SINFONIE NR. 7 : FUER ORCHESTER, Hans Werner Henze

Titel (DE): Symphonie Nr. 7 -
Titel (EN): Symphony No. 7 -
Titel (FR): Symphony No. 7 -
Komponist / Composer: Henze, Hans Werner
Herausgeber / Editor:
Bearbeiter / Arranger:
Illustrator:
Opus:
Werkverzeichnis:
Besetzung / Instrumentation: großes Orchester / large orchestra
Besetzungsdetails: 4 (2., 3. auch Picc., 4. auch Altfl.) · 2 · Engl. Hr. · Heckelphon · 4 (4. auch Bassklar.) · Kb.-Klar. · 4 (4. auch Kfg.) - 6 · 4 · 3 · Basspos. · Kb.-Pos. · 1 - P. S. (I: 2 Tamt. · 2 Bong. · 6 Tomt. · Mar. · Glsp. · Röhrengl.; II: kl. Tr. · 2 Bong. · gr. Tr. · Glsp. · Marimba · chin. Gong; III: 3 hg. Beck. · 3 Tamt. · Schellentr. · Guiro · Peitsche · Vibr. · Fingerzimb.) (3 Spieler) - Hfe. · Cel. · Klav. - Str.
Kompositionsjahr / Date of Composition: 1983 (1984)
Aufführungsdauer / Duration: 46'
Verlag / Publisher: Schott Music
Erscheindungsdatum / Date of Publishing: 31.05.1985
Ausgabe / Publication: Dirigier- und Studienpartitur - Full and study score -
- - -
Seiten / Pages: 148
Verarbeitung: Klebebindung - Klebebindung
Schwierigkeitsgrad / Difficulty: schwer - difficult - difficile
Sprache / Language:
Reihe / Series: Musik unserer Zeit
ISMN: M-001-07669-2
ISMN-13: 979-0-001-07669-2
ISMN-EAN: 9790001076692
UPC:

In this work, I had wanted completely to submit to the traditional rules of the classical symphony so as to mould my musical expression as if in a furnace and enable it to reach the listener as directly and clearly as possible. The first movement is a kind of German dance, an Allemande, so to speak; the second one a Lied. The third, in strict scherzo-form, is a representation of the sufferings of the German poet Friedrich Hölderlin, in Dr. Autenriedth's mental institution in Tübingen. The last movement is a setting of Hölderlin's poem "Half of Live". - Hans Werner Henze

I. Tanz - II. Ruhig bewegt - III. Unablässig in Bewegung - IV. Ruhig, verhalten

[FR]
In this work, I had wanted completely to submit to the traditional rules of the classical symphony so as to mould my musical expression as if in a furnace and enable it to reach the listener as directly and clearly as possible. The first movement is a kind of German dance, an Allemande, so to speak; the second one a Lied. The third, in strict scherzo-form, is a representation of the sufferings of the German poet Friedrich Hölderlin, in Dr. Autenriedth's mental institution in Tübingen. The last movement is a setting of Hölderlin's poem "Half of Live". - Hans Werner Henze

I. Tanz - II. Ruhig bewegt - III. Unablässig in Bewegung - IV. Ruhig, verhalten