Konzert G-Dur Nr.1 : für John Baston

Titel (DE): Concerto No. 1 G-Dur -
Titel (EN): Concerto No. 1 G Major -
Titel (FR): Concerto No. 1 G Major -
Komponist / Composer: Baston, John
Herausgeber / Editor: Thomas, Bernard
Bearbeiter / Arranger:
Illustrator:
Opus:
Werkverzeichnis:
Besetzung / Instrumentation: Alt-Blockflöte, Streicher und Basso continuo / treble recorder, strings and basso continuo
Besetzungsdetails:
Kompositionsjahr / Date of Composition:
Aufführungsdauer / Duration: 10'
Verlag / Publisher: Schott Music Ltd., London
Erscheindungsdatum / Date of Publishing: 18.02.1991
Ausgabe / Publication: Stimmensatz - Set of parts - 5 Violinen I, 5 Violinen II, 3 Violen, 5 Violoncelli/B.c.
5 Violins I, 5 Violins II, 3 Violas, 5 Cellos/B.c. - - -
Seiten / Pages: 68
Verarbeitung: Rückendrahtheftung - Saddle-wire stitching
Schwierigkeitsgrad / Difficulty: mittelschwer - fortgeschritten - intermediate - advanced - moyen - avancé
Sprache / Language:
Reihe / Series:
ISMN: M-2201-0010-9
ISMN-13: 979-0-2201-0010-9
ISMN-EAN: 9790220100109
UPC:

With these new editions, all six recorder concertos of John Baston are now available, each with score, piano score and parts. The thor-oughly edited scores follow essentially the first edition printed by John Walsh in London in 1729. Baston was regarded as an excellent recorder and flute player who worked with London opera orchestras in the early 18th century. His easy concertos anticipating the elegant melody of the early classical period enjoy great popularity representing a rewarding task for music school orchestras and advanced recorder players.

[FR]
With these new editions, all six recorder concertos of John Baston are now available, each with score, piano score and parts. The thor-oughly edited scores follow essentially the first edition printed by John Walsh in London in 1729. Baston was regarded as an excellent recorder and flute player who worked with London opera orchestras in the early 18th century. His easy concertos anticipating the elegant melody of the early classical period enjoy great popularity representing a rewarding task for music school orchestras and advanced recorder players.