Durham Concerto für Violine, Jon Lord

Titel (DE): Durham Concerto - für Violine, Violoncello, Northumbrian pipes, Hammondorgel und Orchester
Titel (EN): Durham Concerto - for violin, cello, Northumbrian pipes, hammond organ and orchestra
Titel (FR): Durham Concerto - for violin, cello, Northumbrian pipes, hammond organ and orchestra
Komponist / Composer: Lord, Jon
Herausgeber / Editor: Mann, Paul
Bearbeiter / Arranger:
Illustrator:
Opus:
Werkverzeichnis:
Besetzung / Instrumentation: Violine, Violoncello, Northumbrian pipes, Hammond-Orgel und Orchester / violin, cello, Northumbrian pipes, Hammond-organ and orchestra
Besetzungsdetails: 3 (3. auch Picc.) · 2 · Engl. Hr. · Es-Klar. · 2 · Bassklar. · 2 · Kfg. - 4 · 3 (1. auch Flhr. ad lib., 3. auch Piccolotr.) · 3 · 1 - P. S. (Glsp. · Xyl. · Marimb. · Röhrengl. · Trgl. · Schlittengl. · häng. Beck. · Beckenpaar · Tamt. · Schellentr. · Tomt. · kl. Tr. · gr. Tr. · Woodbl.) (5 Spieler) - Cel. · Hfe. (ad lib.2) - Str. (16 · 14 · 12 · 10 · 8 - Minimum: 14 · 12 · 10 · 8 · 6)
Kompositionsjahr / Date of Composition: 2007 (2017)
Aufführungsdauer / Duration: 57'
Verlag / Publisher: Schott Music
Erscheindungsdatum / Date of Publishing: 20.11.2019
Ausgabe / Publication: Studienpartitur - Study score -
- - -
Seiten / Pages: 146
Verarbeitung: Rückendrahtheftung - Saddle-wire stitching
Schwierigkeitsgrad / Difficulty: - -
Sprache / Language:
Reihe / Series: Musik unserer Zeit
ISMN: M-001-20819-2
ISMN-13: 979-0-001-20819-2
ISMN-EAN: 9790001208192
UPC: 842819108696

The general inspiration for the music was an idea of Durham, garnered from two or three short visits and a reading of a short history so a sort of Durham of the mind, a stylized Durham; my' Durham, if you will, imagined into music. However, the defining inspiration for the piece was the Cathedral. My first visit to Durham in 2001 saw me standing open-mouthed on Palace Green, and then in silent awe as I walked into that formidable magnificence inside. Most of the themes came from the days immediately following my first experience of this extraordinary, inspiring building. The feeling that the very stones and pillars themselves are imbued with centuries of prayer, with people's joy, grief, despair, even anger; gratitude and hope. As the tunes and chords and sounds started to organize themselves in my mind and onto manuscript paper, I realized that I was writing a sort of day in the life of Durham, and that the Cathedral would be its beginning, would be in its middle, and would be at its ending. The piece consists of six pictures' arranged into three parts the morning, afternoon and evening of this imaginary Durham city. Jon Lord, 2017

Part 1: Morning - I The Cathedral at Dawn - II Durham Awakes - Part 2: Afternoon - I The Road from Lindisfarne - II From Prebends Bridge - Part 3: Evening - I Rags and Galas - II Nocturne

[FR]
The general inspiration for the music was an idea of Durham, garnered from two or three short visits and a reading of a short history so a sort of Durham of the mind, a stylized Durham; my' Durham, if you will, imagined into music. However, the defining inspiration for the piece was the Cathedral. My first visit to Durham in 2001 saw me standing open-mouthed on Palace Green, and then in silent awe as I walked into that formidable magnificence inside. Most of the themes came from the days immediately following my first experience of this extraordinary, inspiring building. The feeling that the very stones and pillars themselves are imbued with centuries of prayer, with people's joy, grief, despair, even anger; gratitude and hope. As the tunes and chords and sounds started to organize themselves in my mind and onto manuscript paper, I realized that I was writing a sort of day in the life of Durham, and that the Cathedral would be its beginning, would be in its middle, and would be at its ending. The piece consists of six pictures' arranged into three parts the morning, afternoon and evening of this imaginary Durham city. Jon Lord, 2017

Part 1: Morning - I The Cathedral at Dawn - II Durham Awakes - Part 2: Afternoon - I The Road from Lindisfarne - II From Prebends Bridge - Part 3: Evening - I Rags and Galas - II Nocturne

Violoncello, Northumbrian Pipes, Hammond-Orgel und Orchester Studienpartitur