Mosaïques Karel Husa

Titel (DE): Mosaïques -
Titel (EN): Mosaïques -
Titel (FR): Mosaïques -
Komponist / Composer: Husa, Karel
Herausgeber / Editor:
Bearbeiter / Arranger:
Illustrator:
Opus:
Werkverzeichnis:
Besetzung / Instrumentation: Orchester / orchestra
Besetzungsdetails: Picc. · 1 · 1 · Engl. Hr. · 1 · Bassklar. · 1 - 2 · 2 · 2 · 0 - P.S. (hg. Beck. · kl. Gong · gr. Gong · Gl. · Wirbeltr. · kl. Tr. · gr. Tr. · Woodbl. · Xyl. · Vibr. · Marimba) (4 Spieler) - Hfe. · Cel. · Klav. - Str.
Kompositionsjahr / Date of Composition: 1960
Aufführungsdauer / Duration: 15'
Verlag / Publisher: Schott Music
Erscheindungsdatum / Date of Publishing: 22.10.2002
Ausgabe / Publication: Studienpartitur - Study score -
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Seiten / Pages: 51
Verarbeitung: Rückendrahtheftung - Saddle-wire stitching
Schwierigkeitsgrad / Difficulty: - -
Sprache / Language:
Reihe / Series: Musik unserer Zeit
ISMN: M-001-13163-6
ISMN-13: 979-0-001-13163-6
ISMN-EAN: 9790001131636
UPC:

To celebrate the 80th birthday of this respected Czech-American composer, Schott is publishing this study score of one of his many orchestral works. Husa, born in Prag, won a scholarship to study with Arthur Honegger and Nadia Boulanger at the Paris Conservatoire and later became professor for composition and conducting at Cornell University, New York. Mosaïques' originated during a period when Husa's music was influenced by the Neoclassicism of Honegger and Stravinsky but also contained folkloristic elements as found in the works of Janácek and Bartók.

[FR]
To celebrate the 80th birthday of this respected Czech-American composer, Schott is publishing this study score of one of his many orchestral works. Husa, born in Prag, won a scholarship to study with Arthur Honegger and Nadia Boulanger at the Paris Conservatoire and later became professor for composition and conducting at Cornell University, New York. Mosaïques' originated during a period when Husa's music was influenced by the Neoclassicism of Honegger and Stravinsky but also contained folkloristic elements as found in the works of Janácek and Bartók.