Hindemith, Paul Paul Hindemith

Titel (DE): Bläserkammermusik III -
Titel (EN): Woodwind chamber music III -
Titel (FR): Woodwind chamber music III -
Komponist / Composer: Hindemith, Paul
Herausgeber / Editor: Schader, Luitgard
Bearbeiter / Arranger:
Illustrator:
Opus:
Werkverzeichnis:
Besetzung / Instrumentation: /
Besetzungsdetails:
Kompositionsjahr / Date of Composition:
Aufführungsdauer / Duration:
Verlag / Publisher: Schott Music
Erscheindungsdatum / Date of Publishing: 25.02.2014
Ausgabe / Publication: Partitur und Kritischer Bericht - Score and critical report - Gesamtausgabe mit Solostimmen
complete edition with solo part - - -
Seiten / Pages: 392
Verarbeitung: Leinen - Cloth
Schwierigkeitsgrad / Difficulty: - -
Sprache / Language: Deutsch Englisch
Reihe / Series:
ISMN: M-001-15580-9
ISMN-13: 979-0-001-15580-9
ISMN-EAN: 9790001155809
UPC:

The work of Paul Hindemith is encyclopedic in nature. From the outset, he worked in all musical genres and devised several of his musical ideas and projects not as individual, self-contained works but as work cycles with different functional relationships. These contrasting pieces complement each other if experienced as part of the overall structure. Hindemith himself not only wanted a complete edition of his collected works but had begun planning it; at his death he left a detailed list of ‚Unpublished pieces for an eventual complete edition‘. The Complete Works contain all finished works in all extant versions, newly engraved for the edition. Sketches and fragments are published in appendices of the relevant volume, and are evaluated in the Introduction and Critical Commentary by the respective volume editor. Each volume contains a preface by the editorial directors and an introduction by the volume editor, delineating the genesis and performance history of the work, with authentic performance instructions, an evaluation of extant recordings by Paul Hindemith himself and a Critical Commentary. The Complete Works of Paul Hindemith are thus presented in a critical, scholarly edition which is equally appropriate for study and performance. Hindemith researchers will welcome the numerous first publications of works by the composer, and practical musicians will appreciate the newly prepared, philologically ordered performance material.

Sonate für Flöte und Klavier (1936) - Sonate für Oboe und Klavier (1938) - Sonate für Fagott und Klavier (1938) - Sonate in B für Klarinette und Klavier (1939) - Sonate für Horn und Klavier (1939) - Sonate für Trompete und Klavier (1939) - Sonata for English Horn and Piano (1941) - Sonata for Trombone and Piano (1941) - Echo für Flöte und Klavier (1942) - Sonate für Althorn und Klavier (1943) - Sonate für Basstuba und Klavier (1955)

[FR]
The work of Paul Hindemith is encyclopedic in nature. From the outset, he worked in all musical genres and devised several of his musical ideas and projects not as individual, self-contained works but as work cycles with different functional relationships. These contrasting pieces complement each other if experienced as part of the overall structure. Hindemith himself not only wanted a complete edition of his collected works but had begun planning it; at his death he left a detailed list of ‚Unpublished pieces for an eventual complete edition‘. The Complete Works contain all finished works in all extant versions, newly engraved for the edition. Sketches and fragments are published in appendices of the relevant volume, and are evaluated in the Introduction and Critical Commentary by the respective volume editor. Each volume contains a preface by the editorial directors and an introduction by the volume editor, delineating the genesis and performance history of the work, with authentic performance instructions, an evaluation of extant recordings by Paul Hindemith himself and a Critical Commentary. The Complete Works of Paul Hindemith are thus presented in a critical, scholarly edition which is equally appropriate for study and performance. Hindemith researchers will welcome the numerous first publications of works by the composer, and practical musicians will appreciate the newly prepared, philologically ordered performance material.

Sonate für Flöte und Klavier (1936) - Sonate für Oboe und Klavier (1938) - Sonate für Fagott und Klavier (1938) - Sonate in B für Klarinette und Klavier (1939) - Sonate für Horn und Klavier (1939) - Sonate für Trompete und Klavier (1939) - Sonata for English Horn and Piano (1941) - Sonata for Trombone and Piano (1941) - Echo für Flöte und Klavier (1942) - Sonate für Althorn und Klavier (1943) - Sonate für Basstuba und Klavier (1955)