsdauer / Duration: 13'
Verlag / Publisher: Schott Music
Erscheindungsdatum / Date of Publishing: 30.06.1989
Ausgabe / Publication: Stimmensatz - Set of parts - Hn-a I, Hn-a II, Org/Cemb, 4 V I, 4 V II, 2 Va, 4 Vc/Kb
Horn-a I, Horn-a II, Organ/Harpsichord , 4 Violins I, 4 Violins II, 2 Violas, 4 Cellos/Double Basses - - -
Seiten / Pages: 110
Verarbeitung: -
Schwierigkeitsgrad / Difficulty: mittelschwer - fortgeschritten - intermediate - advanced - moyen - avancé
Sprache / Language:
Reihe / Series:
ISMN: M-001-02315-3
ISMN-13: 979-0-001-02315-3
ISMN-EAN: 9790001023153
UPC:

Pietro Nardini was the most important pupil of Tartini regarding both violin playing and composition. Like his teacher, he attached special significance to the beauty of sound and the -suitability for singing, as is shown by reports of his contemporaries. Leopold Mozart, for example, wrote in one of his letters that he "had heard a certain Nardini and that there could not be heard anything more beautiful in the tonal beauty, purity, harmony and in the singable taste." The two concertos in A major and F major consist of three movements with the traditional tempo order quick-slow-quick, each movement giving the soloist the opportunity to play a solo cadence.

[FR]
Pietro Nardini was the most important pupil of Tartini regarding both violin playing and composition. Like his teacher, he attached special significance to the beauty of sound and the -suitability for singing, as is shown by reports of his contemporaries. Leopold Mozart, for example, wrote in one of his letters that he "had heard a certain Nardini and that there could not be heard anything more beautiful in the tonal beauty, purity, harmony and in the singable taste." The two concertos in A major and F major consist of three movements with the traditional tempo order quick-slow-quick, each movement giving the soloist the opportunity to play a solo cadence.