Esurientes implevit bonis BWV243 : Johann Sebastian Bach

Titel (DE): Aria "Esurientes" BWV 243 - aus "Magnificat" (1. Fassung)
Titel (EN): Aria "Esurientes" BWV 243 - from "Magnificat" (First Version)
Titel (FR): Aria "Esurientes" BWV 243 - from "Magnificat" (First Version)
Komponist / Composer: Bach, Johann Sebastian
Herausgeber / Editor: Dürr, Alfred
Bearbeiter / Arranger:
Illustrator:
Opus:
Werkverzeichnis: BWV 243
Besetzung / Instrumentation: Alt, 2 Alt-Blockflöten und Basso continuo; Violoncello ad libitum / alto voice, 2 treble recorders and basso continuo; cello ad libitum
Besetzungsdetails:
Kompositionsjahr / Date of Composition:
Aufführungsdauer / Duration:
Verlag / Publisher: Schott Music Ltd., London
Erscheindungsdatum / Date of Publishing: 30.06.2001
Ausgabe / Publication: Partitur und Stimmen - Score and parts -
- - -
Seiten / Pages:
Verarbeitung: Rückendrahtheftung - Saddle-wire stitching
Schwierigkeitsgrad / Difficulty: - -
Sprache / Language: Lateinisch
Reihe / Series: Edition Schott
ISMN: M-2201-2493-8
ISMN-13: 979-0-2201-2493-8
ISMN-EAN: 9790220124938
UPC:

When Bach performed his Magnificat for the first time on Christmas Day 1723, the accompanying parts of the alto aria "Esurientes" were played on two treble (alto) recorders in F. Later, when Bach re-wrote the Magnificat, he transposed the whole work down a semitone (from E flat to D). The recorder parts of the alto aria, transposed from F to E, where now too low for these instruments and had to be given to the flutes, obviously more for practical than aesthetical reasons. The reprint of the first version will be welcomed by recorder players.Alfred Dürr

[FR]
When Bach performed his Magnificat for the first time on Christmas Day 1723, the accompanying parts of the alto aria "Esurientes" were played on two treble (alto) recorders in F. Later, when Bach re-wrote the Magnificat, he transposed the whole work down a semitone (from E flat to D). The recorder parts of the alto aria, transposed from F to E, where now too low for these instruments and had to be given to the flutes, obviously more for practical than aesthetical reasons. The reprint of the first version will be welcomed by recorder players.Alfred Dürr