Sinfonie Nr.6 : für 2 Orchester Hans Werner Henze
Titel (DE): Sinfonia N. 6 - Neufassung 1994
Titel (EN): Sinfonia N. 6 - New Version 1994
Titel (FR): Sinfonia N. 6 - New Version 1994
Komponist / Composer: Henze, Hans Werner
Herausgeber / Editor:
Bearbeiter / Arranger:
Illustrator:
Opus:
Werkverzeichnis:
Besetzung / Instrumentation: 2 Orchester / 2 orchestra
Besetzungsdetails: Orchester I: 2 (2. auch Picc.) · 0 · Engl. Hr. · 0 · Bassklar. · 2 (2. auch Kfg.) - 2 · 0 · 3 · 0 - S (I: 3 Bong. · Glsp. · Vibr.; III: Tamt. · kl. Tr. · gr. Tr. · Metallplatte · 3 Kuhgl.) - Git. (auch Banjo oder Charango mit Kontaktmikr. ad lib.) · Hfe. · Klav. - Str. (6 · 6 · 6 · 6 · 4)
Orchester II: 0 · Altfl. · 2 · 2 (2. auch Piccoloklar.) · Tenorsax. · 0 - 2 · 3 (3. auch Trp. in hoch B) · 0 · 0 - P. S. (II: Mar. · hg. Bambusstäbe · Kettenrassel auf Beck. · Kettenrassel auf Paukenfell · Marimba; IV: 3 hg. Beck. · Tamt. · 9 Tomt. · Guiro · Metallplatte) - E-Org. (Beat-Org.) - Violine mit Kontaktmikr. - Str. (6 · 6 · 6 · 6 · 4)
Kompositionsjahr / Date of Composition: 1969 (1994)
Aufführungsdauer / Duration: 40'
Verlag / Publisher: Schott Music
Erscheindungsdatum / Date of Publishing: 28.08.2006
Ausgabe / Publication: Studienpartitur - Study score -
- - -
Seiten / Pages: 156
Verarbeitung: Broschur - Paperback/Softcover
Schwierigkeitsgrad / Difficulty: - -
Sprache / Language:
Reihe / Series: Musik unserer Zeit
ISMN: M-001-14482-7
ISMN-13: 979-0-001-14482-7
ISMN-EAN: 9790001144827
UPC:
Titel (EN): Sinfonia N. 6 - New Version 1994
Titel (FR): Sinfonia N. 6 - New Version 1994
Komponist / Composer: Henze, Hans Werner
Herausgeber / Editor:
Bearbeiter / Arranger:
Illustrator:
Opus:
Werkverzeichnis:
Besetzung / Instrumentation: 2 Orchester / 2 orchestra
Besetzungsdetails: Orchester I: 2 (2. auch Picc.) · 0 · Engl. Hr. · 0 · Bassklar. · 2 (2. auch Kfg.) - 2 · 0 · 3 · 0 - S (I: 3 Bong. · Glsp. · Vibr.; III: Tamt. · kl. Tr. · gr. Tr. · Metallplatte · 3 Kuhgl.) - Git. (auch Banjo oder Charango mit Kontaktmikr. ad lib.) · Hfe. · Klav. - Str. (6 · 6 · 6 · 6 · 4)
Orchester II: 0 · Altfl. · 2 · 2 (2. auch Piccoloklar.) · Tenorsax. · 0 - 2 · 3 (3. auch Trp. in hoch B) · 0 · 0 - P. S. (II: Mar. · hg. Bambusstäbe · Kettenrassel auf Beck. · Kettenrassel auf Paukenfell · Marimba; IV: 3 hg. Beck. · Tamt. · 9 Tomt. · Guiro · Metallplatte) - E-Org. (Beat-Org.) - Violine mit Kontaktmikr. - Str. (6 · 6 · 6 · 6 · 4)
Kompositionsjahr / Date of Composition: 1969 (1994)
Aufführungsdauer / Duration: 40'
Verlag / Publisher: Schott Music
Erscheindungsdatum / Date of Publishing: 28.08.2006
Ausgabe / Publication: Studienpartitur - Study score -
- - -
Seiten / Pages: 156
Verarbeitung: Broschur - Paperback/Softcover
Schwierigkeitsgrad / Difficulty: - -
Sprache / Language:
Reihe / Series: Musik unserer Zeit
ISMN: M-001-14482-7
ISMN-13: 979-0-001-14482-7
ISMN-EAN: 9790001144827
UPC:
Symphony No. 6 was created in the late 1960s, and was first performed in Havana on 26. November 1969 by the Cuban National Orchestra under my direction. This symphony reflects not only the excited atmosphere of awakening during those years but also my efforts to include in the composition the large number of new human and artistic stimuli that I experienced at that time. So the banjo starts to play a Vietnamese song of freedom ("Stars in the Night"), later the first bars of Mikis Theodorakis hymn of freedom is heard. The second movement is based on the poem "Fe de erratas" (errata sheet) by Miguel Barnet. In the original version, the three parts of the symphony merge without interruption. In the revised version, I separated them to make it easier for the audience to register the caesuras which are also internal caesuras as regards content. Apart from strengthening the string sound, the most significant alternation in comparison to the first version is that I fully composed all of the "aleatoric" passages and pitches which originally were to be freely improvised as was the fashion at that time. Thus I wanted to free them the realm of chance and indeterminacy and to bring them back into my artistic control. - Hans Werner Henze
