Ludus tonalis : für Klavier Paul Hindemith

Titel (DE): Ludus tonalis - Kontrapunktische, tonale und klaviertechnische Übungen
Titel (EN): Ludus tonalis - Studies in Counterpoint, Tonal Organisation & Piano Playing
Titel (FR): Ludus tonalis - Studies in Counterpoint, Tonal Organisation & Piano Playing
Komponist / Composer: Hindemith, Paul
Herausgeber / Editor:
Bearbeiter / Arranger:
Illustrator:
Opus:
Werkverzeichnis:
Besetzung / Instrumentation: Klavier / piano
Besetzungsdetails:
Kompositionsjahr / Date of Composition: 1942
Aufführungsdauer / Duration: 60'
Verlag / Publisher: Schott Music
Erscheindungsdatum / Date of Publishing: 31.12.1943
Ausgabe / Publication: - -
- - -
Seiten / Pages: 64
Verarbeitung: Rückendrahtheftung - Saddle-wire stitching
Schwierigkeitsgrad / Difficulty: fortgeschritten - schwer - advanced - difficult - avancé - difficile
Sprache / Language:
Reihe / Series: Edition Schott
ISMN: M-001-04763-0
ISMN-13: 979-0-001-04763-0
ISMN-EAN: 9790001047630
UPC:

Th cycle of fugues is introduced and concluded by a Praeludium and Postludium, the second formed by turning the Praeludium upside down and reading it backwards. In solving technical problems he posed himself, Hindemith created not a dry exercise but a work of considerable imagination. Intellectual achievement and sheer delight in playing are shown not to be mutually exclusive. The Ludus is a graphc example of the composer's delight in the fantastic, offered to his wife, born under the sign of Leo, as a birthday present. He illustrated the work with colored pencil, among other things drawing a lion for each entry of the subject of the fugues and for each of the twelve a different kind of lion, according to the character of the music, originally published in a limited edition but providing an instructive formal analysis of the music.

Präludium - Fugen und Interludien - Postludium

[FR]
Th cycle of fugues is introduced and concluded by a Praeludium and Postludium, the second formed by turning the Praeludium upside down and reading it backwards. In solving technical problems he posed himself, Hindemith created not a dry exercise but a work of considerable imagination. Intellectual achievement and sheer delight in playing are shown not to be mutually exclusive. The Ludus is a graphc example of the composer's delight in the fantastic, offered to his wife, born under the sign of Leo, as a birthday present. He illustrated the work with colored pencil, among other things drawing a lion for each entry of the subject of the fugues and for each of the twelve a different kind of lion, according to the character of the music, originally published in a limited edition but providing an instructive formal analysis of the music.

Präludium - Fugen und Interludien - Postludium