Musicalisches Opfer BWV1079 Johann Sebastian Bach

Titel (DE): Musicalisches Opfer BWV 1079 - Partitur nach Bachs Erstdruck von 1747 mit Faksimile-Beilage
Titel (EN): Musical Offering (Musical Sacrifice) BWV 1079 - Score based on Bach's first edition of 1747 with inserted facsimile
Titel (FR): Offrande Musicale (Sacrifice Musical) BWV 1079 - Partition d'après la première édition de Bach de 1747 avec un fac-similé
Komponist / Composer: Bach, Johann Sebastian
Herausgeber / Editor: Dentler, Hans-Eberhard
Bearbeiter / Arranger:
Illustrator:
Opus:
Werkverzeichnis: BWV 1079
Besetzung / Instrumentation: /
Besetzungsdetails:
Kompositionsjahr / Date of Composition:
Aufführungsdauer / Duration:
Verlag / Publisher: Schott Music
Erscheindungsdatum / Date of Publishing: 26.11.2012
Ausgabe / Publication: Partitur - Score - mit Faksimile-Beilage
with inserted facsimile - - -
Seiten / Pages: 166
Verarbeitung: Leinen - Cloth
Schwierigkeitsgrad / Difficulty: - -
Sprache / Language: Deutsch Englisch Französisch
Reihe / Series:
ISMN: M-001-17953-9
ISMN-13: 979-0-001-17953-9
ISMN-EAN: 9790001179539
UPC: 841886017771

The story of how the composition of this work came to pass is well-known and frequently documented: Bach's encounter with Frederick the Great and the story of the 'royal theme' which the King of Prussia 'deigned to play' on a pianoforte and which Bach 'was to execute in a fugue'. The sequence of the individual movements of the composition, however, has been uncertain up to now. After an extensive theoretical examination of this problem in his book 'Johann Sebastian Bachs Musicalisches Opfer', the editor now presents his results in the form of a clothbound volume. The corresponding set of parts is also available (ED 20525).

[FR]
The story of how the composition of this work came to pass is well-known and frequently documented: Bach's encounter with Frederick the Great and the story of the 'royal theme' which the King of Prussia 'deigned to play' on a pianoforte and which Bach 'was to execute in a fugue'. The sequence of the individual movements of the composition, however, has been uncertain up to now. After an extensive theoretical examination of this problem in his book 'Johann Sebastian Bachs Musicalisches Opfer', the editor now presents his results in the form of a clothbound volume. The corresponding set of parts is also available (ED 20525).