I Allegro con moto - II Lento - III Allegro vivace
I Allegro con moto - II Lento - III Allegro vivace
[FR]
Symphony No. 6 was created in the late 1960s, and was first performed in Havana on 26. November 1969 by the Cuban National Orchestra under my direction. This symphony reflects not only the excited atmosphere of awakening during those years but also my efforts to include in the composition the large number of new human and artistic stimuli that I experienced at that time. So the banjo starts to play a Vietnamese song of freedom ("Stars in the Night"), later the first bars of Mikis Theodorakis hymn of freedom is heard. The second movement is based on the poem "Fe de erratas" (errata sheet) by Miguel Barnet. In the original version, the three parts of the symphony merge without interruption. In the revised version, I separated them to make it easier for the audience to register the caesuras which are also internal caesuras as regards content. Apart from strengthening the string sound, the most significant alternation in comparison to the first version is that I fully composed all of the "aleatoric" passages and pitches which originally were to be freely improvised as was the fashion at that time. Thus I wanted to free them the realm of chance and indeterminacy and to bring them back into my artistic control. - Hans Werner Henze
I Allegro con moto - II Lento - III Allegro vivace
Symphony No. 6 was created in the late 1960s, and was first performed in Havana on 26. November 1969 by the Cuban National Orchestra under my direction. This symphony reflects not only the excited atmosphere of awakening during those years but also my efforts to include in the composition the large number of new human and artistic stimuli that I experienced at that time. So the banjo starts to play a Vietnamese song of freedom ("Stars in the Night"), later the first bars of Mikis Theodorakis hymn of freedom is heard. The second movement is based on the poem "Fe de erratas" (errata sheet) by Miguel Barnet. In the original version, the three parts of the symphony merge without interruption. In the revised version, I separated them to make it easier for the audience to register the caesuras which are also internal caesuras as regards content. Apart from strengthening the string sound, the most significant alternation in comparison to the first version is that I fully composed all of the "aleatoric" passages and pitches which originally were to be freely improvised as was the fashion at that time. Thus I wanted to free them the realm of chance and indeterminacy and to bring them back into my artistic control. - Hans Werner Henze
I Allegro con moto - II Lento - III Allegro vivace
Product information
Order id: 9060
Difficulty: -
Duration: 40 min
Pages: 156
publisher id: ED 9606
EAN: 9790001144827
Difficulty: -
Duration: 40 min
Pages: 156
publisher id: ED 9606
EAN: 9790001144827
Composer: Hans Werner Henze
Arranger: -
Publisher: Schott Music - Music Distribution Services
Instrumentation: Orchester / Sinfonieorchester / Orchestra / Full Orchestra
Arranger: -
Publisher: Schott Music - Music Distribution Services
Instrumentation: Orchester / Sinfonieorchester / Orchestra / Full Orchestra
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