Con brio : für Orchester Jörg Widmann

Titel (DE): Con brio - Konzertouvertüre für Orchester
Titel (EN): Con brio - Konzertouvertüre für Orchester
Titel (FR): Con brio - Konzertouvertüre für Orchester
Komponist / Composer: Widmann, Jörg
Herausgeber / Editor:
Bearbeiter / Arranger:
Illustrator:
Opus:
Werkverzeichnis:
Besetzung / Instrumentation: Orchester / orchestra
Besetzungsdetails: 2 (2. auch Picc.) · 2 · 2 · 2 - 2 · 2 · 0 · 0 - P. - Str. (14 · 12 · 10 · 8 · 6)
Kompositionsjahr / Date of Composition: 2008
Aufführungsdauer / Duration: 12'
Verlag / Publisher: Schott Music
Erscheindungsdatum / Date of Publishing: 23.05.2013
Ausgabe / Publication: Studienpartitur - Study score -
- - -
Seiten / Pages: 78
Verarbeitung: Rückendrahtheftung - Saddle-wire stitching
Schwierigkeitsgrad / Difficulty: - -
Sprache / Language:
Reihe / Series: Musik unserer Zeit
ISMN: M-001-18691-9
ISMN-13: 979-0-001-18691-9
ISMN-EAN: 9790001186919
UPC:

It was at the suggestion of the conductor of the World Première, Mariss Jansons, that Jörg Widmann refers to musical characteristics of Beethoven's 7th and 8th Symphony. His starting points primarily are specific fast types of movement in the Beethoven works which he translates into his tonal language. Widmann has chosen the same instrumentation as the Beethoven symphonies and takes on the task of causing a similar stir and rhythmic pressure' (Widmann) with these economical means.
"...a wonderful 12 minutes of magic and humour, brilliantly scored..." (Ivan Hewett / The Telegraph, 2009)

[FR]
It was at the suggestion of the conductor of the World Première, Mariss Jansons, that Jörg Widmann refers to musical characteristics of Beethoven's 7th and 8th Symphony. His starting points primarily are specific fast types of movement in the Beethoven works which he translates into his tonal language. Widmann has chosen the same instrumentation as the Beethoven symphonies and takes on the task of causing a similar stir and rhythmic pressure' (Widmann) with these economical means.
"...a wonderful 12 minutes of magic and humour, brilliantly scored..." (Ivan Hewett / The Telegraph, 2009)