Van Gogh Blue : Julian Anderson

Titel (DE): Van Gogh Blue - for ensemble
Titel (EN): Van Gogh Blue - for ensemble
Titel (FR): Van Gogh Blue - for ensemble
Komponist / Composer: Anderson, Julian
Herausgeber / Editor:
Bearbeiter / Arranger:
Illustrator:
Opus:
Werkverzeichnis:
Besetzung / Instrumentation: Ensemble / ensemble
Besetzungsdetails: fl(pic).2cl(1.Ebcl, 2.bcl)-pno.hp-vla.vc.db
Kompositionsjahr / Date of Composition: 2015
Aufführungsdauer / Duration: 19'
Verlag / Publisher: Schott Music Ltd., London
Erscheindungsdatum / Date of Publishing: 08.07.2016
Ausgabe / Publication: Studienpartitur - Study score -
- - -
Seiten / Pages: 56
Verarbeitung: Rückendrahtheftung - Saddle-wire stitching
Schwierigkeitsgrad / Difficulty: - -
Sprache / Language:
Reihe / Series: Musik unserer Zeit
ISMN: M-2201-3720-4
ISMN-13: 979-0-2201-3720-4
ISMN-EAN: 9790220137204
UPC: 841886028883

The starting point was the collected letters of Vincent van Gogh. In spite of the tragedies for which van Gogh is best known, his letters are filled with joyous exuberance for the practical considerations of his work: what he will paint next and, most importantly, what colours he will use. For Julian Anderson, it seems the painter relishes the sheer stuff of which his art is made'. In Van Gogh Blue, Anderson relishes the sheer stuff of which his own art is made. It's a very physical, highly contrasted work about the joy of sound. Instrumental colour plays a large role, and Anderson's use of two mobile clarinetists allows extra colour as their sound moves through the acoustic space of the hall.

I L'Aube, soleil naissant - II Les Vignobles - III Les Alpilles - IV Eygalieres - V la nuit, peindre les étoiles (le 25 mai 1889, 4:40am)

[FR]
The starting point was the collected letters of Vincent van Gogh. In spite of the tragedies for which van Gogh is best known, his letters are filled with joyous exuberance for the practical considerations of his work: what he will paint next and, most importantly, what colours he will use. For Julian Anderson, it seems the painter relishes the sheer stuff of which his art is made'. In Van Gogh Blue, Anderson relishes the sheer stuff of which his own art is made. It's a very physical, highly contrasted work about the joy of sound. Instrumental colour plays a large role, and Anderson's use of two mobile clarinetists allows extra colour as their sound moves through the acoustic space of the hall.

I L'Aube, soleil naissant - II Les Vignobles - III Les Alpilles - IV Eygalieres - V la nuit, peindre les étoiles (le 25 mai 1889, 4:40am)