Traditional Harmony volume 1 Paul Hindemith

Titel (DE): Traditional harmony Band 1 - with emphasis on exercises and a minimum of rules
Titel (EN): Traditional harmony Vol. 1 - with emphasis on exercises and a minimum of rules
Titel (FR): Traditional harmony - with emphasis on exercises and a minimum of rules
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Verlag / Publisher: Schott Music Ltd., London
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- Revised Edition - -
Seiten / Pages: 138
Verarbeitung: Broschur - Paperback/Softcover
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Sprache / Language: Englisch
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Originally published in the 1940s, Paul Hindemith's remarkable textbooks are still the outstanding works of their kind. In contrast to many musical textbooks written by academic musicians, these were produced by a man who could play every instrument of the orchestra, could compose a satisfying piece for almost every kind of ensemble, and who was one of the most stimulating teachers of his day. It is therefore not surprising that nearly forty years later these books should remain essential reading for the student and the professional musician.

Preface - Preparatory - The Triads of the Principal Harmonies - Sixth Chords - The Dominant Seventh Chords - Inversions of V7 - Derivations of V7: V9, V13/7, and Their Inversions - Non-Chord Tones - 6/4 Chord, II6/5 Chord - Triads on II, III, VI, VII - Seventh Chords on I, II, III, IV, VI, VII - Simple Alteration - Secondary Dominants - Extended Alteration - Modulation-I - Modulation-II - Supplementary Exercises

[FR]
Originally published in the 1940s, Paul Hindemith's remarkable textbooks are still the outstanding works of their kind. In contrast to many musical textbooks written by academic musicians, these were produced by a man who could play every instrument of the orchestra, could compose a satisfying piece for almost every kind of ensemble, and who was one of the most stimulating teachers of his day. It is therefore not surprising that nearly forty years later these books should remain essential reading for the student and the professional musician.

Preface - Preparatory - The Triads of the Principal Harmonies - Sixth Chords - The Dominant Seventh Chords - Inversions of V7 - Derivations of V7: V9, V13/7, and Their Inversions - Non-Chord Tones - 6/4 Chord, II6/5 Chord - Triads on II, III, VI, VII - Seventh Chords on I, II, III, IV, VI, VII - Simple Alteration - Secondary Dominants - Extended Alteration - Modulation-I - Modulation-II - Supplementary Exercises