I sentimenti di Carl Philipp Emanuel Bach : Hans Werner Henze / Arr. Hans Werner Henze

Titel (DE): I sentimenti di Carl Philipp Emanuel Bach - Trascrizione di Hans Werner Henze per flauto, arpa e archi dalla Clavier-Fantasie con accompagnamente di un violino (1787)
Titel (EN): I sentimenti di Carl Philipp Emanuel Bach - Transcription by Hans Werner Henze for flute, harp and strings of the Clavier-Fantasie with violin accompaniment (1787)
Titel (FR): I sentimenti di Carl Philipp Emanuel Bach - Transcription by Hans Werner Henze for flute, harp and strings of the Clavier-Fantasie with violin accompaniment (1787)
Komponist / Composer: Bach, Carl Philipp Emanuel / Henze, Hans Werner
Herausgeber / Editor:
Bearbeiter / Arranger:
Illustrator:
Opus:
Werkverzeichnis:
Besetzung / Instrumentation: Flöte, Harfe und Streichorchester / flute, harp and string orchestra
Besetzungsdetails: Fassung für kleines Kammerorchester: Fl. solo - Hfe. solo - Str. (4 · 0 · 2 · 2 · 1)
Fassung für großes Kammerorchester: Fl. solo - Hfe. solo - 2 Vl. solo · Va. solo · Vc. solo - Str.
Kompositionsjahr / Date of Composition: 1982
Aufführungsdauer / Duration: 17'
Verlag / Publisher: Schott Music
Erscheindungsdatum / Date of Publishing: 30.07.2007
Ausgabe / Publication: Studienpartitur - Study score -
- - -
Seiten / Pages: 38
Verarbeitung: Rückendrahtheftung - Saddle-wire stitching
Schwierigkeitsgrad / Difficulty: - -
Sprache / Language:
Reihe / Series: Musik unserer Zeit
ISMN: M-001-12634-2
ISMN-13: 979-0-001-12634-2
ISMN-EAN: 9790001126342
UPC:

I originally wrote this piece as a piéce d'occasion for the Accademia Filarmonica Romana, to complement the Mozart Concerto for flute, harp and strings. Retaining the note values of the original with exactitude, I have to set C. P. E. Bach's Fantasy-Sonata for piano and violin of 1787 for solo flute, harp and strings. I was my purpose to project the extremely interesting and expressive harmonic material of this composition into a larger instrumental apparatus and thereby to make its future-oriented harmonic structures more manifest and plastic. The strings can be presented in two different forms: either as a string quartet and a string quintet, or as string quartet and tutti strings. As will be seen, I have also attempted to loosen up and set in a concertante manner the sound of the strings in the spirit of early classic chamber music. - Hans Werner Henze

[FR]
I originally wrote this piece as a piéce d'occasion for the Accademia Filarmonica Romana, to complement the Mozart Concerto for flute, harp and strings. Retaining the note values of the original with exactitude, I have to set C. P. E. Bach's Fantasy-Sonata for piano and violin of 1787 for solo flute, harp and strings. I was my purpose to project the extremely interesting and expressive harmonic material of this composition into a larger instrumental apparatus and thereby to make its future-oriented harmonic structures more manifest and plastic. The strings can be presented in two different forms: either as a string quartet and a string quintet, or as string quartet and tutti strings. As will be seen, I have also attempted to loosen up and set in a concertante manner the sound of the strings in the spirit of early classic chamber music. - Hans Werner Henze