Concerto c-Moll Nr.9 : Georg Muffat

Titel (DE): Concerto IX - "Victoria Maesta"
Titel (EN): Concerto IX - "Victoria Maesta"
Titel (FR): Concerto IX - "Victoria Maesta"
Komponist / Composer: Muffat, Georg
Herausgeber / Editor: Kehr, Günter
Bearbeiter / Arranger:
Illustrator:
Opus:
Werkverzeichnis:
Besetzung / Instrumentation: Streichorchester / string orchestra
Besetzungsdetails:
Kompositionsjahr / Date of Composition:
Aufführungsdauer / Duration: 10'
Verlag / Publisher: Schott Music
Erscheindungsdatum / Date of Publishing: 30.06.1989
Ausgabe / Publication: Stimmensatz - Set of parts - 5 Violinen I, 5 Violinen II, 2 Violinen III/Viola, 2 Violen I, 2 Violen II, 5 Bassi
5 Violins I, 5 Violins II, 2 Violins III/Viola, 2 Violas I, 2 Violas II, 5 Bassi - - -
Seiten / Pages: 86
Verarbeitung: -
Schwierigkeitsgrad / Difficulty: mittelschwer - fortgeschritten - intermediate - advanced - moyen - avancé
Sprache / Language:
Reihe / Series:
ISMN: M-001-02311-5
ISMN-13: 979-0-001-02311-5
ISMN-EAN: 9790001023115
UPC:

Muffat, pupil of Lully and Corelli, composed his concerto Victoria Maesta (Sad Victory) in 1689 as organist and chamber musician in the court of the archbishop of Salzburg. The title refers to the taking of Belgrad during which the archbishop's brother was killed in 1688; therefore the piece begins with a solemn funeral march in C minor, in elaborate and artistic contrapuntal technique in the sense of Corelli's adagio type.

Sonata - Aria - Sarabanda - Borea

[FR]
Muffat, pupil of Lully and Corelli, composed his concerto Victoria Maesta (Sad Victory) in 1689 as organist and chamber musician in the court of the archbishop of Salzburg. The title refers to the taking of Belgrad during which the archbishop's brother was killed in 1688; therefore the piece begins with a solemn funeral march in C minor, in elaborate and artistic contrapuntal technique in the sense of Corelli's adagio type.

Sonata - Aria - Sarabanda - Borea