Nekyia : für Oboe und Orgel Norbert J. Schneider

Titel (DE): Nekyia -
Titel (EN): Nekyia -
Titel (FR): Nekyia -
Komponist / Composer: Schneider, Enjott
Herausgeber / Editor:
Bearbeiter / Arranger:
Illustrator:
Opus:
Werkverzeichnis:
Besetzung / Instrumentation: Oboe (Englischhorn ad libitum) und Orgel / oboe (cor anglais ad libitum) and organ
Besetzungsdetails:
Kompositionsjahr / Date of Composition: 1989
Aufführungsdauer / Duration: 15'
Verlag / Publisher: Schott Music
Erscheindungsdatum / Date of Publishing: 10.08.1998
Ausgabe / Publication: - -
- - -
Seiten / Pages: 30
Verarbeitung: Rückendrahtheftung - Saddle-wire stitching
Schwierigkeitsgrad / Difficulty: fortgeschritten - advanced - avancé
Sprache / Language:
Reihe / Series:
ISMN: M-001-12082-1
ISMN-13: 979-0-001-12082-1
ISMN-EAN: 9790001120821
UPC:

'Nekyia' is one of the world's basic principles in the mythology of antiquity: each striving after higher values, each spiritualization and each attempt at perfection presupposes the passage through Hades. Each mountain is juxtaposed by the bottom of a valley. Light for its existence also needs darkness, as heaven needs hell. 'Nekyia' is the archetype of all religions. Orpheaus had to descend into Hades in order to gain life for Euridice. Christ had to die to bear witness of life eternal. Hence the composition 'Nekyia' consists of three parts which should be distinguished in shape and expression: part 1 with its lively rhythms stands for the physical, the material and secular, part 2 (bb 71-154) symbolises the encounter with death, part 3 ('Lux Perpetua') refers to a state of mellowness in which life and death are balanced and integrated.

[FR]
'Nekyia' is one of the world's basic principles in the mythology of antiquity: each striving after higher values, each spiritualization and each attempt at perfection presupposes the passage through Hades. Each mountain is juxtaposed by the bottom of a valley. Light for its existence also needs darkness, as heaven needs hell. 'Nekyia' is the archetype of all religions. Orpheaus had to descend into Hades in order to gain life for Euridice. Christ had to die to bear witness of life eternal. Hence the composition 'Nekyia' consists of three parts which should be distinguished in shape and expression: part 1 with its lively rhythms stands for the physical, the material and secular, part 2 (bb 71-154) symbolises the encounter with death, part 3 ('Lux Perpetua') refers to a state of mellowness in which life and death are balanced and integrated.