Valet will ich dir geben Naji Hakim

Titel (DE): Valet will ich dir geben - 5 Choralvariationen für Chor und Orgel über einen Choral von Melchior Teschner
Titel (EN): Valet will ich dir geben - 5 Choralvariationen for mixed Choir and Organ
Titel (FR): Valet will ich dir geben - 5 Choralvariationen for mixed Choir and Organ
Komponist / Composer: Hakim, Naji
Herausgeber / Editor:
Bearbeiter / Arranger:
Illustrator:
Opus:
Werkverzeichnis:
Besetzung / Instrumentation: gemischter Chor und Orgel / mixed choir and organ
Besetzungsdetails:
Kompositionsjahr / Date of Composition: 2011
Aufführungsdauer / Duration: 11'
Verlag / Publisher: Schott Music
Erscheindungsdatum / Date of Publishing: 18.04.2013
Ausgabe / Publication: Chorpartitur - Choral score -
- - -
Seiten / Pages: 20
Verarbeitung: Rückendrahtheftung - Saddle-wire stitching
Schwierigkeitsgrad / Difficulty: mittelschwer - intermediate - moyen
Sprache / Language: Deutsch
Reihe / Series: Edition Schott
ISMN: M-001-18798-5
ISMN-13: 979-0-001-18798-5
ISMN-EAN: 9790001187985
UPC:

'Valet will ich dir geben Du arge, falsche Welt' Based on the sacred poem of Valerius Herberger and written in the style of Melchior Teschner's chorale melody, the French composer Naji Hakim (*1955) wrote a moving work for choir and organ. The five chorale variations lead from heavenly joy in the choral parts to a charming setting for solo organ; then Hakim moves on to a setting for a cappella choir and a canon for soprano and alto with organ accompaniment. The expressive work ends with a lively toccata which is complemented by an expressive adagio in the middle.

[FR]
'Valet will ich dir geben Du arge, falsche Welt' Based on the sacred poem of Valerius Herberger and written in the style of Melchior Teschner's chorale melody, the French composer Naji Hakim (*1955) wrote a moving work for choir and organ. The five chorale variations lead from heavenly joy in the choral parts to a charming setting for solo organ; then Hakim moves on to a setting for a cappella choir and a canon for soprano and alto with organ accompaniment. The expressive work ends with a lively toccata which is complemented by an expressive adagio in the middle.